Though potters work individually when they make clay pots, they help each other when they fire their pots. In the foreground are the ashes left by earlier fires, and in the background women tend to ongoing bonfires. Stacks of firewood are visible in the background. Adadiem, 1994.
Two Ligbi men from Bongase appear in masquerade regalia during a visit to Bongase by René A. Bravmann, then a doctoral student at Indiana University studying African art history. They wear carved wooden "Mbong" (baboon in Ligbi) masks decorated with ochre and white paint, representing a male and female animal. Their heads and shoulders are draped in scarves. They stand in front of a house with a thatched roof and a raffia shade. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. A performance of Mbong at a Banda Heritage Event in June 2019 can be viewed through a link below. Bongase, December, 1967.
Kitchen area in the center of a courtyard house, with a large wooden mortar visible in the foreground. Women and youngsters are seated near hearths with a variety of serving and cooking vessels made of basketry, metal, calabash and plastic placed around the courtyard. The large metal drum in the background is used for water storage. Makala, June-July, 1990.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Makala
Subjects:
Metal pots; Water barrels; Plastic containers; Headpans
Westward view from the mountain gap near Ahenkro. This area is part of the Bui National Park, a Wildlife Protection Area and forest preserve established in 1971. Banda area, June, 1995.
In some of the area's potting villages, women make hearths using clay pots rather than stones (gbunu in Nafaanra). Three pots are placed close to one another, with their rims turned down. A clay jar tipped on its side sits to the right and metal pots are stacked to the left. Adadiem, 1994.
View to the northwest from the crest of the Banda hills, north of Ahenkro and towards Chuli. The view encompasses land that since 1971 has been part of Bui National Park, a Wildlife Protected Area covering more than 1800 km2. Prior to that, these lands west of the Banda hills were important to local people as a source of "bush meat." Archaeological evidence suggests that for centuries hunting was provided an important food source for Banda peoples. Banda hills, June, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Hunting; Bui National Park; Savanna woodland; Vegetation
Clay pots like this one, which is broken along one side, were used to cook small cakes made from bean meal. The bean cakes were often sold at markets as a form of "fast food." Banda area, 1994.
Narrow-necked clay jars like these were ideal for storing water. The exterior surface of these water jars (chͻkoo in Nafaanra) has been textured by rolling a twisted cord-wrapped stick (jar on the left) or a maize cob (jar on the right) across the surface and otherwise decorated with shallow grooved lines. The narrow opening inhibits evaporation while the porous fired clay walls keep the water cool. Bondakile, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Water pots (chokoo); Jars; Twisted cord roulette; Maize cob roulette; Water storage
View to the west from the crest of the Banda hills, north of Ahenkro and towards Chuli. The view encompasses land that since 1971 has been part of Bui National Park, a Wildlife Protected Area covering more than 1800 km2. Prior to that, these lands west of the Banda hills were important to local people as a source of "bush meat." Archaeological evidence suggests that for centuries hunting was provided an important food source for Banda peoples. Banda hills, June, 2001.
A view of Makala's wide main street, standing under a mango tree at the east end of town looking westward. Houses with thatched roofs line the main street, with a metal-roofed house visible to the right. Makala, June-July, 1990.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Makala
Subjects:
Mango tree
Subjects Facet:
Thatched roofs; Metal roofing; Streets; Housing; Villages
View of the Banda hills extending southward, standing on the small hill west of Kabruno. The rooftops of Samwa are visible left of center. Those of Makala are faintly visible to the right of center. Banda area, June, 1995.
Situated on the south side of Ahenkro against the backdrop of the Banda hills, one of the village's thatch-roofed primary schools (left) and the Junior Secondary School, still under construction but with one metal-roofed classroom in use. Ahenkro, July, 1986.
A view of Makala's wide main street, standing at the west edge of town, looking eastward. A mango tree grows in the street at the far end of the street. Atakpame (coursed earthen-walled) houses with thatched roofs line the street. The streets and areas around houses are kept clear of plants. Enoch Mensah (left) and Andy Black (right) stroll down the street after a day of work at Makala Kataa, the archaeological site located immediately west of Makala. Wide main streets like this one were was established in the 1920s when a British colonial District Officer implemented a "village planning" scheme. New villages were laid out next to existing settlements, and old villages abandoned as people relocated. The new villages were laid out on a grid pattern oriented by a wide main street. Archaeological excavations (1989, 1990 and 1994) at the old village site (Makala Kataa) have revealed much about daily life of Banda villagers in the late 18th and 19th centuries. See below for a link to a the 1902 Gold Coast Colony Ordinance that prompted these relocations: "Rules with Respect to Regulation of Towns and Villages." Makala, June-July, 1990. Makala, June-July, 1990.
