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Start Over Subject(s) pottery making

1. Fired and finished clay jars, Bondakile, 1982

Description:
A group of four clay jars cool after being removed from the bonfire and dipped in bark solution. The solution carbonizes as it comes in contact with the hot surface of the pot, creating a glossy darkened surface that reduces the jar's porosity. A portion of one jar's rim has broken off during the firing and finishing process. Visible on the lower pot surfaces is the maize cob (bledjukaan in Nafaanra) roulette applied to create a roughened surface prior to firing. Shallow grooves used to decorate the upper surfaces are visible on the jar in the foreground. Pieces of bark from the bark solution adhere to the jars' surfaces. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Maize cob roulette; Decoration
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
25
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

2. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:
Finished and dried clay pottery jars are carefully placed on top of firewood in preparation for firing. Previously fired broken or flawed pots are used to bank the fuel, keeping it in place. Additional fuel will be placed on top of the stacked pottery and the fuel set on fire. The resulting bonfire will be allowed to burn down, after which the pots will be removed and finished while hot by being dipped in a bark solution. Mensah Listowell, Research Assistant (blue shirt), stands by as the potters prepare to place more fuel on the stacked pottery. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
36
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

3. Removing clay pots from the firing, Bondakile, 1982

Description:
A potter uses a pole to carry a hot clay jar from the smoldering bonfire (behind). She is carrying it to a pottery bowl that contains a solution of pounded bark into which she will dip the jar to create a finish. Newly fired pots are visible in the remains of the bonfire, lying on their sides. A row of upturned, previously fired but broken pots forms a bank around the bonfire's edge. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
22
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

4. Bark solution used to finish clay pots, Bondakile, 1982

Description:
Potters place the pounded bark of specific trees (surom, layene, koko or lakroas they are known in Nafaanra) in water to create a solution used to finish pots. The red-colored solution carbonizes on the surface of hot pots just removed from the bonfire. Here, the prepared solution awaits as the pots are being fired. A plastic container floats on the surface. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17219
Location(s) Facet:
Bondakile
Subjects:
Potting; Plastic containers; Finishing; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
20
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

5. Pottery firing, Bondakile, 1982

Description:
A potter tends the bonfire in which clay pottery jars are being fired. She uses a long pole to adjust the grass fuel laid on top of the pots and the wood fuel beneath them. A bank of previously fired and broken pots holds the fire in place. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
19
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

6. Remains of a pottery-firing bonfire, Bondakile, 1982

Description:
The remains of a pottery-firing bonfire after the newly fired pots have been removed. Most of the jars visible here were fired prior to this bonfire. Broken or otherwise flawed, they were used to create a bank around the bonfire at its base. The bonfire's fuel has been reduced to an ash layer that remains in the center. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
29
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

7. Pottery firing, Bondakile, 1982

Description:
Sheep feed on the edges of a bonfire where clay jars are being fired. Grass has been laid as fuel over the carefully stacked pottery. Wood fuel lies beneath. At the bonfire's base, the broken pots used to bank the fire are visible. The fire will be allowed to burn down, after which the jars will be removed and, while still hot, dipped in a bark solution that coats the pot with a finish. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire
Subjects Facet:
Handicraft; Sheep; Pottery making; Pottery; Firing (Ceramics)
Identifier:
13
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

8. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:
Dried clay jars are carefully placed on top of firewood in preparation for firing. Their surfaces have been textured by rolling a maize cob (bledjukaan in Nafaanra) over the jars' lower surface (maize cob roulette) and decorated with shallow arched grooves made when the pot was in a leather-hard state. Additional fuel will be placed on top of the stacked pottery before the fire is lit. After the fire has burned down the pots will be removed and finished by being dipped while hot in a bark solution. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Maize cob roulette; Decoration
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
37
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

