Houses along the main street of Wewa. Doorways lead to interior courtyards of these compounds. Walls are made primarily using an atakpame (coursed earth) technique, though the pillared verandah wall (far right) was made with sun-dried bricks. Part of the roof of the near compound has recently been re-thatched. The streets and houses are kept clear of grass and other plants. Wewa, December, 1982.
A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
A partially enclosed courtyard area of a house, with wall stubs of a collapsed room (right). One set of rooms was built with sun-dried blocks, then plastered and roofed with metal sheets. The other building is also plastered, but roofed with thatch. Two hearths are located in the courtyard and each building has a metal barrel used to store water. A headpan filled calabash bowls (chrԑgbͻͻ in Nafaanra) sits near one water barrel. A wooden mortar (left) is turned upside down, likely to protect it from foraging goats. Ahenkro, July-August, 1986.
A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
Unlike atakpame (coursed earth technique of building), wattle-and-daub structures can be built quickly. The structure has a frame of horizontal and vertical poles, into which molded earthen balls are pressed to create walls. Whereas atakpame must be allowed to dry thoroughly before the next course is added, the "wattle" framing allows the "daub" to be placed and the walls completed without waiting for lower levels to dry. Ahenkro, December, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Atakpame
Subjects Facet:
Thatched roofs; Wattle and daub; Building, Clay; Housing
The courtyard of a long-established compound in Ahenkro. The main room has a columned verandah and its walls are plastered. A metal roof covers it and the courtyard entrance. A hearth occupies the central courtyard. Two metal water barrels (right and left), headpans and a bucket speak to the daily activity of fetching water. Ahenkro, July-August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Metal pots; Headpans; Water barrels
Subjects Facet:
Plastering; Building; Metal roofing; Courtyards; Water; Housing; Hearths
A woman and two men in Wewa thresh dried cowpea pods in an open area in front of houses. Men relax under a nearby mango tree in the background. Cowpeas (Vigna unguiculata; chibi in Nafaanra)--also known as black-eyed peas--are a valued legume with a long history in West Africa. They are grown inter-cropped in fields with other foodstuffs where they aid soil fertility by fixing nitrogen. Early West African farmers domesticated cowpeas, and they are found at some of the earliest archaeological sites excavated in the Banda area. They are a valued and nutritious staple used in making stews and soups. Two photos. Wewa, September, 1982.
A potter seated on the ground starts to form a clay pot. She begins with a lump of clay resting on a metal plate (kpankpa in Nafaanra) which she can turn as she uses a draw-and-drag (direct pull) technique to shape the pot. A second lump of clay has already begun to be formed (lower left) and a clay bowl contains water that she uses to moisten the clay as needed (lower right). Lying on the metal plates to the left are tools that she will use as she forms the pot including two maize cobs, a spatula and a stone. Dorbour, 1994.
Yaa Tenabrԑ, a Nafana potter, stands as she uses a spatula-like tool to smooth and thin the walls of a large clay pot which she is molding. She has shaped the pot using a draw-and-drag (direct pull) technique, beginning with a lump of clay and using her hands to draw the clay upwards and outwards. The pot rests on a round metal plate (kpankpa in Nafaanra) that can be turned on the stump on which it sits and on which the pot can be moved and set aside as it dries. Dorbour, 1994.
The courtyard kitchen area of a partially enclosed compound has two hearths with cooking equipment placed around. Several low stools and a wooden chair sit among metal pots, calabashes (gourds) and other kitchen items. A mortar and a basket sit to the right. A stack of dried blocks (right, rear) suggests that an addition to the compound is planned. More blocks are stored inside the open room whose wooden door has been removed. Ahenkro, July-August, 1986.
Young women carry headpans loaded with blackened clay bowls as they head to market. One girl has secured her load with rope netting. Standing right is the daughter of Yao Mosi. Adadiem, 1994.