Potters in Adadiem make clay jars in a variety of sizes. Those pictured here have been fired, some treated with bark solution while still hot from the bonfire firing. Adadiem, 1994.
Makala as viewed from the southwest edge of town, looking northwest. A metal-roofed atakpame (coursed earthen-walled) courtyard house is in the foreground, with thatched-roof buildings visible beyond. The Banda hills rise in the background. Paths cut through the plants that grow up to village's edge. Makala, June-July, 1990.
Interior of the Banda rockshelter (sdekpͻͻ in Nafaanra). Its floor is covered with large boulders which sheared from the shelter's roof over time. Banda oral histories refer to this as the cave in which people hid during Asante's attacks on Banda in the 1700s. These stories may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74. After this, in February 1774, Dutch officials at Elmina Castle reported purchasing captives from Asante's war against "Benda." Pictured here are members of the Banda Research Project. Front L-R: Enoch Mensah, Yaw Frimpong, Kofi Photo, David Adjartey Tei-Mensah. Center: Ann Stahl. Back L-R: Devin Tepleski, Amanda Logan, Andy Gurstelle, Lamini. Banda hills, June/July, 2009.
A woman sifts flour in the foreground as two women in the background pound maize (corn, bledju in Nafaanra) in wooden mortars. The women are sheltered from the sun by the thatched roof that covers this entrance to the house compound. View to the street beyond. Makala, July, 1994.
A potter completes decorations on a clay cooking pot (sro chͻ in Nafaanra). Another pot sits nearby, turned upside down. The lower bodies of the pots have been surface treated by rolling a maize cob (bledjukaan in Nafaanra) across the leather-dry surface of the clay jar. Shallow grooved lines have been etched over top. The clay jars are now ready to be fired. Dorbour, 1994.
A view of Makala's wide main street, standing at the west edge of town, looking eastward. A mango tree grows in the street at the far end of the street. Atakpame (coursed earthen-walled) houses with thatched roofs line the street. A single house with a metal roof is visible to the right of the mango tree. The streets and areas around houses are kept clear of plants. Makala, July, 1994.
A group of unfired clay pots to which red slip (chuma in Nafaanra) has been applied prior to firing. The string of Babobab tree seeds (foreground) is used to burnish the slip. By rubbing the dried slip vigorously with the seeds, the slip adheres to the surface and becomes shiny. To the right rear are several unfired clay eating bowls (kpokpoo in Nafaanra). Dorbour, 1994.
Main street of Banda-Ahenkro, view to the south, standing near the Banda Cultural Centre. In the distance, one of the passenger vans that made the daily trip to market towns (Wenchi, Sampa) is parked in front of the Omanhene's (paramount chief) palace. Two poles anticipate the arrival of electricity, still some years away. Metal roofs have begun to replace the thatched roofs of earlier years. Ahenkro, July, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Rural electrification; Metal roofing; Transportation; Villages; Streets
Ten clay cooking pots (sro chͻ in Nafaanra) have been placed upside down on a bed of firewood in preparation for a bonfire that will fire the clay pots. These pots have been red-slipped (chuma in Nafaanra) before firing. In the background is the bark that will be used to cover and surround the pottery before the bonfire is lit. Once lit, the fire burns for beween 30 minutes and an hour, after which the clay jars will be useable and ready for sale. Dorbour, 1994.
Elders of Gape Katoo with the sacred bronze basin, copper alloy vessel, iron knife and "chain" (copper alloy anklet) associated with ancestor Buari Kojo, Bofie, July, 1995.
Exterior wall of a compound house covered by a thatched roof. The coursed earth (atakpame) wall was built in stages as rooms were added. An exterior roof support pole is visible to the left. A coconut palm, an unusual tree in this area of savanna woodland far from the coast, is visible in the background. Houses and surrounding streets are kept clear of grass and other plants. Makala, July 1994.
