In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
Community members discuss one of the informational posters on Banda history and archaeology launched at a 2011 community event. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman spinning cotton thread (right) and a man wearing a locally made blue-and-white strip-woven cloth (left). Archaeologists find spindle whorls used to make thread on late 18th-and early 19th-century archaeological sites. This shows that households produced their own cloth during recent centuries. Before the 17th century, cotton cloth seems to have been less common and was probably acquired through trade from market centers. Banda Cultural Centre, Ahenkro, June, 2016.
Ann Stahl shares photos from Banda Project Archives with the Banda Queen Mother and her Elders as part of a consultation process leading to the Banda Heritage repository. L-R: Ann Stahl, __, __, __. Ahenkro, 19 June, 2016.
Boase Chief Tolԑԑ Ligbi Wulotei (center) looks at pottery from Banda area archaeological sites while Banda Project team member Boye (far right) looks on. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event
Banda Research Project team member Samuel Babatu (white shirt) serves as a docent for one of the informational posters on Banda history and archaeology launched at a 2011 community event. Young people gather to listen as he discusses the poster's content. In the background, other project team-member docents (Boye, Kofi "Photo" Manu and Yaw Frimpong) share other posters. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
The Banda Queen Mother, (Lelԑԑ Akosua Kepefu) and her elders view archival photos on Ann Stahl's laptop. L-R: Afua Fofie, Lelԑԑ Kepefu and Lelԑԑ Yahͻͻ, Ann Stahl. Ahenkro, 19 June, 2016.
Children from Bui village fetch water from the nearby Black Volta River. They work together to hoist water-filled headpans in which they have placed leaves to stop the water from sloshing from the pan as they walk back to their homes. Bui, May, 2009.
Young people look at and talk about the"Banda in the 15th to 17th Centuries" informational poster during a Banda Heritage community event. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Banda Research Project team members present informational posters on Banda history and heritage to members of the Banda Traditional Council. Sampson Attah (kneeling, stripped shirt) describes the content of the "Learning about Life in the Past" poster to the paramount chief and elders. Project members James Anane (standing, red shirt) and Ann Stahl (kneeling, right) look on. Banda Ahenkro Palace, 11 July, 2011.
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate handicrafts practiced in the area for which we have archaeological evidence. Here Kwame K.B. 2 stands next to his painting of a woman carrying pottery to market. Ahenkro, 8 June, 2011.
Bridge spanning the Tombԑ River near Sabiye on the road from Menji to Ahenkro, view to the south. This is the route over which many of the supplies for construction of the Bui Dam arrived. The bridge is pictured here prior to the main dam construction (from December, 2009). Sabiye, June, 2008.
View from the north edge of Ahenkro of the road leading northward to Bongase and the Bui Dam site. Electricty poles and wires are visible on the roadside. The newly grated road of a year before has suffered erosion in the intervening rainy season. Ahenkro, June, 2009.
View to the north on the Bongase road, roughly 4 km southwest of Bongase. Electrical poles and wires run alongside the main road. The low-lying area of the road (ahead in the picture) was inundated by flood waters as the lake formed behind Bui Dam after 2013. A bypass had to be constructed and the road here became passable after the 2013 formation of Bui Lake only by a narrow foot bridge. June, 2009.
Banda Queen Mother Lelԑԑ Akosua Kepefu (center) shows an example of locally made strip-woven cloth to a young painter as a model for a painting on the Banda Cultural Centre doors. Enoch Mensah holds one end of the cloth. To the right, Afua Fofie, Linguist, looks on with artist Kwame K.B. 2. They stand on Ahenkro's main street (view towards the south). Ahenkro, 5 June, 2011.
View from the north edge of Ahenkro of the road leading northward to Bongase and the Bui Dam site. Newly installed electricty poles and wires are visible on the roadside. Ahenkro, June, 2008.
Boys dress in traditional attire for the annual Children's Day festivities sponsored by local schools. Seated in front is an adolescent dressed as a chief. He and the two boys standing behind him (center and right) wear cloths made by strip-weaving. A boy standing left holds a linguist staff. Ahenkro, 23 June, 2009.
Members of the 1990 archaeological excavation team at Makala Kataa. Team members included Banda men from Ahenkro and Makala. Back row (L-R): Kwasi Donkor, Donkor Johnson, __, Lamini, Kwasi Mensah (driver), Kwadwo Manu, Obour Bartholomew, Yaw Francis, Enoch Mensah, Mensah Listowell (red shirt). Front row (L-R) Daniel Mensah, Kwabena Mensah, Malik Abrefa, Ann Stahl, Yaw Frimpong, Osei Kofi. Also pictured are Peter Donkor and Richard Aboabo. Makala, July, 1990.
Members of the 1989 archaeological excavation team at Makala Kataa. Team members included Banda men from Ahenkro and Makala. Left-right: Enoch Mensah, Yaw Frimpong, Kwasi Donkor, Obour Bartholomew, ___, Osei Kofi, Samuel Babatu, Yaw Francis, Mustapha, Donkor Johnson. Makala Kataa, July, 1989.