While many houses take the form of compounds, people may build stand-alone structures that might later be added on to, creating an enclosed courtyard. Here, one side of the building is wattle-and-daub construction, the other side made by an atakpame (coursed earth) technique and later plastered. The wattle-and-daub technique allows walls to be built quickly, the frame ("wattle") allowing the daub to be placed without the need to let lower levels of the wall dry before adding upper levels. Ahenkro, July-August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Atakpame
Subjects Facet:
Plastering; Thatched roofs; Wattle and daub; Building, Clay; Housing
Until the late 1980s when boreholes were drilled in many villages, people in the Banda area relied on nearby springs, streams and rivers for daily water supplies. During the dry season, streams often dried up, while in drought years, even river beds became dry. Finding water was particularly difficult during the severe drought years of 1982-83. Here women from Wewa painstakingly collect water from a dry river bed west of the mountains in a process known as 'lawala' in Nafaanra. They scoop water with calabash bowls (chrԑgbͻͻ in Nafaanra). They have walked several kilometers to reach this place and were often faced with long waits before they could fill a headpan with water. Two photos. West of Wewa, December, 1982.
The exterior wall of a compound built with sun-dried bricks. The varying sizes of the bricks suggest that rooms may have been added at different times. An entrance to the compound midway along the wall has been filled in with smaller blocks or atakpame. Goats find shelter from the heat of the day beneath the roof's thatched overhang. Ahenkro, August, 1986.
Adwoa Fodjoa, a Nafana potter, sits on a wooden stool as she thins the inside walls of a clay water pot (chͻkoo in Nafaanra). The pot has been formed and set aside to dry before the potter thins its walls. The round-based pot rests on a cloth as she works. Other water pots on which she is working sit near her, turned upside down. A metal plate that she uses as a palette (kpankpa in Nafaanra) on which to form pots sits by her foot. The clay jar in front of the pot on which she is working contains the water she uses to moisten the pot as needed. A tray with lumps of clay and two enamel ware pots sit nearby. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Dorbour; Water pots (chokoo)
A tractor-plowed field close to the Banda hills on the outskirts of Ahenkro has been planted with tobacco. Tobacco farming began in the Banda area in the 1980s and was common by the 1990s as many farmers took up commercial tobacco production. After tobacco farming was banned by the Traditional Council, some open fields like these were planted in cashew, the cash crop in which many Banda farmers invested from the early 2000s. Others have been used for mono-cropping (fields used for a single crop type) cash crops that are annuals. Northwest of Ahenkro, May, 1995.
Banda Paramount Chief Tolԑԑ Kofi Dwuru III and elders pause as they process down Ahenkro's main street on the day of the New Yam Festival (Finyjie Lie in Nafaanra). They stand under the paramount chief's umbrella topped with a blackened carved wooden figure. L-R: Kwame Gyani; Kofi Gyase (Gyasehene); Kupo Aboateaa (Bamuhene); Tolԑԑ Kofi Dwuru III (Omanhene); Kwadwo Gbao; Senyono Kyeame; Fordjour Major. Ahenkro, 30 August, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Elders; Gyasehene; New Yam Festival; Umbrella; Omanhene
Subjects Facet:
Chiefs; Rites and ceremonies; Royal regalia; Wood carvings
Ma Fiԑn of Gbao (left) and Abena Wusu of Dompofie (right) spin cotton thread. Their spindles (gԑndԑ in Nafaanra) are weighted by fired clay spindle whorls (gԑndԑ kaan in Nafaanra) which help the spindle to maintain an even spin. Ma Fiԑn uses a calabash bowl as a spinning surface. Abena Wusu uses an enamel-ware bowl placed on a basket. They use their right hand to guide thread onto the spindle as it spins. In their left hand they hold the raw cotton from which the thread is being spun. They control the tension and flow of the cotton by alternately pulling back and easing their left hands. Thread forms as the spindle spins, with the finished product building up in layers toward the spindle's lower end, near the whorl. The baskets on top of which they spin used to store spinning equipment when not in use. Until recent decades, spinning was a routine household activity for women who then gave thread to men skilled in weaving to make cloth for the household. Spindle whorls found on archaeological sites dating to the late 18th and 19th centuries tell us that spinning was also a household activity during those centuries. In the photo's background harvested foods are drying (groundnut, cassava, chili pepper). A large basket and other containers (including a plastic tub) sit next to dried calabash ready to be sent to market. To the right, a clay water pot (chͻkoo in Nafaanra) rests on a metal basin and in the top right is a metal water barrel. Four photos. Gbao, September, 1982.