At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, men associated with the Kralɔngɔ Royal Palace performed a Nafana version of Kete. Known primarily as an Akan royal practice, Nafana oral histories characterize Kete as a genre they learned from Kulango people. In this performance, four men simultaneously use brass rattles and play flutes that oral accounts say were taken from the Kulango in their performance of five Kete songs. They are accompanied by two drummers and a man playing an iron gong. Ahenkro, 28 June, 2019. Length: 00:13:14 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Ligbi community members from Bongase performed a masquerade dance which today they call "Bedu" but scholars term "Do." Two masks performed: Mbong (Baboon) and Gbanyamuso (Beautiful Gonja Woman). Their costumes include metal jangles worn around their ankles. The dancers are accompanied by women singing in Ligbi and drumming on conga and box drums, as well as by young men drumming and fanning the dancers. Ahenkro, 28 June, 2019. Length: 00:15:26 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Kuulo people from Dompofie share customs associated with their wedding celebrations. A bride and groom accompanied by two girls sit as women sing songs of praise and dance in a circle around them. A pot containing pito (locally brewed grain beer) sits in front of them. The women wear strip-woven local cloth wraps around their waists. In an opening song, the women beat rhythms with calabash gourd drinking bowls as they dance. The gourds are placed in front of the newly married couple after the first dance. After the final dance, the calabash bowls are used to catch overflowing beer poured from the pito pot, signaling that the bride was a virgin when married. Ahenkro, 28 June, 2019. Length: 00:20:21 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Performance; Kuulo, Dompo (African people)
Subjects Facet:
Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Heritage
Part 4 of a four-part video, based on an interview with Adjua Tini of Habaa Katoo. Though the interview was concluded, Adjua Tini wanted to close the session with a song. One song led to another, and soon she was joined by Lelԑԑ Yahͻͻ, with whom she sang a number of songs associated with courtship, marriage and funerals. Several songs toward the end of the short film are not accompanied by video footage. Ahenkro. Length: 00:36.05 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Nafana people from Boase share customs associated with their wedding celebrations (Bijam). Two young women dressed as brides wear local strip woven cloth and carry walking sticks as they approach the Banda Cultural Centre, accompanied by female relatives and young girls dressed in nubility attire. After circling the event grounds, the girls are seated and the women perform a series of songs and dances accompanied by calabash drums. Men and women well-wishers toss maize kernels in the water of the calabash drums as they dance. Afterwards, the brides, covered by cloth, dance behind an elder relative as other women prepare their path by pouring water from a bucket. Afterwards, locally made grain beer (pito) is poured into a calabash, overflowing to signal that the brides were virgins at the time of their marriage.In a final dance, female relatives dance with a bowl of food, after which gifts are presented to the bride's family. Many of the women wear locally made strip-woven blue-and-white textiles as wraps. Ahenkro, 28 June, 2019. Length: 00:22:01 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Performance; Nafana (African people)
Subjects Facet:
Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Heritage
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, people from Ahenkro share Nafana songs and dances associated with with girls' puberty rites (Manaa Ndiom) and wedding celebrations (Bijam). The film opens with photos of girls dressed in Manaa Ndiom attire during the 1995 inauguration of the Banda Cultural Centre. A series of songs and dances performed at the 2019 event follows, accompanied by the rhythms of calabash drums, calabash rattles and, in some cases, a wooden drum. The group is joined in the first song by District Chief Executive Mary Konneh who plays calabash rattles and dances. Seated under the shade of the canopy, Afua Donkor demonstrates how to spin cotton while others sing and dance. Young people can be seen using their cell phones to record the action. Many of the Elder women who perform wear locally made strip-woven blue-and-white textiles as skirt wraps. Ahenkro, 28 June, 2019. Length: 00:15:57 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Subjects:
Performance; Cell phones
Subjects Facet:
Nafana (African people); Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Rattles; Heritage
A hunter carrying a shotgun is joined by a senior hunter as he performs a hunter's dance (Bɔfɔɔrɔ in Nafaanra). Oral history recounts that the dances are those of animals observed and copied by ancestral hunters, generations ago. Accompanied by drummers (on right), the hunters perform in front of an assembled group of villagers during a family history interview. A young woman in the background uses a cell phone to record the event. A performance of Bɔfɔɔrɔ at a June 2019 Banda Heritage Event can be viewed through a link below. Fawoman, 21 May, 2019.