9. Removing clay pots from a bonfire, Bondakile, 1982

Description:
As the bonfire burns down, a helper uses a long pole to prepare the newly fired clay pots for removal. The neatly stacked pots lie on their sides. Around the edges, a bank of previously fired and broken pots, some turned upside-down, were used to hold the fuel and pots in place as the bonfire was built. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
26
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

10. Molding a clay jar, Bondakile, 1982

Description:
With moistened hands, a standing potter smooths the rim of a partially finished clay jar. As she works, she moves clockwise around the wooden stump that supports the palette (kpankpa in Nafaanra) on which the pot is being molded. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
8
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

11. Molding a clay jar, Bondakile, 1982

Description:
A potter uses a draw-and-drag (direct pull) technique as she begins to mold the body and rim of a pottery jar from a lump of moist clay. The clay rests on a palette (kpankpa in Nafaanra) supported by a stump. She moves clockwise around the stump as she uses her hands to pull the clay upward and outward to form the walls of the pot. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
Slide number 38
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

12. Learning to make clay pots, Dorbour, 1994

Description:
Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Learning; Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Metal roofing; Courtyards; Pottery; Apprentices
Identifier:
17
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

13. Pottery forming techniques, Dorbour and Adadiem, 1994

Description:
This short Banda Heritage video made from still photographic images illustrates the potting techniques of Banda-area potters. It highlights the steps in their draw-and-drag forming method and the tools they use. Among the Nafana potters pictured in the video are Yaa Tenabrɛ, Adwoa Fodjoa, Peni Krah and Ama Donkor from Dorbour. Also pictured is a potter from Adadiem (1994) and an image from Bondakile (1982). Original images used to make the video are available in the Banda Heritage Repository. Dorbour, Adadiem, 1994. Bondakile 1982. Length: 5.05 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Adadiem
Subjects:
Potting; Grinding stone; Women's work; Potting tools; Maize cob
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1994;1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Adadiem;8.082874, -2.552821
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
8.082874, -2.552821

14. Pottery firing techniques, Bondakile, Adadiem and Dorbour, 1982, 1994

Description:
This short video made from still photographic images illustrates the firing techniques of Banda-area potters. It shows examples of bonfire firing and post-firing treatment of vessels in a solution of pounded bark. Images include a 1982 sequence following Mo potters in Bondakile and 1994 images of Nafana potters in Adadiem and Dorbour, featuring Afua Donkor and Yaa Nsiah Adiemu from the latter. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Adadiem, Dorbour, 1994. Length: 4.22 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Water jars; Grinding bowls; Women's work
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1982;1984
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Adadiem;7.986031, -2.546331
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

15. Making water storage pots, Dorbour, 1994

Description:
A potter sits on a stool as she molds the upper body of a clay water jar (chͻkoo in Nafaanra). In her right hand she uses a maize cob (bledjukaan in Nafaanra), pulling it against the exterior surface to smooth and thin the clay. In the foreground are water jars whose leather-hard upper body and rim have been joined to a rounded base, their clay bases still moist and not yet smoothed. Large wooden mortars and a headpan containing moist clay sit nearby as she works in the shade of an open-sided room. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Maize cob; Water jars (chokoo); Potting tools; Dorbour; Headpans
Subjects Facet:
Handicraft; Pottery making; Pottery; Mortars & pestles
Identifier:
2
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

16. Pounding bark used to finish clay pots, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Headpans ; Women's work; Potting; Pounding; Dorbour; Soup pots (chiin sinyjolo)
Subjects Facet:
Handicraft; Pottery making; Mortars & pestles; Pottery
Identifier:
22
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

17. Decorating a clay cooking pot, Dorbour, 1994

Description:
Akua Donkor, a Nafana potter, etches grooves onto the leather-hard surface of a clay cooking pot (sro chͻ in Nafaanra) before it is fired. The lower part of the jar has been surface treated using a maize cob (bledjukaan in Nafaanra) as a roulette. This gives the pot surface texture, over which the grooved design is made. She wears bracelets that sometimes double as tools to decorate pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
32
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

