An educational poster with pictures and text focused on how past people in the Banda area clothed their families. It describes how people dressed, how they made cotton cloth, and why cloth is no longer made in Banda. It is one of five posters prepared for a Banda community event held in 2014. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
A folded textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. The name of this cloth design is Kakya. Single strands of blue warp thread create vertical lines against a background of white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A wooden spindle wrapped with cotton thread rests on top of a folded black-and-white textile made from handwoven cotton strips. Cloth of this design is called Kyara. Hand stiching can be seen along the edges where strips have been sewn together. These were among heirloom objects on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft;
A bow-shaped tool (klada in Nafaanra) made from flexible wood and taut string rests on a folded handwoven blue-and-white textile called Kyara. Women used the bow to prepare cotton for spinning into thread. After removing seeds from the cotton, they held the bow's string over the fibers. Plucking the string caused cotton fibers to stick to it. By pulling up on the bow, the cotton became fluffed and its fibers aligned, making it easier to spin. The klada and handwoven textiles seen in the picture were among heirloom objects on display as part of a Heritage Day and Olden Times Foods Fair held at the Banda Cultural Centre. Ahenkro, 2014-07-31.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Kyekye and is sewn from strips of similar dark blue-and-white design. Variation in patterning is created by offsetting strips. Sections of solid color created by weaving blue weft over blue warp threads are sewn to strip sections with horizontal stripes created by alternating blue and white weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A folded white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre, with sponsorship from Amanda L. Logan. The name of this cloth design is Bɔfige. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Two folded textiles made from handwoven cotton strips, pieced together in a design called Dɔnkɔnfra. They were photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. One cloth rests on top of the other. The lighter colored strips in each cloth have white warp threads woven together with white, red and blue weft threads. Darker strips were woven from blue and white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A folded gray-and-white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. Textiles of this design are called Gbenalekinu. A narrow band of red woven accent can be seen on two of the strips. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Mmɔlɔ and is sewn from strips of similar blue-and-white striped design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
8.165892, -2.354363
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
A folded textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. The name of this cloth design is Mmɔlɔ Kyara. A wood spindle wrapped with locally made cotton thread rests alongside the cloth. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
8.165892, -2.354363
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Two folded textiles made from handwoven cotton strips, pieced together in a design called Mmɔlɔ Kyara. They were photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. One cloth is made from alternating strips of white and blue-and-white striped cloth. The other is made of similar blue-and-white strips, in which white weft threads create a checkered design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Nyankakya and is sewn from strips of similar white-and-blue design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Surugukawa and is sewn from strips of similar blue-and-white striped design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Several folded textiles made by sewing together handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Yongokyara and is sewn from alternating strips of white or white-and-blue and dark blue-and-white designs. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft;
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Yowɔɔ and is sewn from strips of similar dark blue-and-white striped design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Owusu Alexander weaves a large raffia palm mat. He has tied the in-progress mat to a raffia palm stick to anchor the mat as he weaves. The mat is wound around the stick as weaving proceeds. To the left, wrapped on a stick that is leaning against a stack of sun-dried bricks, is a narrow mat that he wove to demonstrate mat weaving techniques. Four large pottery jars rest upside down near a house wall in the background. Sabiye, 22 July, 2022.
Owusu Alexander weaves a raffia palm mat. He has secured four split fronds around his left index finger as he weaves with his right hand. Sabiye, 22 July, 2022.
A dried raffia palm frond prepared for mat weaving. The stiff end of the frond has been removed and the frond has been split into two pieces almost to the base. Owusu Alexander folds and layers the two halves before weaving. Leaving the pieces attached at the base facilitates his weaving process. Sabiye, 19 July, 2022.
Owusu Alexander weaves a raffia palm mat. He has tied the in-progress mat to a raffia palm stick to anchor the mat as he weaves. He weaves with his right hand as he secures the work with his left hand, wrapping two frond portions around his index finger as he weaves. Sabiye, 19 July, 2022.
Owusu Alexander holds a bundle of raffia palm frond strips. He has removed these from the leaves as he prepared materials for mat weaving. Sabiye, 17 July, 2022.
Owusu Alexander demonstrates the process of starting a raffia palm mat, beginning by layering fronds that he has split down the middle. He folds one set of fronds over the other with his right hand, while using his left index finger to secure his work. Sabiye, 17 July, 2022.
