Photo of a dark brown pottery jar rim, neck and body, with profile depicted (left). The rim of the jar is everted in profile. Below the neck, the body of the jar is decorated with a carved roulette rolled across the surface to create a herringbone design. The zone of carved roulette impression is bounded by a horizontal shallow groove. A curvilinear groove cuts across the roulette impression. The ceramic fabric contained both laterite and white grit, as well as finely crushed iron slag. INAA analysis ("NA B-143-8") assigned this jar to the "K1" group, with the implication that it was likely made on the east side of the Banda hills. Rim diameter: 22 cm at interior lip. Sherd represents an estimated 25% of the circumference of the jar. Scale in cm. Site B-143. 14 March, 2001.
Photo of a red-painted and mica-slipped bowl rim, with profile depicted (left). Toward the lip, multiple horizontal bands of grooving and dentate (comb) impression are overlaid by red paint. Below this is a zone with horizontal lines of wavy line impression and grooving overlaid by a mica slip. The lower zone is red-painted. The ceramic fabric includes finely crushed white grit which includes some quartz. An INAA sample ("A94-8") was assigned to the "L" group, indicating that the bowl was made from clays mined west of the Banda hills. Rim diameter: 14 cm at the interior lip. Sherd represents an estimated 15% of the bowl's circumference. Scale in cm. Site A-94. 21 February, 2001.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Site A-94, Mound 2, Unit 1, Level 6
Date:
2001-02-21
Location(s) Facet:
Site A-94
Subjects:
Wavy line impression; Dentate impression; Red paint; Mica slip; Bowl; Neutron Activation Analysis
Photo of the rim and shoulder of a large pottery bowl, with profile depicted (left). The bowl's exterior is decorated with a herringbone design, created by rolling a carved wooden roulette across its entire surface, except for a narrow band just below the bowl's lip. A single diagonal shallow groove was applied across the surface above the shoulder. An INAA sample (NA "A212-8") from this bowl was "unassigned" to a specific group of ceramic fabrics, lending no insight into where the bowl was made. Rim diameter: 20 cm at the interior lip. Sherd represents about 11% of the bowl's circumference. Scale in cm. Site A-212. 18 February, 2001.
Photo of an everted-rim jar. The round-based pot is decorated on its lower surface by maize cob impressions, created by rolling a kernel-less maize cob over the pot's surface. The top edge of the maize-cob-rouletted zone is marked by pendant grooves or channels. Small circular punctates mark the place where pendant grooved lines meet. A single grooved line offsets this decorated zone from an undecorated zone below the jar's neck. Whole pot. Scale in cm. Site A-9. 1 Feb. 2001.
Photo of a carinated pottery bowl, with profile depicted (left). The bowl has a restricted opening with the rim rounded at the lip. Above the angular carination, the exterior surface is decorated with horizontal bands of wavy line impression, below which are two deep channels. Shallow grooves appear above and below narrow bands of dentate (comb) impressions. Below the carination, the exterior surface is decorated overall with a carved roulette impression. An INAA sample ("B123-2") from this bowl was assigned to the "L" group of ceramic fabrics. It was therefore likely made from clays mined west of the Banda hills. Rim diameter: 23 cm at the interior lip. Sherd represents an estimated 18% of the bowl's circumference. Scale in cm. Site B-123. 22 July, 2000.
Body sherds from a large jar. The exterior surface is decorated with bands of horizontal grooving, inside of which are bands of dentate (comb) impressions. Rows of dentate impression applied at an angle create a chevron design across the central zone. An overall red paint or slip finishes the surface. An INAA sample from this jar ("Banda 27-13") was assigned to the "K2" group of ceramic fabrics. It was therefore liked made from clays mined east of the Banda hills. Scale in cm. Site Banda 27. 1 March, 2001.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Banda 27, Mound 2, Unit 1, Level 16
Date:
2001-03-01
Subjects:
Red paint; Dentate impression; Jar; Neutron Activation Analysis
Photo of a buff-colored pottery bowl rim and carination, with profile depicted (left). The bowl is decorated with two shallow horizontal grooves, applied below the lip on the exterior surface. Below this is a band of shallow criss-cross incised lines, beneath which is a plain zone, followed by a more deeply incised band of criss-cross incisions, applied just above the exaggerated carination (angled shoulder). Based on patterned overlap in the criss-cross lines, the lines slanted upper left to lower right were made first, after which the lines slanted upper right to lower left were made. The exterior surface below the carination is undecorated. The ceramic fabric included some laterite grit as well as a small amount of finely crushed slag. An INAA sample from this bowl (NA "B143-2") was "unassigned" to a specific group, lending no insight into where the bowl was made. Rim diameter: 15 cm at interior lip. Sherd represents about 15% of the vessel's circumference. Scale in cm. Site B-143. 13 March, 2001.