Young girls dress in nubility attire for the annual Children's Day sponsored by local schools. They wear snail shell necklaces and have applied white paint to their face, chest and midriff. This attire is associated with the nubility ceremonies of groups from southern Ghana and is adopted here as a generic form of ritual costume. L-R: Yaa Naa (in profile); Akosua Kojie (yellow head scarf); Naomi (back row); Isha Brimah (vertical stripes); Atta Forkour (center front); Yaa Manu (behind); Florence (behind); Akua Yaa Wale (red & black head scarf); Shallot Vasco (far right). Ahenkro, 23 June, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Children's day; Nubility rites
Archaeological excavations of Mound 6 at Ngre Kataa in 2009 expose a workshop where blacksmiths produced iron and copper-alloy tools and ornaments. The mound is being excavated in 2 x 2 meter units named for the coordinates of their northeast corner. In unit 50N 0W (foreground), an area of burned soil marks the location where blacksmiths heated metals. A pottery jar sits in place to the right. In surrounding units (50N 2W, 48N 0W, 48N 2W) are large anvil stones where the hot metals would have been hammered and shaped through forging. The mound's stratified deposits suggest that the workshop area was used for many decades, and perhaps centuries, between the years of about 1350 and 1520 CE (Common Era). View across the mound from the northeast looking towards the southwest. Site Ngre Kataa. 27 June, 2009.
Recently paved road connecting Ahenkro with the Wenchi-Bamboi road (N12) via Kanka. Photo taken in-between Nyire and the Kanka traffic circle leading to Ahenkro. 9 July, 2011.
View to the south on the old Bongase road, Banda hills to the right, roughly 3 km southwest of Bongase. The low area (ahead in the road) was inundated by flood waters as the lake formed behind Bui Dam after 2012. A bypass has been constructed and the road here now passable only by a narrow foot bridge. 18 June, 2016.
Miniature lost wax cast spoon, perhaps a gold weight. From Ngre Kataa, Mound 7, Unit 14N 22E, Level 8. Length: 4.3 cm. Weight: 2.1 g. Ngre Kataa, 27 June, 2009.
A new road (known in the 1990s as the 4th Republic Road) connected Kanka directly to Ahenkro, first as a grated road and, after completion of Bui Dam, as a paved road. Viewed here from the north edge of Kanka, looking northward, Ahenkro is visible in the distance. 18 June, 2016.
Road leading into Ahenkro from the south with the Banda hills in the background. Two cell phone towers are visible on the south edge of town and electrical power lines run along the east side of the road. The new market building located on the south side of Ahenkro is visible at the point where the road curves in the distance. A motorized three-wheeled car and a motor cycle travel on the road ahead. Ahenkro, 19 June, 2016.
A crucible used to process copper alloys from Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12. Crucibles like this would have been used to heat copper alloys to a liquid state for use in casting, including casting through a lost-wax process. Scale in cm. Kuulo Kataa, 27 June, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Handicraft; Metal casting; Metalworking; Copper alloys; Lost wax casting; Archaeology; Lost-wax process; Crucibles; Artifacts (Antiquities)
View to the south on the Bongase road, roughly 1.7 km west of Bongase. The peak known as 'Chuli' is visible in mountain range to the right. 12 June, 2009.
View to the south on the Bongase road, roughly 3 km southwest of Bongase, with Banda hills visible to the right. The low area (ahead in the road) was inundated by flood waters as the lake formed behind Bui Dam after 2013. A bypass had to be constructed as this road became passable only by a narrow foot bridge. 12 June, 2009.
Finger ring made from twisted copper alloy wire. From Ngre Kataa, Mound 6, Unit 44N 4W, Level 5. Width: 2.3 cm. Weight: 1.6 g. Ngre Kataa, 8 July, 2009.
Construction of a new bridge to replace a long-used one over the Tombԑ River near Sabiye on the road from Menji to Ahenkro began in the 2010s. Its abutments are visible here, view to the north. Construction had stalled by 2016. Sabiye, 19 June, 2016.
Young girls dressed in the attire for Manaa Ndiom (puberty) and Bijam (wedding) rites as part of a cultural performance in Boase. The event was organized by the chief and elders of Boase and filmed by the Banda Heritage Local Committee. Front, L-R: ___, ____. Rear, L-R: ___, ___, ___. Boase, 11 Nov, 2018.
Banda farmers began planting cashew trees as a cash crop in the early 2000s. Farms dedicated to the production of this export crop, like this one along the road south of Bongase, are increasingly common across the area. Bongase, 14 November, 2018.
Canoes like this one were the boats long used by Ewe fishing families on the Black Volta River in this area. These can only be used for near-shore fishing on the newly formed Bui Lake because winds and waves on the open lake are dangerous to small boats. Visible in the lake are the trees inundated as lake waters rose behind Bui Dam. Bui Lake, near Bongase, June, 2016.
A youngster (Mamee) in the household carries water from a nearby borehole in a headpan. By her feet ( to the right) are the wall stubs of a cistern once fed by rainwater from the metal roof. A small white plastic barrel (center) placed by the hearth makes water conveniently available while cooking. Two coal pots are in use (behind the cat) and a small wooden mortar sits nearby. Ahenkro, July, 2008.
A youngster (Mamee) pours water from her headpan into a small white plastic barrel for storage and household use in cooking, drinking and bathing. Behind her, a light green plastic basin floats on top of the water in a full metal water barrel. Several wooden pestles are stored nearby. Fetching water for the household is typically the responsibility of older children. Depending on the size of the household, they may fetch water in the morning before going to school and again in the late afternoon. Ahenkro, July, 2008.