A potter uses a metal bracelet as a roulette to make shallow grooves on the leather-hard surface of a cooking pot (sro chͻ in Nafaanra). She rolls the bracelet across a surface that has been textured using a maize cob (bledjukaan in Nafaanra) roulette. Next she will make shallow grooves along the boundary between the smooth upper body of the jar and the maize cob-routletted lower areas. Dorbour, 1994.
Large stones, some used as grindstones, are placed about the corner of this courtyard. Groundnut (peanut, boŋgrɛ in Nafaanra) shells lay on the ground at the feet of a child. A carved wooden stool appears alongside stools made from sawed boards, the latter typical of those taken to school by children each day and those used by women as they sit hearth-side while cooking. Two calabash bowls (chrԑgbͻͻ in Nafaanra) sit nearby. Makala, July, 1994.
Akua Donkor, a Nafana potter, uses a rounded-edged tool to make shallow grooves on the upper body of a soup pot (chiin sinyjͻlͻ in Nafaanra). The clay pot has been allowed to dry to a leather-hard state before the decorations are applied. She has used a maize cob (bledjukaan in Nafaanra) as a roulette (roller) to surface treat the base of the clay pot. A single grooved line sets the maize cob rouletted zone from the smoothed surface above it. The woman wears bracelets that can double as tools for decorating pots. Dorbour, 1994.
A number of large and medium-sized clay jars have been placed upside down on a bed of fire wood in preparation for a bonfire firing. Several previously fired and broken clay pots together with large stones are used to bank the edges of the stacked firewood. More firewood is stacked behind the bonfire area. Adadiem, 1994.
A calabash bowl (chrԑgbͻͻ in Nafaanra) containing water rests on top of a small pedestaled clay bowl (kontoŋdԑԑ in Nafaanra) used in funeral celebrations. The clay bowl is used by women to present food to the ancestors (sro waa in Nafaanra). Calabash rattles used in funeral celebrations sit nearby, some next to a basket. Dorbour, 1994.
Small clay eating bowls like this one (kpokpoo in Nafaanra) were typically used by women. This one has been blackened after a fashion that became popular in the 20th century. Similar bowls are found on archaeological sites around the Banda area, though often with a flat, pedestaled base and seldom blackened. Dorbour, 1994.
A storm in late 1999/early 2000 brought down the majestic kapok (Ceiba pentandra) tree that stood over the former market site on the south side of Ahenkro. Here the fallen tree is in the process of being cut and hauled away. Chickens and a goat forage in the foreground. Ahenkro, May, 2000.
Large, shallow blackened clay bowls with interior striations are used in cooking and for eating. Cooks use them together with a small double-sided wooden pestle to grind pepper and cooked vegetables like "garden eggs" (small eggplants) for soups. They are also used as men's eating bowls (pԑԑ in Nafaanra). Bowls with striated interiors are occasionally found on archaeological sites in the Banda area, but this particular blackened form was not common until the 20th century when it was introduced from areas to the south. Potters in the region began to produce the bowls for sale both locally and at regional markets and by the 1980s and 1990s, this one of the most popular pots made for market sale. Ahenkro, 1986.
Clay pots of this shape are used for cooking soup over a hearth fire. The relatively wide opening of soup pots (chiin sinyjͻlͻ in Nafaanra) makes it easy to add ingredients and stir the soup as it cooks. These soup pots are blackened, a fashion that took hold during the 20th century. Unblackened pots of similar shape are found on archaeological sites dating to the 19th century and earlier. Dorbour, 1994.
A metal headpan is loaded with clay pots ready to take to market. The darkened angular pots placed around the inside edges of the headpan are soup pots (chiin sinyjͻlͻ in Nafaanra) and the rounder shaped pots are for cooking starchy staples (sro chͻ in Nafaanra). Dorbour, 1994.
Assisted by his son (Wayo Fordjour), a skilled builder (Akwasi Nyua Tonyaa) shapes balls of atakpame as he prepares to add another course to the walls of a house under construction. Each course must be allowed to dry gradually before the next is added in order to create a strong wall. Calabash bowls (chrԑgbͻͻ in Nafaanra) used by the builder sit nearby. Two photos. Dompofie, September, 1982.