End view of a fired clay tuyere fragment used in an iron smelting furnace. A thick layer of slag produced during the smelting process coats the tuyere's outside surface (upper right). The tuyere was used to introduce air to the interior chamber of a smelting furnace. The tuyere was collected during site survey by N. Leith Smith in the course of his doctoral dissertation research. The tuyere was recovered in his survey area A, Site 7, Quad P14. Banda area, 8 February, 1997.
A typical side road leading to villages off the then-main road that connected Menji to Ahenkro in the Banda area. Tall grass lines the narrow track which was primarily used by lorries which transported agricultural products. December, 1982.
Side view of a fired clay tuyere fragment used in an iron smelting furnace. A thick layer of slag produced during the smelting process coats the tuyere's outside surface. The tuyere was used to introduce air to the interior chamber of a smelting furnace. The tuyere was collected during site survey by N. Leith Smith in the course of his doctoral dissertation research. The tuyere was recovered in his survey area A, Site 7, Quad P14. A catalog tag indicating provenience information is tied to the tuyere with string. Banda area, 8 February, 1997.
The Ewe fishermen who supplied local and regional markets with freshwater fish from the Black Volta River traveled in locally made wooden canoes. Several are moored on the south bank of the river near the Dam Site settlement, a short distance downstream from the projected site of the Bui Dam. Dam Site, 7 October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1982-10-07
Location(s) Facet:
Dam Site
Subjects:
Dam Site
Subjects Facet:
Fishing; Canoes; Ewe (African people); Black Volta River; Rivers
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Levels 5-6. The jar (Vessel 1) was located in the north profile wall of the unit, together with another vessel (Vessel 2).
The jar has a carinated shoulder and a rounded base. To the right and below the carination, a portion of the exterior surface has broken away. The upper area of the jar is decorated with three horizontal grooved lines, inbetween which are lines of dentate impression. Just above the carination is another line of dentate impression and a grooved line. To the left and right, on the upper side of the carination, sets of two triangular designs were applied, consisting of three punctates connected by two short grooved lines. The area inside the triangle is marked by crossed dentate impressions, forming an "X" inside the triangle. This design was repeated twice on the recovered portion of the jar. It was likely repeated a third time on the missing portion. Below the carination are two shallow horizontal grooves. The jar's base is smooth, with no surface treatment applied. Roughly 65% of the vessel was recovered. Rim diameter 25 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 5. The jar (Vessel 2) was located in the north profile wall of the unit together with another vessel (Vessel 1). The jar has a carinated shoulder and a rounded base. The upper area of the jar is decorated with three horizontal grooved lines inbetween which are lines of dentate impression. The base of the jar is surface treated with a twisted cord roulette. Two roughly parallel horizontal grooved lines separate the cord rouletted zone from a plain zone below the carination. A hole in the base of the pot (ca. 7 cm across) may have been deliberately broken in this otherwise whole pot. Rim diameter 22 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Members of the Banda Research Project, Maria Dores Cruz (left) and Osei Kofi (right) stand near a surveying level mounded on a tripod. The level was used to map the site's contours and establish grid lines to orient excavation units. A local-made short-handled hoe lies in front of the tripod, its wide flat blade standing upright. Bottom left are stacked headpans used to move soil between excavation units and screens. Station 6, Makala Kataa, June 1994.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 20. The jar was located in the west profile wall of the unit. The jar has a carinated shoulder and a rounded base. A single horizontal line of wavy line impression was applied to the neck constriction, with the area above the carination otherwise plain. The base of the jar is surface treated with a fiber (perhaps braided strip) roulette. Two roughly parallel horizontal grooved lines are superimposed over the roulette treatment. Whole pot. Rim diameter 17.5 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 3 April, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa (Banda 40), Mound 4, Unit 1, Level 20, W Wall.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, levels 15-16, where the jar was exposed in the south wall of the excavation unit. The jar has a carinated shoulder and a rounded base. The area above the carination was decorated by five unevenly placed horizontal grooved lines. In three places around the vessel's circumference, the grooved line just above the carination is marked by "ꓥ." In a zone that begins c. 2 cm below the carination, lower areas of the jar are surface treated with a carved roulette impression. The ceramic fabric includes mixed grit (including laterite and quartz) and likely also finely crushed slag. An INAA sample (Banda 40/3) from the jar could not be assigned to a known source group. Roughly 2/3 of the vessel present. Rim diameter: 22.5 cm at interior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
To the right of a large tree, a field planted with tobacco is seen from the roadside. After clear-cutting, the rectangular field was tractor-plowed and planted with seedlings provided by the Pioneer Tobacco Company. Trees left standing mark the edges of the field. Visible in foreground is scarring created by construction of a new grated road. Near Nyrie, June, 1994.