Oral history of Chokoe Kataoo (house), Gbao, describes how the family came to settle in Banda and how they came to play a role in the area's New Yam Festival. Former male and female heads of family are listed. To cite: Stahl, Ann, and James Anane. 2011. Chokoe Katoo, Gbau [Gbao]. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pg. 3. Brochure circulated 1989, reissued with photos and additional histories in 2011. 2 pages.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
New Yam Festival; Family history; Migration; Chokoe Katoo
Subjects Facet:
Gonja (African people); Rites and ceremonies; Nafana (African people); Oral history; Banda (Brong-Ahafo Region, Ghana)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, two women dance (Ma Millah, center, Adwoa Kupo, right). To the left Yaw Ble plays an antelope antler horn. He wears a strip-woven smock adorned with amulets sewn into leather packets. Two photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Amulets; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Funeral customs and rites; Dance; West African strip weaving; Rites and ceremonies; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Ma Millah dances, center. To the left Yaw Ble plays an antelope antler horn. Standing right, Kwame Fnaso drums. Eleven photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Horn; Atumpan drums
Subjects Facet:
Drums (musical instrument); Funeral customs and rites; Dance; Rites and ceremonies
Adwoa Kupo dances as Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Two photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Atumpan drums
Subjects Facet:
Funeral customs and rites; Dance; Rites and ceremonies; Drums (musical instrument)
An elder dances to the rhythms of fɔntɔmfrɔm and atumpan (in Twi) drums at a funeral celebration held the day after an elderly woman died. The funeral is celebrated beneath the shade of the large kapok tree on the south side of Ahenkro at the market site. Two photos. Ahenkro, 15 October, 1982.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine. After falling ill and dying, the man was understood to have been killed by the 'fetish' because of harm he was alleged to be planning against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Next (right), Kwabena Nika plays a double iron gong with a wooden hammer. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Atumpan drums
Subjects Facet:
Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Looking on, right, is James Anane. Two photos. Gbao, 8 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Yaw Ble wears a strip-woven smock as he plays an antelope antler horn and dances. To the left, women play calabash rattles and Kwabena Nika plays a double iron gong. Drums that belong to the shrine are played as he dances. Four photos. Gbao, 8 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here Adwoa Kupo (left) dances as Yaw Ble (right) plays an antelope antler horn and dances. He wears a strip-woven smock to which amulets encased in leather are sewn. Gbao, 8 August, 1986.
Men associated with the Kralɔngɔ Royal Palace perform a Nafana version of Kete during a heritage celebration organized by the Banda Heritage Initiative. Several men play flutes and brass rattles that oral histories say were captured from Kulango people. They are accompanied by men playing drums and (left) an iron gong. Ahenkro, 28 June, 2019.
Nafana women play calabash rattles as they sing songs associated with customary puberty and marriage celebrations at a heritage celebration organized by the Banda Heritage Initiative. Two women from Ahenkro are joined (left) by District Chief Executive Mary Komeh (white blouse). Ahenkro, 28 June, 2019.
A Nafana hunter from Fawoman performs a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched in front of a pot that was smashed in an earlier dance, he clenches a bundle of leaves in his teeth as he assumes an animal's posture. Ahenkro, 28 June, 2019.
Nafana men from Fawoman perform a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched on the ground, the men enact the process of tracking an animal as women sing and men drum in the background. The man in the front holds a gun. Ahenkro, 28 June, 2019.
During a performance of songs and dances associated with puberty (Manaa Ndiom) and marriage (Bijam) celebrations as practiced in Boase, elder Afua Gyakari holds a microphone as she sings surrounded by other elders, including Boase chief Tolԑԑ Ligbi Wulotei (wearing a black-and-gold cap). Ahenkro, 28 June, 2019.
Women from Boase sit together under a canopy at a heritage celebration organized by the Banda Heritage Initiative. Young women dressed in attire associated with marriage (Bijam) and puberty (Manaa Ndiom) celebrations are seated in the center. To the left are three large calabashes filled with water on which the women will float smaller calabash bowls. These are used as drums to accompany songs sung during marriage and puberty celebrations. Ahenkro, 28 June, 2019.
Heritage; Community event; Drums (musical instrument); Rites and ceremonies; Nafana (African people); Gourd, Calabash; Puberty rites; Marriage customs and rites
Kuulo women from Dompofie sing songs associated with Kuulo marriage celebrations at a heritage celebration organized by the Banda Heritage Initiative. They wear local strip-woven wraps as skirts and hold microphones as they sing. Ahenkro, 28 June, 2019.