A clear-cut, tractor-plowed field at the base of the Banda hills, northwest of Ahenkro. Production of commercial tobacco in the 1980s and 1990s introduced clear cutting and tractor plowing to the area. Once opened up, these fields are not well suited for growing yams or intercropping. They are typically put to production of other cash crops. Northwest of Ahenkro, June, 2009.
Chief and Elders of Boase on the day of a cultural performance organized to showcase the Manaa Ndiom, Bijam and funeral songs and dances previously practiced in the community. Front, L-R: ___, ___, Boase chief Tolԑԑ Ligbi Wulotei, ____. Boase, 11 Nov, 2018.
Three spindles with painted spindle whorls made in Kokua in 1994 rest on a black-and-white strip-woven cloth worn by a woman attending the Banda Heritage Celebration held at the Banda Cultural Centre. In the past Banda area women used spindles and whorls like these to spin cotton thread. Ahenkro, 28 June, 2019.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre
Subjects Facet:
West African strip weaving; Textiles; Spinning; Spindle whorls
Storytelling is an entertaining way through which elders convey wisdom to younger people. Here three of Ahenkro's storytellers share stories at a Banda Heritage Event held at the Banda Cultural Centre. A film of the storytellers sharing tales can be accessed through the "iaff_works" link below. L-R, Idisa Yaya, Akosua Mattah, and Alhasa Watara. Ahenkro, 28 June, 2019.
Front view of the Banda Cultural Centre after repainting. The Centre provides space for community gatherings and guest rooms for Banda Research Project and other community visitors. The Centre's motto/logo is "Nyu nunu," (Nafaanra) or "Unity," symbolized by an Adinkra design showing two crocodiles who share the same stomach. Commissioned in 1995, the main building, pictured here, was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. The building is administered and maintained by the community. Ahenkro, 22 June, 2019.
This casted copper alloy Sankofa bird figure is in the Arts of Africa collection of the Brooklyn Museum. It is thought to be a gold weight. Gold weights were used to measure precise amounts of gold, in an elaborate system of weights, usually made of cast brass, developed by the seventeenth century. Gold weights took many forms: simple geometric shapes; animals, such as leopards or birds; objects, such as chairs or swords; and human figures. The figures, animals, and objects are often associated with proverbs. The sankofa bird, with head turned backward, represents the proverb “One must turn to the past to move forward.” This image is downloaded under a Creative Commons Attribution 3.0 Unported License.
An aerial view of Banda area settlements and roads, looking southeastward from the north side of Banda-Ahenkro, district administrative center since 2012 of the Banda District in Ghana's Bono (formerly Brong-Ahafo) Region. The linear range of Banda hills is visible in the background (right, top) with the compact core of Banda-Ahenkro center photo. To the west (right) and north (bottom), Ahenkro's houses are more dispersed than in its compact and older core. The left-hand fork of a Y-shaped road (center photo) is the main road that leads south towards Sabiye and Bofie to Menji. The right-hand fork is the now-bypassed old main road between Ahenkro and Kabruno. The road that extends horizontally across the left side of the photo is the paved road that extends from the Banda junction to the Wenchi-Bamboi road (N12). The clustered villages visible south of Ahenkro include Kanka, Kabruno, Sase, Gbao, Dompofie and Makala. To the west (photo's far right) of the Y-Junction, toward the base of the Banda hills, are light-green rectangular areas devoid of trees. These are fields once cleared for tobacco cultivation and now put to other forms of mono-cropping (single crop farming). To the east of Ahenkro (photo's far left) the angular straight edges and lighter green color of a cashew plantation stand out from the surrounding vegetation. Cashew has become an increasingly important cash crop grown in the area since the early 2000s. Two photos. Ahenkro, 25 June, 2019.
A wooden spindle thickly wrapped with cotton thread rests in a large calabash bowl. The bowl sits on a wooden stool adjacent to the legs of blue plastic chairs on which elder women sit at a Banda Heritage Celebration held at the Banda Cultural Centre. One woman wears a strip-woven textile made with black, white, red and yellow threads. Bottom right is the basket in which she stores her spinning supplies. Ahenkro, 28 June, 2019.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Cotton thread
Subjects Facet:
West African strip weaving; Gourd, Calabash; Textiles; Spinning
Several grinding stones, a whole pot and a cluster of pottery sherds have been exposed in situ at the base of level 3, unit 44N 4W at Mound 6, Ngre Kataa. The large grinding stone in the foreground (grinding stone 1, NK-08-112) is oriented with its grinding surface facing down. Another smaller stone rests on a soil pedestal created as archaeologists excavated surrounding soil to a lower level. Upper right, a whole pottery jar (NK-08-176) sits next to a large grinding stone (grinding stone 3, NK-08-173) oriented with its grinding surface up. To the far left, above the photo scale in centimeters, archaeologists have exposed the edges of a pottery jar, broken in half and lying on its side. As excavations extended into the adjacent unit (42N 4W, to the left), this broken pot was found to be associated with two tuyere fragments. This cluster of grindstones, tuyeres and nearby burned features is interpreted as part of a larger metal-working workshop, the activities of which led to the build up of mound 6. The soil on the right side of the unit is darker because it is moister than that on the left. View to west. Site Ngre Kataa. 1 July, 2008.