Owusu Alexander demonstrates the process of starting a raffia palm mat, beginning by layering fronds that he has split down the middle. Sabiye, 17 July, 2022.
Owusu Alexander uses a knife to split dried raffia fronds in preparation for making a raffia palm mat. He removes the stiff rib and splits the resulting two side pieces of the frond in half, leaving a few centimeters at the base of each half unsplit. Here he folds the unsplit end in half, which allows him to easily layer the two halves when he adds them to his mat. Weaving with layered frond pieces makes a thicker and more durable mat. Sabiye, 17 July, 2022.
Owusu Alexander holds a cutlass, raffia palm fronds and a stick that he has cut from the base of raffia palm frond. He has harvested these raffia materials in preparation for weaving a mat. Sabyie, 15 July, 2022.
Owusu Alexander lays out raffia palm fronds to dry in the sun. He has harvested the fronds in preparation for making a raffia palm mat. Sabiye, 15 July, 2022.
Dried raffia palm fronds, sorted in preparation for mat making. Owusu Alexander has separated the portion of the fronds he will use for mat making from those portions that are not useful. The stiff ribs (right) can be used to make brooms and the thin pieces (left) will be used as tinder in making fires. The fronds in the center are those that he will use in mat weaving. The knife he has used to separate the fronds lies on a tree root at his feet. Sabiye, 17 July, 2022.
Owusu Alexander holds a raffia palm leaf from which he is stripping fronds that he will use to weave a mat. A group of stripped fronds lie on the ground by his feet. Sabiye, 15 July, 2022.
Owusu Alexander uses a cutlass to trim the woody base of a raffia palm frond. He will use this stick as a base for weaving a raffia palm mat, rolling the mat on to the stick as the work progresses. Sabiye, 15 July, 2022
Owusu Alexander weaves a raffia palm mat. He has wrapped three split fronds around his left index finger and uses his left thumb to secure a frond laid across these. Sabiye, 22 July, 2022.
Owusu Alexander adds new fronds as he weaves a raffia palm mat. He has tied the in-progress mat to a raffia palm stick to anchor the mat as he weaves. The mat is wound around the stick as weaving proceeds. Sabiye, 22 July, 2022.
Owusu Alexander adds new fronds as he weaves a raffia palm mat. He has tied the in-progress mat to a raffia palm stick to anchor the mat as he weaves. The mat is wound around the stick as weaving proceeds. Sabiye, 22 July, 2022.
An in-progress narrow raffia mat used as a teaching/learning aid. The mat is tied to a raffia palm stick that holds the mat in place as weaving proceeds. Loose raffia pieces extending from the middle and top of the mat represent places where raffia strands have been added or ended. These loose ends will be trimmed when the mat is completed. The active row of weaving is seen at the bottom of the picture. Sabiye, 28 July, 2022.
Junior High School students pose for a picture with their teacher and members of the Banda Heritage Initiative after participating in a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"). Allison Balabuch (left), a University of Victoria PhD student in Curriculum and Instruction, drafted the resource. The girls hold weaving projects that they worked on during the consultation. The girls' teacher and Banda Heritage Initiative members Patrick Mensah (black cap) and Enoch Mensah (far right) stand with the girls. Model School, Ahenkro, 25 July, 2022.
Two Junior High School students try their hand at weaving on a simple stick loom as part of a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"), which lays on the desk in front of them. The booklet is open to pages that describe how local people in the past wove textiles on strip looms. Teacher Jerry Tsito looks on as they weave. Model School, Ahenkro, 25 July, 2022.
Two Junior High School students try their hand at weaving on a simple stick loom as part of a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"), which lays on the desk in front of them. The booklet is open to pages that describe how local people in the past wove textiles on strip looms. Model School, Ahenkro, 25 July, 2022.
A group of students at the Calvary Methodist Junior High School in Banda-Ahenkro consult a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana") as they try their hand at weaving on simple stick looms. Teacher Jerry Tsito (blue shirt) coordinated classroom visits to gauge student interest in learning from heritage resources. Ahenkro, 27 July, 2022.
University of Victoria PhD student in Curriculum and Instruction Allison Balabuch helps two Junior High School students at the Model School who are learning to weave on simple stick looms as part of a consultation on a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana"). Ahenkro, 25 July, 2022.
A group of Junior High School students who participated in a consultation on a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana") display weaving projects that they worked on as part of a hands-on learning project. Ahenkro, 29 July, 2022.