18. Scraping a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, sits on a wooden stool as she scapes the interior of a large clay pot. A metal bucket containing moist clay covered in plastic sits nearby. A well-worn grinding stone is visible at the top of the photo, on top of which rests a pink plastic cup. A small clay bowl filled with water sits next to it. The blue headpan to the right can no longer be used to carry things, but it remains useful as a support or stand for other things like round-based water storage pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Plastic containers; Dorbour; Headpans; Metal buckets; Grinding stone
Subjects Facet:
Handicraft; Pottery making
Identifier:
19
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

19. Shaping a clay pot, Adadiem, 1994

Description:
A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Forming; Women's work; Potting; Adadiem
Subjects Facet:
Handicraft; Pottery making
Identifier:
13
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

20. Shaping a clay pot, Dorbour, 1994

Description:
A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Potting; Women's work ; Dorbour
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
20
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

21. Shaping a clay pot, Dorbour, 1994

Description:
A potter seated on the ground starts to form a clay pot. She begins with a lump of clay resting on a metal plate (kpankpa in Nafaanra) which she can turn as she uses a draw-and-drag (direct pull) technique to shape the pot. A second lump of clay has already begun to be formed (lower left) and a clay bowl contains water that she uses to moisten the clay as needed (lower right). Lying on the metal plates to the left are tools that she will use as she forms the pot including two maize cobs, a spatula and a stone. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Potting tools; Maize cobs; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
27
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

22. Smoothing the inside of a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, stands as she uses a spatula-like tool to smooth and thin the walls of a large clay pot which she is molding. She has shaped the pot using a draw-and-drag (direct pull) technique, beginning with a lump of clay and using her hands to draw the clay upwards and outwards. The pot rests on a round metal plate (kpankpa in Nafaanra) that can be turned on the stump on which it sits and on which the pot can be moved and set aside as it dries. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Potting tools; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
20
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

23. Scraping a clay pot, Dorbour, 1994

Description:
Adwoa Fodjoa, a Nafana potter, sits on a wooden stool as she thins the inside walls of a clay water pot (chͻkoo in Nafaanra). The pot has been formed and set aside to dry before the potter thins its walls. The round-based pot rests on a cloth as she works. Other water pots on which she is working sit near her, turned upside down. A metal plate that she uses as a palette (kpankpa in Nafaanra) on which to form pots sits by her foot. The clay jar in front of the pot on which she is working contains the water she uses to moisten the pot as needed. A tray with lumps of clay and two enamel ware pots sit nearby. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Dorbour; Water pots (chokoo)
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
17
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

24. Banda in the 15th to 17th centuries. Poster, 2011

Description:
An educational poster with pictures and text which describes Banda-area village life from the 15th through the 17th centuries. It briefly summarizes what has been learned from archaeological excavations at Kuulo Kataa about metal working. It also outlines the use of wild and domestic animals and the new objects and practices that developed in this time when trade connections with the Niger River area were strong. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17060 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17073
Location(s) Facet:
Banda
Subjects:
Kuulo Kataa; Community engagement; Poster
Subjects Facet:
Dogs; Handicraft; Metal casting; Smelting; Pottery making; Metalworking; Tobacco; Foodways; Ivory; Iron; Corn; Tobacco pipes; Copper alloys; Forging; Beads; Heritage
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1400-1650
Date searchable:
2011-06
Genre:
Poster
Genre Facet:
Poster
Format:
Image
Language Facet:
English
Location(s):
Banda
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl

25. Banda in the 13th to 15th centuries. Poster, 2011

Description:
An educational poster with pictures and text which describes Banda-area village life during the 13th to the 15th centuries. It briefly summarizes what has been learned from archaeological excavations about handicrafts at Ngre Kataa including metal working and pottery making. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are available in the Banda Cultural Centre, Ahenkro.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17060
Location(s) Facet:
Banda
Subjects:
Community engagement; Ornaments; Poster; Ngre Kataa
Subjects Facet:
Handicraft; Metal casting; Pottery making; Metalworking; Forging; Iron; Copper alloys; Ivory; Heritage
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1200-1450
Date searchable:
2011-06
Genre:
Poster
Genre Facet:
Poster
Format:
Image
Language Facet:
English
Location(s):
Banda
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl

26. Banda in the 18th & 19th centuries. Poster, 2011

Description:
An educational poster with pictures and text which describes Banda-area village life during the 18th and 19th centuries based on oral histories, written sources and archaeology. It describes early written references to Banda and briefly summarizes what has been learned about handicrafts like potting and cloth-making based on archaeological excavations at Makala Kataa. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17068 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17060 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17067
Location(s) Facet:
Banda
Subjects:
Makala Kataa; Community engagement; Poster
Subjects Facet:
Handicraft; Pottery making; Spinning; Elmina Castle (Elmina, Ghana); Wars; Oral history; Tobacco pipes; Beads; Heritage
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1700-1875
Date searchable:
2011-06
Genre:
Poster
Genre Facet:
Poster
Format:
Image
Language Facet:
English
Location(s):
Banda
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl

27. Clay grinding bowls drying, Bondakile, 1982

Description:
Unfinished clay grinding bowls dry on the palettes (kpankpa in Nafaanra) on which they were formed. After they have dried to a leather-hard state, the potter will remove them from their palettes and score their interiors. The scoring creates a grinding surface used to process vegetables which are added to soups. These bowls may also serve as men's eating bowls (pԑԑ in Nafaanra). Immediately behind the drying bowls is a hearth, swept clean of ashes. Pottery jars can be seen drying in background, right. A chicken forages nearby. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Grinding bowls; Potting; Drying
Subjects Facet:
Handicraft; Pottery making; Hearths; Pottery; Chickens
Identifier:
11
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

28. Molding a clay jar, Bondakile, 1982

Description:
A standing potter puts the finishing touches on the rim of a clay jar that she has molded using a draw-and-drag (direct pull) technique. She has finished the body, neck and rim of the jar and will now set it aside to dry. After it has dried to a leather-hard state, she will remove the jar from the palette (kpankpa in Nafaanra) on which it has been formed and she will add a rounded base. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
7
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

29. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. As she began she drew the moist clay upward and outward from the lump with which she started. Here she shapes the jar's neck and outward flaring rim. Before doing so, she has smoothed away finger marks created as she formed the jar's body. As she works, she moves around the stump that supports the palette on which the jar is being formed. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
3
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

30. A partially formed clay jar, Bondakile, 1982.

Description:
A potter has completed the draw-and-drag (direct pull) molding of a clay jar body and rim. The surface of the jar has been moistened and smoothed. It will be set aside to dry. Once it has dried to a leather-hard state, she will remove the partially finished jar from the palette (kpankpa in Nafaanra) on which she formed it and will add a rounded base using fresh, moist clay. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
9
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

31. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she has drawn the clay upward and outward with her hands. Here she begins to shape the form of the jar's neck and outward-flaring rim. As she works, she moves backwards around the stump that supports the palette (kpankpa in Nafaanra) on which the jar is being formed. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
4
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

32. Newly fired clay jars, Bondakile, 1982

Description:
Clay pottery jars cool and dry after having been fired and dipped in a finishing bark solution. Once fully cooled, the jars will be stacked and stored before being sent to markets around the area. Jars like these (sro chͻ in Nafaanra) are used to prepare food, for example boiling yams and other tubers. To the right rear, wood is stored on a raised platform, awaiting use in cooking hearths. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Cooking pots (sro cho); Jars
Subjects Facet:
Food preparation; Pottery making; Pottery; Firewood
Identifier:
28
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

33. Molding a clay jar, Bondakile, 1982

Description:
A potter uses a metal spatula as she forms the neck area of clay jar which she has shaped using a draw-and-drag (direct pull) technique. The striations on the body of the jar were created by a maize cob (bledjukaan in Nafaanra) which she used to shape and smooth the pot's wall. These will be smoothed away as she continues to form the pot. She moves around the stump on which the pot rests as she works. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Maize cob; Potting tools; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
5
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

34. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she draws the clay upward and outward from the center as she moves clockwise around the stump that holds the movable palette (kpankpa in Nafaanra) on which the jar is being formed. The fingermarks left as she pulls and thins the clay will be smoothed over as she continues to shape the jar. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
1
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

35. Molding a clay jar, Bondakile, 1982

Description:
A potter uses a maize cob (bledjukaan in Nafaanra) to smooth the surface of clay jar body that she is molding by a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she has drawn the clay upward and outward, thinning the walls as she works. Here she moves clockwise around the stump that holds the palette (kpankpa in Nafaanra) on which the jar is being formed as she draws the maize cob up, pulling it towards her body. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Maize cob; Potting tools; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
2
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

36. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Here she uses a flat metal spatula to smooth the now-formed jar's exterior surface. She places the edge of her tool at the neck and makes downward strokes to create a smooth surface on the moist clay. As she works, she moves around the stump that supports the palette (kpankpa in Nafaanra) on which the jar is being formed. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Potting tools; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
6
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

37. Clay bowls ready for firing, Adadiem, 1994

Description:
A woman stacks clay grinding bowls on top of wood in preparation for a bonfire firing. The bowls are placed to ensure even exposure to the heat of the bonfire. She will place additional fuel on top of the bowls before lighting the fire. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Grinding bowls; Women's work; Potting; Adadiem; Bonfire; Bowls
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
30
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

38. Remains of pottery firings, Adadiem, 1994

Description:
Though potters work individually when they make clay pots, they help each other when they fire their pots. In the foreground are the ashes left by earlier fires, and in the background women tend to ongoing bonfires. Stacks of firewood are visible in the background. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Adadiem; Bonfire; Potting; Jars
Subjects Facet:
Pottery making; Pottery; Firing (ceramics); Firewood
Identifier:
11
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

39. Large clay jars ready for sale after firing, Adadiem, 1994

Description:
Potters in Adadiem make clay jars in a variety of sizes. Those pictured here have been fired, some treated with bark solution while still hot from the bonfire firing. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Adadiem; Bonfire; Finishing; Jars
Subjects Facet:
Pottery making; Pottery; Firing (ceramics)
Identifier:
5
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

40. A finished clay cooking pot, ready for firing, Dorbour, 1994

Description:
A potter completes decorations on a clay cooking pot (sro chͻ in Nafaanra). Another pot sits nearby, turned upside down. The lower bodies of the pots have been surface treated by rolling a maize cob (bledjukaan in Nafaanra) across the leather-dry surface of the clay jar. Shallow grooved lines have been etched over top. The clay jars are now ready to be fired. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Cooking pots (sro cho); Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
3
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

41. Unfired clay pots with red slip, Dorbour, 1994.

Description:
A group of unfired clay pots to which red slip (chuma in Nafaanra) has been applied prior to firing. The string of Babobab tree seeds (foreground) is used to burnish the slip. By rubbing the dried slip vigorously with the seeds, the slip adheres to the surface and becomes shiny. To the right rear are several unfired clay eating bowls (kpokpoo in Nafaanra). Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Burnishing; Slipping; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
9
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

42. Decorating a clay cooking pot, Dorbour, 1994

Description:
A potter uses a metal bracelet as a roulette to make shallow grooves on the leather-hard surface of a cooking pot (sro chͻ in Nafaanra). She rolls the bracelet across a surface that has been textured using a maize cob (bledjukaan in Nafaanra) roulette. Next she will make shallow grooves along the boundary between the smooth upper body of the jar and the maize cob-routletted lower areas. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Cooking pots (sro cho); Potting tools; Maize cob roulette; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
4
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