Banda Research Project team members Amanda Logan (right) and Amy Groleau (left) draw a plan map of units 44N 4W and 44N 6W, Mound 6, Ngre Kataa. They map in situ artifacts and features, including several large grinding stones, a whole pot, pottery clusters and a tuyere fragment. Wooden stakes mark the corners of 2 x 2 meter excavation units. A photo scale place near a partially exposed everted rim jar in unit 44N 6W (NK-08-407) is in 5 centimeter increments. Ngre Kataa, 7 July, 2008.
Excavations in unit 42N 4W have exposed clusters of pottery, grinding stones, tuyeres and an area of burned soil associated with metal working at Mound 6, Ngre Kataa. Foreground, left, a grinding stone (GS 08-10) rests with its working surface face down. It sits at a slightly higher level than a nearby (left) whole pottery jar (NK 08-406). To the right of these, a partial pot (NK 08-282) and a tuyere fragment (NK 08-284) are clustered together with two halves of a broken pottery jar, lying with its exterior surface facing down. To the south (behind), near the sign board and framed by photo scales, is a burned feature. Next to it sits a hand-held hammerstone (GS 08-11). Another partial pottery jar (NK 08-520) and a small flat grinding stone (GS 08-12) have been exposed to the left of the sign board at 77 cm below the unit's datum. The narrow dark bands visible in the soil are the traces of animal burrows. Photo scale adjacent to the sign board in centimeters. View looking south. Site Ngre Kataa. 7 July 2008.
A twinned lost wax cast copper alloy figurine from Ngre Kataa, Mound 6, Unit 44N 6W, Feature 5 cluster. Archaeologists interpret the Feature 5 cluster as a shrine placed among metalworking facilities. Height: 5.9 cm. Weight: 31.3 g. Ngre Kataa, 19 July, 2008.
A deeply worn grinding stone (grindstone 1, NK-08-112) removed from levels 1-2, unit 44N 4W, Mound 6, Ngre Kataa, photographed at the side of the excavation unit. The grinding stone was found in association with other grinding stones, tuyere fragments and whole and partial pots. When found, the grinding stone was oriented with its working surface facing downward. It was located adjacent to a concentration of dark soil (feature 1) that contained abundant oxidized sediment, slag and broken pottery. Archaeologists interpret the features at Mound 6 as facilities used to make and process metals. Photo scale in 5 centimeter increments. Ngre Kataa, 2 July, 2008.
The circular outline of a burned basin (Feature 3) is bracketed by photo scales (center) in unit 50N 4W (130 cm below the unit datum) at Mound 6. A pottery jar sits to the right side of the basin, its opening covered by a potsherd lid. To the left, a grinding stone sits, grinding surface down, over top of another pottery jar. Burned features like these were associated with metal working in this Mound 6 workshop area. Photo scale at bottom in centimeters. Site Ngre Kataa. 29 June, 2009.
The circular outline of a burned basin (Feature 3) is bracketed by photo scales (left of center) in unit 50N 4W (130 cm below the unit datum) at Mound 6. A pottery jar sits to the right side of the basin, its opening covered by a potsherd lid. To the left, a grinding stone sits, grinding surface down, over top of another pottery jar. Another grinding stone (far left) sits at a higher level in unit 50N 6W. A second burned feature is associated with a grinding stone tipped on its side, far right. Another pottery jar sits nearby, also lidded with a broken sherd. Burned features like these were associated with metal working in this Mound 6 workshop area. Photo scale at bottom in centimeters. Site Ngre Kataa. 29 June, 2009.
A finger ring made of twisted copper alloy wire is photographed in situ. Base of level 5, unit 44N 4W, Mound 6, Ngre Kataa. Scale in 5 centimeter increments. Ngre Kataa, 8 July, 2009.
A perforated pottery jar lidded with the pedestaled base of another pot sits in situ at the base of level 6, unit 46N 2W at Mound 6. The pot contained eight cowries and is interpreted by archaeologists as a shrine pot placed in association with metalworking facilities. Photo scale in 5 cm increments. Site Ngre Kataa. 24 June, 2009.
The mouth of a perforated shrine pot (left) is covered with the pedestaled base of another pot. It remains in situ as the surrounding areas of unit 46N 2W are excavated to lower levels. Behind, the stratified layers of Mound 6 are visible in the unit's north wall. Center (back) are a series of anvil and grinding stones exposed at higher mound levels in other excavation units. During excavations in 2008, a cluster of four anvil/grinding stones was found at a level slightly higher than but adjacent (left/west) to the perforated pot. At right, in lower levels, two grinding stones rest at an angle in association with a burned feature. Archaeologists interpret Mound 6 as a metallurgical workshop at which stratified levels built up through repeated use of the same location. Photo scale in centimeters. Site Ngre Kataa. 2 July, 2009.
Side view of a broken pottery sherd with a large slag inclusion. The use of crushed slag as a tempering material included in potting clay is first seen in pottery associated with Ngre phase sites in the Banda area. The use of crushed slag as a temper intensifies during Kuulo phase times, after which it becomes uncommon. Ngre Kataa, June, 2008.
The new Ahenkro market building was built on the site where a majestic kapok tree shading the outdoor marketplace formerly stood. The tree was downed in a severe storm in 1999/2000, after which the weekly market was moved to a nearby village. The new building houses commercial kiosks and storefronts for rent. View of the market's south side. Ahenkro, June, 2016.