A cashew tree (Anacardium sp.) grows in an agricultural field planted (foreground) with calabash (Lagenaria siceraria). Sampson Attah stands near the tree. Calabash has long been grown as a cash crop for local and regional sale in the Banda area. When cashew trees were first planted in the area from the mid-1990s, they were grown singly or in small numbers. A growing shift to cashew farming in the area during the early 2000s was accompanied by the planting of large stands of cashew trees referred to locally as "plantations." Banda area, June, 1995.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, levels 15-16, where the jar was exposed in the south wall of the excavation unit. The jar has a carinated shoulder and a rounded base. The area above the carination was decorated by five unevenly placed horizontal grooved lines. In three places around the vessel's circumference, the grooved line just above the carination is marked by "ꓥ." In a zone that begins c. 2 cm below the carination, lower areas of the jar are surface treated with a carved roulette impression. The ceramic fabric includes mixed grit (including laterite and quartz) and likely also fine crushed slag. An INAA sample (Banda 40/3) from the jar could not be assigned to a known group. Roughly 2/3 of the vessel present. Rim diameter: 22.5 cm at interior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa (Banda 40), Mound 4, Unit 1, Level 15, South Wall
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 1, Unit 1, Levels 4-5. The jar (Vessel 3) was found sitting upright in association with a cluster of several other complete and broken pots (Vessels 1 & 2) in what has been interpreted as a kitchen area. Most of the jar has been surface treated with a twisted cord roulette. Single pendant grooved lines surround the circumference of the jar. A total of five circular impressions, perhaps made with a hollow reed, are placed below the intersection points of the pendant grooves. A hole in the base of the pot (ca. 7 cm across) may have been deliberately broken in this otherwise whole pot. Rim diameter: 17.5 cm at exterior lip. Site Ngre Kataa ("Banda 40"). 3 April, 2001.
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 1, Unit 1, Levels 4-6. The jar (Vessel 2) was found sitting upright in association with a cluster of several other complete (Vessels 1 & 3) and broken pots in what has been interpreted as a kitchen area. The upper surface of the round-based jar is undecorated. In a zone bounded by double grooved lines, the base and lower surface of the jar is surface treated with maize cob roulette. Groups of three circular punctates mark the spots where gooved lines meet. A hole in the base of the pot (4 x 3.5 cm) may have been deliberately broken in this otherwise whole pot. Rim diameter: 20.5 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 4 March, 2001.
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 16. The undecorated exterior surface of the round-based jar is orange-brown from firing, with areas of black fire-clouding. Roughly 30% of jar is represented. Rim diameter: 21 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 28 March, 2001.
Standing on the south bank of the Black Volta River near Bui village, looking east-northeast to the gap in the Banda hills where the Bui Dam was constructed after 2008. The area between Bui village and the river was the site of a 19th-century village, Bui Kataa (old Bui). This area was flooded by the rising waters of Bui Lake as it formed behind Bui Dam after 2012. Bui Village, 25 July, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1982-07-25
Location(s) Facet:
Bui
Subjects:
Bui Lake; Bui Kataa; Savanna woodland; Vegetation
Subjects Facet:
Bui Dam (Ghana); Landscapes; Riparian forests; Black Volta River; Mountains
The soil of a agricultural mound has been dug away to expose a yam (Dioscorea sp.) tuber. The yam vine spreads across the mound and beyond at the top of the photo, its roots surrounding the tuber. A yellow pencil is placed to the left of the yam to provide scale. Banda area, June, 1982.
