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11. Banda Cultural Centre with logo, Ahenkro, 1995

Description:
Ann B. Stahl (left) and Sampson Attah (right) stand in front of the Banda Cultural Centre shortly before the building was commissioned (21 July, 1995). The Banda Cultural Centre provides space for community events and guest rooms for Banda Research Project and other community visitors. The Centre's motto/logo is "Nyu nunu," (Nafaanra) or "Unity." This is symbolized by an Adinkra symbol showing two crocodiles who share a common stomach (two heads, two tails, one stomach; referred to as funtumfunafu in Twi). The symbol conveys the meaning "why fight over food when you share a stomach?" The Cultural Centre's main building pictured here was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. The building is administered and maintained by the community. Ahenkro, July 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17115 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17533 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17338
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Unit committees; Communal labor; Logo
Identifier:
Negative 24
Creator:
Andrew Black
Contributors:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995-07
Genre:
Black-and-white negative
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
Date Digitized:
2019-09-24
People Facet:
Andrew Black
Commentary:
Print scanned by Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

12. Tolɛɛ Kofi Dwuru II, Paramount Chief of Banda, Ahenkro, 1967

Description:
Tolɛɛ Kofi Dwuru II was the Paramount Chief of Banda from the time of his enstoolment in 1938 until his death in 1977. Here the Nafana chief is pictured seated on an Asante-style "akonkromfi" chair with his sandaled feet resting on a carved wooden white stool to which protective leather amulets made by Islamic clerics have been tied on to the stool's central column. Two large cast metal bells rest on either side of the stool at its base. The paramount chief wears a white cotton cloth bearing geometric designs and Arabic script written in black, blue and red inks. To the right, an Asante-style "assipim" chair is propped against the wall. Suspended from a cord on the wall behind him is a collection of animal bones among which are large ungulate (hoofed animal) and carnivore skulls and jaw bones. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 88-95. Two photos. Ahenkro, 25 November, 1967.
Rights:
Copyright Undetermined
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17435
Location(s) Facet:
Ahenkro
Subjects:
Royal attire; Paramount Chief; Cloth
Subjects Facet:
Islam; Stools; Royal regalia; Chairs; Chiefs; Bells; Textiles; Ashanti
Identifier:
Negative 28A/29; Negative 29A/30
Creator:
Dr. René A. Bravmann
Contributors:
Dr. René A. Bravmann
Date searchable:
1967
Date searchable:
1967-11-25
Genre:
Black-and-white negative
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Ahenkro;8.164906, -2.355708
Date Digitized:
2016
People Facet:
Dr. René A. Bravmann
Commentary:
Negative scanned by Veronique Plante
Geographic Coordinates:
8.164906, -2.355708

13. Two men in masquerade attire, Bongase, 1967

Description:
Two Ligbi men from Bongase appear in masquerade regalia during a visit to Bongase by René A. Bravmann, then a doctoral student at Indiana University studying African art history. Front and side views. Mama Dri (left) and Mama Panyini (right) wear carved wooden "Mbong" (baboon in Ligbi) masks decorated with ochre and white paint, representing a male and female pair. Their heads and shoulders are draped in scarves. They stand in front of a house with a thatched roof and a raffia shade. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177, plates 77-79. A June 2019 performance of Mbong at a Banda Heritage Event can be viewed through a link below. Bongase, December, 1967.
Rights:
Copyright Undetermined
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17335 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17139 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17128 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17138; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Baboon; Bedu; Do
Subjects Facet:
Wood carvings; Textiles; Clothing; Regalia; Masquerades; Ligbi language; Masks
Identifier:
Negatives 4a/5 and 5a/6
Creator:
Dr. René A. Bravmann
Contributors:
Dr. René A. Bravmann
Date searchable:
1967
Date searchable:
1967-12
Genre:
Black-and-white negative
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Bongase;8.238039, -2.276274
Date Digitized:
2019-09-20
People Facet:
Dr. René A. Bravmann
Commentary:
Negatives scanned by Ann B. Stahl
Geographic Coordinates:
8.238039, -2.276274

14. Everted-rim pottery jar, Kuulo Kataa, 1995

Description:
Photo of an everted-rim pottery jar (Vessel B) excavated from Kuulo Kataa, Mound 101, Unit 2W 2S, levels 6-7, where the jar was positioned upright. A broken pedestal base (Vessel A, originally part of another vessel) sat atop the jar. The jar has a carinated shoulder and a rounded base. Above the carination, the jar's exterior surface is decorated with four horizontal grooved lines, between which are lines of dentate impression. Immediately above the carination in three locations around the vessel's circumference are triangular clusters formed by three circulate punctates joined by short grooved lines enclosing dentate impressions. In a zone marked by two parallel grooved lines, the jar's base is surface treated with carved routlette impressions. Rim diameter 20.8 cm at interior lip. Vessel height (base to rim) 15.8 cm. Photo scale in cm. Kuulo Kataa, 9 June, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 101, Unit 2W 2S, Levels 5-7
Date:
1995-06-09
Location(s) Facet:
Kuulo Kataa
Subjects:
Jar; Dentate impression; Punctate; Grooving; Carved roulette
Subjects Facet:
Archaeology; Pottery; Artifacts (Antiquities)
Identifier:
KK 95-143, Vessel B
Creator:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995-06-09
Genre Facet:
black-and-white negative
Format:
Image
Source:
Dr. Ann B. Stahl
Location(s):
Kuulo Kataa;8.14847222, -2.37472222
Date Digitized:
2016
Sketchfab Uid:
Geographic Coordinates:
8.14847222, -2.37472222