A light-colored slurry plaster marks the outlines of earthen walls exposed through excavations at Mound 7, Ngre Kataa. The upside down "T" shape shows the intersection of two walls. The vertically oriented wall is made from a lighter colored clayey soil compared to the darker horizontally oriented wall. Both walls were coated on the inside and outside with a thin plaster, appearing as a light-colored thin line exposed as archaeologists excavated the horizontal level. A red-and-white photo scale lies across one of the walls near a north arrow and a photo board with provenience information. Ngre Kataa, 6 June, 2009.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 7, Unit 12N 24E, 80 cm below datum
A light-colored slurry plaster marks the outlines of earthen walls exposed through excavations at Mound 7, Ngre Kataa. View looking eastward. The L-shaped juncture where two walls intersect is visible (bottom). The interior and exterior of the walls were coated with a thin plaster, appearing as a light-colored thin line exposed by archaeologists as they dug down. A two-meter scale appears (left). To the right and outside the building is a cluster of stones, some perhaps used in food processing activities. Ngre Kataa, 6 June, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 7, Units 12N 24E and 12N 26E, 80 cm below datum
Date:
2009-06-06
Location(s) Facet:
Ngre Kataa
Subjects Facet:
Archaeology; Excavations (Archaeology); Building; Clay; Plastering; Walls; Grinding stone
A light-colored slurry plaster marks the outlines of earthen walls exposed through excavations at Mound 7, Ngre Kataa. View looking westward. The T-shaped juncture where two walls intersect is visible (center, top). The interior and exterior of the walls were coated with a thin plaster, appearing as a light-colored thin line exposed by archaeologists as they dug down. A two-meter scale appears (right) by a photo board. To the left and outside the building is a cluster of stones, some perhaps used in food processing activities. Ngre Kataa, 6 June, 2009.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 7, Units 12N 24E and 12N 26E, 80 cm below datum
Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
Insitu pottery and iron artifacts associated with clusters B and C of what archaeologists interpret as a shrine (clusters A-D) which capped stratified deposits in a metallurgical workshop. Far left in unit 48N 10W, the flat surface of an anvil/grinding stone (GS 09-32) is exposed, to the left (west) of which a poorly preserved portion of an elephant tusk was found (now removed). To the right (east) of the large stone is Cluster B, which includes the group of sherds seen in the vertical exposure in front and left (west) of the tree stump. Behind the tree stump is a large cluster (C) of pottery lids, partial pots and iron objects. Photo scale marked in 5 cm increments. View looking towards northwest. Site Ngre Kataa. 10 June 2009.
Insitu pottery and iron artifacts associated with clusters B-D of what archaeologists interpret as a shrine (clusters A-D) which capped stratified deposits in a metallurgical workshop. Bottom left, at the base of a balk supporting the unit peg, is cluster D, comprised of two stones flanking an iron disc, laid flat (SF 09-158), and a tri-looped iron bangle (SF 09-159). In front and left (east) of the tree stump is a large cluster (C) of pottery lids, partial pots and iron objects, including an iron bangle (SF 09-148) and a pair of miniature iron manacles (SF 09-171, "B"-shaped object). To the right (west) of the tree stump, another cluster of pottery and iron objects can be seen. Top right of the photo, a yellow notebook rests on top of an anvil/grinding stone (GS 09-32), next to which rested a poorly preserved section of an elephant ivory tusk. North arrow photo scale marked in 5 cm increments, arrow pointing north. View looking towards southwest. Site Ngre Kataa. 10 June 2009.
A large cast-metal pot rests on a raised, semi-circular hearth structure. A long piece of wood used for fuel rests in the hearth's mouth, covered over by another piece of wood. Charcoal from previous fires is strewn about outside the hearth. As seen in its cross-section, the hearth is made from laterite stones covered in clay. The hearth's interior is blackened from use. The special purpose hearth is used by Adjua Tini to make beer (pito) from maize. Ahenkro, 1 Sept 2018.
An iron artifact (SF 09-031) recovered from screened soil taken from the southern end of excavation unit 50N 2W where two large boulders used as anvil/grinding stones were located. In the unit's northwest corner was a burned feature interpreted as the remains of a forge in an area where metalworking took place. The flat iron object is pointed on one end and has two rounded lobes at the other, perhaps to facilitate turning (like a key?). Its function is unknown. The object has been corroded by rusting. Scale in cm. Length: 5.7 cm. Weight: 9.3 g. Site Ngre Kataa. 30 May 2009.
View across open excavations in an area (mound 6) that archaeologists interpret as a metallurgical workshop. The photo centers on units 46N 8W (foreground) and the southern half of 48N 8W, the north wall of which (at 47N) can be seen behind the sign board. The exposed areas were excavated in 2008 and the photo taken in preparation for 2009 excavations. Traces of circular burned features, red-orange and yellow in color, can be seen in the freshly scraped surface of these units. The uppermost north arrow sits to the right (east) of the circular outline of a still-buried everted-rim jar. Another everted-jar rim can be seen exposed in the north wall at 47N. This rim and associated artifacts formed cluster B, part of a larger shrine feature (clusters A-D) that extended across the northern half of unit 48N 8W (beneath and behind the small tree trunk visible above and left of the sign board). Cluster A (unit 46N 8W) comprised a large pottery bowl surrounded by six iron bangles that was removed in 2008. It was positioned above and slightly west (left) of the burned feature (center photo) that is intersected by a tree root. Cluster B included the artifacts seen here in the north wall at 47N, together with an associated cluster of a pedestal-handled pot lid, dog skull and jaw bones revealed by further excavation beneath and west (left) of the tree stump. In the upper right of the photo (north and east), insitu anvil (GS 09-15, left) and grinding (GS 09-12, right) stones are visible in unit 50N 6W. Photo scales marked in 5 cm increments and measuring tape marks 2 m. Arrows pointing north. Site Ngre Kataa. 6 June 2009.