Afua Donkor, a Nafana potter, inspects clay jars of various shapes and sizes that await firing. The liquid red slip (chuma in Nafaanra) has been applied, allowed to dry and then burnished in prepartion for firing. Visible around the courtyard are wooden mortars, a pestle and a metal cooking pot. Thatch-roofed rooms surround the courtyard. Dorbour, 1994.
The walls of an atakpame (coursed-earth) structure drying before the next course of earthen building material is added. Behind, to the left, a block constructed building in progress and houses with metal roofs. Dompofie, September, 1982.
Sharply angled (carinated) clay pots like this one may have been used for storing liquids. Chipping around the rim of the pots suggest that this one may have been used for some time. Dorbour, 1994.
Large, shallow blackened clay bowls with interior striations are used in cooking and for eating. They are used together with a small double-sided wooden pestle to grind pepper and vegetables like "garden eggs" (small eggplants) when making soups. These bowls may also be used as men's eating bowls (pԑԑ in Nafaanra). Though archaeological sites occasionally have potsherds with striated interiors, this particular blackened bowl form was not common until the 20th century when it was introduced from areas to the south. Potters in the region began to produce the bowls for sale both locally and at regional markets. By the 1980s and 1990s, this was one of the most popular pots made for market sale. Ahenkro, 1986.
Peni Krah, a Nafana potter, sits on the ground and uses her left hand to turn the palette (kpankpa in Nafaanra) on which she has molded a clay soup pot (chiin sinyjͻlͻ in Nafaanra), smoothing its rim with a moist cloth held in her right hand. The headpan to her right contains moist clay. Dorbour, 1994.
A skilled builder (Akwasi Nyua Tonyaa) places atakpame balls on the previously laid and dried course of earthen wall. He carefully molds the moist earthen ball to the dry course to ensure a strong wall. Dompofie, September, 1982.
Storing pots (jloŋgo in Nafaanra) like these were formerly used to store drinks like pito (sorghum beer) or wenyjͻ nyumu (water boiled in a pot after it has been used to make "TZ," a starchy staple). The one on the left has been blackened while that on the right may have been treated with a red slip (chuma in Nafaanra). Both are highly burnished, giving them a glossy look. Dorbour, 1994.
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut (boŋgrɛ in Nafaanra) shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
These fired clay pots are specifically designed for water storage. The water jar (chͻkoo in Nafaanra) on the left was made in Adadiem and the one on the right was made by a potter in Dorbour. Unlike pottery intended for other uses, potters do not finish pots intended for water storage in a bark solution to seal and color the pot. Instead, the surface of water storage pots needs to be porous to effectively cool the water stored inside. The size of the water jar's mouth allows access to the water inside but also limits evaporation. The color of these pots is a result of firing conditions. Dorbour, 1994.
Young men prepare calabash (gourd; chrԑ in Nafaanra) ladles for market. The calabash is split, its pulpy interior removed, and the gourd's interior surface scraped clean before drying. Banda, July, 1982.
Potting clay is spread to dry after being mined and brought to Dorbour by a potter, perhaps aided by her relatives. The clay includes a combination of plastic clay (chͻklͻlͻ in Nafaanra) and sandy clay (sisa in Nafaanra) which are mixed together at the place where the clay is mined. After drying, the clay will be pounded, sifted, mixed with water and kneaded until the clay is the right consistency. A potter only mixes as much clay as she needs to make a batch of pots (6-8). Children may help with the work of pounding and kneading the clay. In the background, houses made of atakpame (coursed earthen-walls) with thatched roofs are visible. Dorbour, 1994.
A potter's tools are laid out for view. Sitting on a well-worn clay-smeared grinding stone are two maize cobs (left; bledjukaan in Nafaanra), half of a seed pod from a tree (jenge in Nafaanra), and a spatula (unknown material). An enamel-ware pot holds several water-worn pebbles, several of which also sit in front of the grindstone. Pebbles (gbeliͻ in Nafaanra) are used to burnish the surface or make decorations on the pot's surface. In front of the grinding stone are two iron rings or "bracelets." The one with a wide flat side (gbooroo in Nafaanra) is used to scrape and thin the pot's walls after they have been allowed to dry. The other can be used to decorate pots. A small clay bowl holds water and a piece of cloth used to moisten and smooth the surface of the pot after it is formed. Dorbour, 1994.