43. Decorating a clay soup pot, Dorbour, 1994

Description:
Akua Donkor, a Nafana potter, uses a rounded-edged tool to make shallow grooves on the upper body of a soup pot (chiin sinyjͻlͻ in Nafaanra). The clay pot has been allowed to dry to a leather-hard state before the decorations are applied. She has used a maize cob (bledjukaan in Nafaanra) as a roulette (roller) to surface treat the base of the clay pot. A single grooved line sets the maize cob rouletted zone from the smoothed surface above it. The woman wears bracelets that can double as tools for decorating pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Potting tools; Maize cob roulette; Dorbour; Soup pots (chiin sinyjolo); Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
25
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

44. Slipped jars drying in a courtyard, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, inspects clay jars of various shapes and sizes that await firing. The liquid red slip (chuma in Nafaanra) has been applied, allowed to dry and then burnished in prepartion for firing. Visible around the courtyard are wooden mortars, a pestle and a metal cooking pot. Thatch-roofed rooms surround the courtyard. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Metal pots; Slippiing; Dorbour; Drying; Jars
Subjects Facet:
Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Courtyards; Pottery
Identifier:
28
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

45. Shaping a clay jar, Dorbour, 1994

Description:
Peni Krah, a Nafana potter, sits on the ground and uses her left hand to turn the palette (kpankpa in Nafaanra) on which she has molded a clay soup pot (chiin sinyjͻlͻ in Nafaanra), smoothing its rim with a moist cloth held in her right hand. The headpan to her right contains moist clay. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Soup pots (chiin sinyjolo); Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making
Identifier:
16
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

46. Potting clay drying, Dorbour, 1994

Description:
Potting clay is spread to dry after being mined and brought to Dorbour by a potter, perhaps aided by her relatives. The clay includes a combination of plastic clay (chͻklͻlͻ in Nafaanra) and sandy clay (sisa in Nafaanra) which are mixed together at the place where the clay is mined. After drying, the clay will be pounded, sifted, mixed with water and kneaded until the clay is the right consistency. A potter only mixes as much clay as she needs to make a batch of pots (6-8). Children may help with the work of pounding and kneading the clay. In the background, houses made of atakpame (coursed earthen-walls) with thatched roofs are visible. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Potting; Atakpame; Children's work; Pounding; Dorbour; Drying
Subjects Facet:
Handicraft; Pottery making; Clay mining; Thatched roofs
Identifier:
6
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

47. A potter's tools, Dorbour, 1994

Description:
A potter's tools are laid out for view. Sitting on a well-worn clay-smeared grinding stone are two maize cobs (left; bledjukaan in Nafaanra), half of a seed pod from a tree (jenge in Nafaanra), and a spatula (unknown material). An enamel-ware pot holds several water-worn pebbles, several of which also sit in front of the grindstone. Pebbles (gbeliͻ in Nafaanra) are used to burnish the surface or make decorations on the pot's surface. In front of the grinding stone are two iron rings or "bracelets." The one with a wide flat side (gbooroo in Nafaanra) is used to scrape and thin the pot's walls after they have been allowed to dry. The other can be used to decorate pots. A small clay bowl holds water and a piece of cloth used to moisten and smooth the surface of the pot after it is formed. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Maize cob; Potting tools; Dorbour; Grinding stone; Decoration; Women's work
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

48. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The slip is a thin solution made by mixing a red soil found on the Brawhani road with water. Some is contained in a small can sitting on the ground (left). Finished, unfired pots sit in the room behind the potter. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16917
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
27
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

49. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The base of the pot is left unslipped. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16916
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Potting tools; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
12
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

50. Mixing potting clay, Dorbour, 1994

Description:
Yakosua, a Nafana potter, mixes sifted potting clay with water in preparation for making a batch of clay pots. One large metal pot (left) contains the pounded, sifted clay and the other (right) contains water that she mixes with the clay. She mixes the two in a headpan, kneading the clay to achieve the right consistency for making pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Metal pots; Clay; Dorbour; Headpans; Potting
Subjects Facet:
Pottery making
Identifier:
11
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137