Insitu anvil/grinding stones in excavation unit 50N 6W in an area (mound 6) that archaeologists interpret as a metallurgical workshop. A large anvil stone (GS 09-15, foreground, left) sits next to a small stone, its lower surface worn flat by serving as a hand-held grinder. A large tree root is visible to the west of the stone, behind which is an area of unexcavated soil on top of which pottery sherds had been found (now removed). To the east and flanked by the black-and-white photo scale is the partial rim of an everted-rim jar (NK 09-749). To the north of this, a large flat grinding stone (GS 09-12) has been pedestaled in place. Photo scales marked in 5 cm increments. Arrows pointing north. Site Ngre Kataa. 6 June 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 6, Unit 50N 6W, Level 4
Date:
2009-06-06
Location(s) Facet:
Ngre Kataa
Subjects:
Anvil stone; Grinding stone
Subjects Facet:
Excavations (Archaeology); Pottery; Metalworking; Iron
Insitu anvil/grinding stones in excavation unit 50N 6W in an area (mound 6) that archaeologists interpret as a metallurgical workshop. Left of center photo, a large anvil stone (GS 09-15) sits next to a small stone, its lower surface worn flat by serving as a hand-held grinder. Behind this stone is an area of unexcavated soil on top of which pottery sherds had been found (now removed). Lower foreground, flanked by the black-and-white photo scale, is the partial rim of an everted-rim jar (NK 09-749). To the north of this (right), a large flat grinding stone with a well-worn upper surface (GS 09-12) has been pedestaled in place. Visible in the southern corner of the west wall of the unit (upper left) in this photo is a flat iron disk (SF 09-159), embedded in the wall above a small stone. Photo scales marked in 5 cm increments. Arrows pointing north. Site Ngre Kataa. 6 June 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 6, Unit 50N 6W, Level 4
Date:
2009-06-06
Location(s) Facet:
Ngre Kataa
Subjects:
Anvil stone; Grinding stone
Subjects Facet:
Excavations (Archaeology); Pottery; Metalworking; Iron
Insitu pottery and iron artifacts associated with clusters C and D of what archaeologists interpret as a shrine that capped stratified deposits in a metallurgical workshop. Cluster D appears in the foreground, left, below unexcavated soil remaining around the 48N 8W unit peg. Here two small stones flank a flat iron disc (SF 09-159, left) and a tri-looped iron bangle (SF 09-158, right). Cluster C is a large grouping of pottery and iron objects located north of the tree stump, center photo. Included were several whole pottery lids, a broken but mostly complete jar associated with an iron bangle (SF 09-148) and a pair of miniature iron manacles (SF 09-171). The bangle is visible, resting on a soil pedestal in front of the tree trunk's center. In the photo's upper right, a large anvil stone (GS 09-32), on which sits a yellow notebook, is visible. Flanking this stone on its western edge was a portion of an ivory tusk. Photo scale marked in 5 cm increments. Arrow pointing north. Site Ngre Kataa. 10 June 2009.
Insitu pottery and iron artifacts associated with cluster C of what archaeologists interpret as a shrine (clusters A-D) that capped stratified deposits in a metallurgical workshop. Center photo are two large pieces of an everted-rim jar, its exterior surface facing outward. Immediately above is a large portion of the same pot, its interior surface facing outward. Found positioned against the jar's interior surface was a pair of miniature iron manacles (SF 09-171, "B"-shaped object). An iron bangle (SF 09-148) was positioned at the jar's mouth, above the manacles. To the left of the bangle is the upper edge of a large grinding stone (GS 09-26), which later excavations revealed to be oriented with its grinding surface down. To the right of the bangle, a pedestal-handled pot lid (NK 09-381) rests with its interior surface oriented upward. At center photo, bottom, a pot lid with a strap handle (NK 09-382) rests on its side. To the right of the north arrow, portions of an another pedestal-handled pot lid lie with its interior oriented upward. Photo scale at upper right marked in cm. Arrow pointing north. Site Ngre Kataa. 10 June 2009.
Insitu pottery and iron artifacts associated with cluster C of what archaeologists interpret as a shrine (clusters A-D) that capped stratified deposits in a metallurgical workshop. Lower center of the photo are two large pieces of an everted-rim jar, its exterior surface facing outward. Immediately above is a large portion of the same pot, its interior surface facing outward. Found positioned against the jar's interior surface was a pair of miniature iron manacles (SF 09-171, "B"-shaped object). An iron bangle (SF 09-148) was positioned at the jar's mouth, above the manacles. To the left of the bangle is the upper edge of a large grinding stone (GS 09-26), which later excavations revealed to be oriented with its grinding surface down. To the right of the bangle, a pedestal-handled pot lid (NK 09-381) rests with its interior surface oriented upward. Photo scale marked in cm. View looking south. Site Ngre Kataa. 10 June 2009.
