Clay pots of varied sizes used to store water (chͻkoo in Nafaanra). The exterior surface of these everted-rim jars is textured with maize cob roulette and their surface is decorated with shallow grooved lines. The porous walls of these pots helps keep the liquid storied inside cool. For this reason, these pots are not treated with the bark solution used to finish cooking pots. Also, the narrow opening (neck) of the jar reduces evaporation and conserves water. Ahenkro, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Water pots (chokoo); Maize cob roulette; Decoration; Water storage; Jars
The weekly market at Banda-Ahenkro was formerly held at this marketplace, located on the south edge of town beneath a majestic kapok tree (Ceiba pentandra). Thatched market shelters are visible at the base of the tree. The ancient tree was downed in a storm in the late 1990s. Ahenkro, July-August, 1986.
Several large clay pots used for water storage (chͻkoo in Nafaanra) sit in the interior courtyard of a house next to a black metal barrel, which is also used for water storage. The surface of the two larger clay jars has been textured with maize cob roulette (bledjukaan in Nafaanra ), and one is decorated with arching grooves. The smallest jar has red-painted vertical lines on its interior rim. The small round-based jar has been placed on an enameled-ware pot for support. The larger water jar behind it rests on the upturned base of an enameled-ware headpan, re-purposed after its base rusted and it could no longer be used to carry things. A clay grinding bowl is visible in the lower left corner of the picture. Banda area, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Water storage; Water pots (chokoo); Maize cob roulette; Decoration; Jars
A potter uses a draw-and-drag (direct pull) technique as she begins to mold the body and rim of a pottery jar from a lump of moist clay. The clay rests on a palette (kpankpa in Nafaanra) supported by a stump. She moves clockwise around the stump as she uses her hands to pull the clay upward and outward to form the walls of the pot. Bondakile, October, 1982.
The Banda hills viewed from the small hill west of Kabruno, looking southward. Two cleared but unplanted fields are visible in the foreground. Roofs of the small village of Makala are faintly visible in the distance (small patch of light color, left of center). The gap in the Banda hills through which the Tombԑ River flows is visible center photo. Banda area, May, 1995.
Small clay bowls (kpokpoo in Nafaanra) used by women for eating. The bowl on the left has been blackened. Blackened pottery is a fashion that became more common in the 20th century. Similar clay bowls from the 19th century and earlier found on archaeological sites are more similar in color to the bowl on the right. In earlier times, these bowls often had a pedestaled base, creating a flat rather than rounded surface on which they sat. Ahenkro, 1986.
View across wooded savanna, looking northeast while standing atop a small hill west of Kabruno. The mountains, far right, are those near Fawoman. Far left is the northern end of the Banda hills near the Bui Dam site. The single mountain in the distance (center) lies on the north side of the Black Volta River. The village of Ahenkro can be seen, center, with the northern edge of Kabruno visible to the right. Banda area, June, 1995.
Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
The exterior wall of an atakpame (coursed earth) house. Atakpame is a technique for building durable earthen walls that can stand for many decades. The thatched roof is supported by interior and exterior posts and does not rest on the walls. When covered by well-maintained thatched roofs, the walls are protected from erosion by rain. A goat walks on the street outside. Makala, July, 1994.