Yam mounds have been raised in a partially cleared agricultural field. Small trees have been left to supply support for climbing vines and to aid fallowing after the field has been used for several years. The hard work of forming the mounds using short-handled hoes takes place early in the dry season, after which mounds are planted with yam cuttings during the months of January-February. The vines grow throughout the rainy months of April to August, forming new tubers which are ready for harvesting in late August-September. Banda area, Dec. 1982.
A roadside agricultural field is planted with cassava (Manihot esculenta). The palmate leaves of the mature plants are visible growing among trees that were left standing when the intercropped field was first prepared. Regular weeding is needed to control spear grass, which can be seen growing at the edge of the field. Cassava is grown for its tubers, which can be harvested over a long period and store well when processed and dried. Its leaves are valued as an ingredient in soups. Planted early in the rainy season (April-May) the tubers mature in 6-18 months, depending on variety. Cassava tolerates poorer soils than yams (Dioscorea sp.), which are a preferred food in the area. Therefore, cassava it is grown in intercropped fields after yams are grown in the first year or two and before fields are left to fallow. Roadside near Nyire, August, 1994.
Photo of a pottery bowl rim, interior view, with profile depicted (left). The shallow bowl's flattened rim is decorated with intersecting red painted lines, and the interior surface with zones of red paint. A narrow band of red paint appears on the external lip of the bowl, which has an otherwise plain exterior surface. An INAA sample ("Banda 27-7") from this bowl was assigned to the "K2" group of ceramic fabrics. It was therefore likely made from clays mined east of the Banda hills. Rim diameter: 26 cm at the interior lip. Sherd represents an estimated 12% of the bowl's circumference. Scale in cm. Site Banda 27. 27 January, 2001.
Family history interview with members of Gbla Wolo Katoo, including Nana Sie Jiniŋge, Ankobeahene (seated, center) as well as Ha Yaw, Sie Yaw Bediako, Asoma Kramo, Siedu, Kwaku Frimpong and Kwasi Wankyi, Sabiye, 15 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, two women dance (Ma Millah, center, Adwoa Kupo, right). To the left Yaw Ble plays an antelope antler horn. He wears a strip-woven smock adorned with amulets sewn into leather packets. Two photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Amulets; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Funeral customs and rites; Dance; West African strip weaving; Rites and ceremonies; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Ma Millah dances, center. To the left Yaw Ble plays an antelope antler horn. Standing right, Kwame Fnaso drums. Eleven photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Horn; Atumpan drums
Subjects Facet:
Drums (musical instrument); Funeral customs and rites; Dance; Rites and ceremonies
Adwoa Kupo dances as Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Two photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Atumpan drums
Subjects Facet:
Funeral customs and rites; Dance; Rites and ceremonies; Drums (musical instrument)
An elder dances to the rhythms of fɔntɔmfrɔm and atumpan (in Twi) drums at a funeral celebration held the day after an elderly woman died. The funeral is celebrated beneath the shade of the large kapok tree on the south side of Ahenkro at the market site. Two photos. Ahenkro, 15 October, 1982.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine. After falling ill and dying, the man was understood to have been killed by the 'fetish' because of harm he was alleged to be planning against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Next (right), Kwabena Nika plays a double iron gong with a wooden hammer. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Atumpan drums
Subjects Facet:
Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Looking on, right, is James Anane. Two photos. Gbao, 8 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Yaw Ble wears a strip-woven smock as he plays an antelope antler horn and dances. To the left, women play calabash rattles and Kwabena Nika plays a double iron gong. Drums that belong to the shrine are played as he dances. Four photos. Gbao, 8 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here Adwoa Kupo (left) dances as Yaw Ble (right) plays an antelope antler horn and dances. He wears a strip-woven smock to which amulets encased in leather are sewn. Gbao, 8 August, 1986.