Excavation of a shrine cluster, two images. The image on left shows a pottery cluster, first exposed in June 2008, as it appeared on 10 June 2009. At bottom center of this image is a pedestal base, above which is a tight cluster of rim sherds. The curved sherd on the far right in this image is the outer edge of the pedestal-handled lid, which is fully exposed in the photo on the right, taken on 16 June 2009. A dog skull in a highly friable state is visible above and to the right of this lid in both photos. In the imgae on the right, an iron bangle (SF 09-219) can be seen resting in an angled position, below and left of which is a dog mandible. These were uncovered by excavation below and behind the pedestal base seen in the picture on the left. Photo scale marked in 5 cm increments. Site Ngre Kataa. 10 and 16 June 2009.
Two views of insitu anvil/grinding stones in excavation unit 50N 6W, part of an area (mound 6) that archaeologists interpret as a metallurgical workshop. In the photo looking northward (arrows point north), a large anvil stone (GS 09-15, foreground, left) sits next to a small stone, its lower surface worn flat by serving as a hand-held grinder. A large tree root is visible to the west of the stone, behind which is an area of unexcavated soil on top of which pottery sherds had been found (now removed). To the east and flanked by the black-and-white photo scale is the partial rim of an everted-rim jar (NK 09-749). To the north of this, a large flat grinding stone (GS 09-12) has been pedestaled in place. In the view looking west, the well-worn upper surface of this narrow stone can be seen. Visible in the southern corner of the west wall of the unit (upper left) in this photo is a flat iron disc (SF 09-159), embedded in the wall above a small stone. Further excavation showed that this disc was part of an object cluster that included a tri-looped iron bangle and interpreted as part of a shrine. Photo scales marked in 5 cm increments. Arrows pointing north. Site Ngre Kataa. 6 June 2009.
An iron bangle (SF 09-132) made from a flattened iron rod with overlapping ends. One end of the bangle is bent inward. The bangle occurred as an isolated find in the upper levels of an area (mound 6) that archaeologists interpret as a metallurgical workshop. The bangle has been corroded by rusting. Scale in cm. Width: 7.9 cm. Weight: 25.6 g. Site Ngre Kataa. 6 June 2009.
Insitu pottery and iron artifacts associated with clusters B and C of what archaeologists interpret as a shrine that capped stratified deposits in a metallurgical workshop. Cluster B encompassed the objects on the south (right) side of the photo, west of (below) the tree stump. To the right of the black-and-white photo stick (lower right) is an iron spike (SF 09-174), a half bangle (SF 09-173) and a slightly curved iron disc (SF 09-172) in a carefully placed composition. Immediately to the east (above in the photo), an aglomeration of pottery sherds is stacked. Later excavation revealed a pedestal-handled pottery lid, dog skull and jaw bones carefully placed below these sherds in cluster B. Cluster C encompassed the artifacts to the north (left) of the tree stump. These included a series of pottery lids, portions of single pottery jar and sherds from other pots. An iron bangle (SF 09-148) is visible above and slightly left of the top photo scale, sitting adjacent to a pottery lid (NK 09-381) lying with its interior surface up. This wider shrine assemblage overlaid burned features associated with metalworking activities. Black-and-white photo scale in 5 cm increments. Arrows pointing north. Site Ngre Kataa. 10 June 2009.
Members of the Banda Research Project work together to map profile walls in a 2 x 2 m unit in mound 7 at Ngre Kataa. Left (white hat), Enoch Mensah measures from a level line while Amy Groleau (red shirt) records measurements in preparation for drawing the profile map. With their backs to the camera, Osei Kofi (left) and Amana Logan (right) work as a team to map the opposite wall. Ngre Kataa, 19 July 2008.
Yaw Frimpong uses a short-handled hoe with a wide blade to loosen and remove soil from an excavation unit (46N 8W) in mound 6 at Ngre Kataa. A second short-handled hoe with a narrower, thicker blade rests on the ground (foreground). To the right, colored flags mark artifacts previously excavated by Ben Nutour using a trowel and left insitu. Foreground is a coiled iron bangle/bracelet (SF 08-140), behind which is a partial large pottery bowl. Further excavations yielded a concentration of iron bangles and other objects suggestive of a shrine cluster in this and adjacent excavation units at mound 6. Ngre Kataa, 9 July 2008.
Ama Georgina cooks on a wood fire in the old settlement of Bui. She stirs soup in a cast aluminum pot over a hearth comprised of three large laterite stones. Ama has placed small stones between the pot and hearth stones to hold the pot in place as she cooks. A young boy reaches into a small aluminum pot containing peppers as other small children look on. To the left, the edge of a second hearth is visible. Bui, 3 August, 2009.
Afua Nimena demonstrates the use of a grindstone to grind grain. She holds a small grinder stone in her right hand, bracing it with her left as she grinds the grain on a well-worn grindstone. Dompofie, 10 September, 2009.
A woman uses a calabash bowl ( chrɛgbɔɔ in Nafaanra) to form a ball of fuura. The food is made from fermented pearl millet, which is ground and mixed together with ground spices and water. The mixture is formed into balls which are boiled. Here some of the boiled, pounded dough is being shaped into a ball, which will be rolled in ground millet before serving. This dish was prepared and served at the Olden Times Food Fair held at the Banda Cultural Centre with sponsorship from Amanda L. Logan. Ahenkro, 30 July, 2014.
A partially covered ball of fuura rests in a bowl of millet flour. The food is made from fermented pearl millet, which is ground and mixed together with ground spices and water. The mixture is formed into balls which are boiled. The cooked, pounded dough has been shaped into a ball and is being rolled in ground millet before serving. This dish was prepared and served at the Olden Times Food Fair held at the Banda Cultural Centre with sponsorship from Amanda L. Logan. Ahenkro, 30 July, 2014.
Close up of finished koto papa, a dumpling made from pearl millet. The food is made by grinding pearl millet on a grinding stone, adding a sprinkle of water and shaping the moistened pounded millet into a ball. The balls are boiled. After cooking, the balls are broken open and served with a stew made from shea oil, onion leaves (gabu) and pepper. This dish, which was often eaten in the morning, was prepared and served at the Olden Times Food Fair held at the Banda Cultural Centre with sponsorship from Amanda L. Logan. Ahenkro, 30 July, 2014.
A woman uses her hand to mix water into a flour made from ground dawadawa (Parkia biglobosa) beans and cassava flour held in a calabash bowl (chrɛgbɔɔ in Nafaanra). The moistened mixture will be steamed in a pot to make wehan. The cooked cake is eaten with a sauce made from shea oil, pepper, garden eggs and salt. This dish was prepared and served at the Olden Times Food Fair held at the Banda Cultural Centre with sponsorship from Amanda L. Logan. Ahenkro, 31 July, 2014.
A youngster (Mamee) uses a wooden paddle to stir a pot as a woman (Afiriye) tests the texture of its contents with her right hand. They are cooking T.Z. in an aluminum pot resting on three laterite hearth stones. T.Z. is short for "tuo zafi," which means hot porridge in Hausa. Surrounding the hearth are a series of plastic and metal containers used in food preparation. A large blue plastic barrel, used to store water, stands in a corner by the house wall. Partially obscured by Mamee's right hand and her paddle is a portable "coal pot" on which an aluminum pot with two handles sits. Unlike the stone hearth, which is fueled with wood, this portable hearth is fueled with charcoal and may be used to prepare soup while starchy staple foods cook over the wood fire. Ahenkro, 28 October, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Women's work; Metal pots; Water barrels; Plastic containers
An adolescent girl (Mamee) uses a wooden paddle to stir T.Z. cooking in an aluminum pot over a wood fire. T.Z. is short for "tuo zafi," which means hot porridge in Hausa. The pot sits on a hearth made of three laterite stones. Surrounding the hearth are aluminum and plastic pots and bowls used in preparation. A proper stirring technique is needed to achieve the springy texture of this starchy staple, which is served with a soup. Aluminum sheets in the background enclose a bathing area, behind which a raised platform holding firewood can be seen. Ahenkro, 28 October, 2009.
An adolescent girl (Mamee) sifts grain flour into a plastic bucket in preparation for making T.Z. (short for "tuo zafa," which means hot porridge in Hausa). T.Z. The fine flour will be added to boiling water to make a thin porridge, which is gradually thickened by adding more flour. Ahenkro, 28 October, 2009.
A folded textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. The name of this cloth design is Kakya. Single strands of blue warp thread create vertical lines against a background of white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A wooden spindle wrapped with cotton thread rests on top of a folded black-and-white textile made from handwoven cotton strips. Cloth of this design is called Kyara. Hand stiching can be seen along the edges where strips have been sewn together. These were among heirloom objects on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft;
A bow-shaped tool (klada in Nafaanra) made from flexible wood and taut string rests on a folded handwoven blue-and-white textile called Kyara. Women used the bow to prepare cotton for spinning into thread. After removing seeds from the cotton, they held the bow's string over the fibers. Plucking the string caused cotton fibers to stick to it. By pulling up on the bow, the cotton became fluffed and its fibers aligned, making it easier to spin. The klada and handwoven textiles seen in the picture were among heirloom objects on display as part of a Heritage Day and Olden Times Foods Fair held at the Banda Cultural Centre. Ahenkro, 2014-07-31.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Kyekye and is sewn from strips of similar dark blue-and-white design. Variation in patterning is created by offsetting strips. Sections of solid color created by weaving blue weft over blue warp threads are sewn to strip sections with horizontal stripes created by alternating blue and white weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Women work together to shape (foreground) and coat (center) fuura balls in preparation for an Olden Times Food Fair held at the Banda Cultural Centre with sponsorship from Amanda L. Logan. The cooked and pounded dough rests in an aluminum headpan, from which women take handfuls of dough that they will form into balls using a calabash bowl (chrɛgbɔɔ in Nafaanra). A smaller pan holds millet flour in which the finished balls are rolled before serving. Ahenkro, 30 July, 2014.
A folded white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre, with sponsorship from Amanda L. Logan. The name of this cloth design is Bɔfige. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Two folded textiles made from handwoven cotton strips, pieced together in a design called Dɔnkɔnfra. They were photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. One cloth rests on top of the other. The lighter colored strips in each cloth have white warp threads woven together with white, red and blue weft threads. Darker strips were woven from blue and white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A folded gray-and-white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. Textiles of this design are called Gbenalekinu. A narrow band of red woven accent can be seen on two of the strips. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft