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Start Over Subject(s) pottery making

1. Fired and finished clay jars, Bondakile, 1982

Description:
A group of four clay jars cool after being removed from the bonfire and dipped in bark solution. The solution carbonizes as it comes in contact with the hot surface of the pot, creating a glossy darkened surface that reduces the jar's porosity. A portion of one jar's rim has broken off during the firing and finishing process. Visible on the lower pot surfaces is the maize cob (bledjukaan in Nafaanra) roulette applied to create a roughened surface prior to firing. Shallow grooves used to decorate the upper surfaces are visible on the jar in the foreground. Pieces of bark from the bark solution adhere to the jars' surfaces. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Maize cob roulette; Decoration
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
25
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

2. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:
Finished and dried clay pottery jars are carefully placed on top of firewood in preparation for firing. Previously fired broken or flawed pots are used to bank the fuel, keeping it in place. Additional fuel will be placed on top of the stacked pottery and the fuel set on fire. The resulting bonfire will be allowed to burn down, after which the pots will be removed and finished while hot by being dipped in a bark solution. Mensah Listowell, Research Assistant (blue shirt), stands by as the potters prepare to place more fuel on the stacked pottery. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
36
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

3. Removing clay pots from the firing, Bondakile, 1982

Description:
A potter uses a pole to carry a hot clay jar from the smoldering bonfire (behind). She is carrying it to a pottery bowl that contains a solution of pounded bark into which she will dip the jar to create a finish. Newly fired pots are visible in the remains of the bonfire, lying on their sides. A row of upturned, previously fired but broken pots forms a bank around the bonfire's edge. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
22
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

4. Bark solution used to finish clay pots, Bondakile, 1982

Description:
Potters place the pounded bark of specific trees (surom, layene, koko or lakroas they are known in Nafaanra) in water to create a solution used to finish pots. The red-colored solution carbonizes on the surface of hot pots just removed from the bonfire. Here, the prepared solution awaits as the pots are being fired. A plastic container floats on the surface. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17219
Location(s) Facet:
Bondakile
Subjects:
Potting; Plastic containers; Finishing; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
20
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

5. Pottery firing, Bondakile, 1982

Description:
A potter tends the bonfire in which clay pottery jars are being fired. She uses a long pole to adjust the grass fuel laid on top of the pots and the wood fuel beneath them. A bank of previously fired and broken pots holds the fire in place. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
19
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

6. Remains of a pottery-firing bonfire, Bondakile, 1982

Description:
The remains of a pottery-firing bonfire after the newly fired pots have been removed. Most of the jars visible here were fired prior to this bonfire. Broken or otherwise flawed, they were used to create a bank around the bonfire at its base. The bonfire's fuel has been reduced to an ash layer that remains in the center. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
29
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

7. Pottery firing, Bondakile, 1982

Description:
Sheep feed on the edges of a bonfire where clay jars are being fired. Grass has been laid as fuel over the carefully stacked pottery. Wood fuel lies beneath. At the bonfire's base, the broken pots used to bank the fire are visible. The fire will be allowed to burn down, after which the jars will be removed and, while still hot, dipped in a bark solution that coats the pot with a finish. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire
Subjects Facet:
Handicraft; Sheep; Pottery making; Pottery; Firing (Ceramics)
Identifier:
13
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

8. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:
Dried clay jars are carefully placed on top of firewood in preparation for firing. Their surfaces have been textured by rolling a maize cob (bledjukaan in Nafaanra) over the jars' lower surface (maize cob roulette) and decorated with shallow arched grooves made when the pot was in a leather-hard state. Additional fuel will be placed on top of the stacked pottery before the fire is lit. After the fire has burned down the pots will be removed and finished by being dipped while hot in a bark solution. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Maize cob roulette; Decoration
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
37
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

9. Removing clay pots from a bonfire, Bondakile, 1982

Description:
As the bonfire burns down, a helper uses a long pole to prepare the newly fired clay pots for removal. The neatly stacked pots lie on their sides. Around the edges, a bank of previously fired and broken pots, some turned upside-down, were used to hold the fuel and pots in place as the bonfire was built. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Potting; Bonfire; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
26
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

10. Molding a clay jar, Bondakile, 1982

Description:
With moistened hands, a standing potter smooths the rim of a partially finished clay jar. As she works, she moves clockwise around the wooden stump that supports the palette (kpankpa in Nafaanra) on which the pot is being molded. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
8
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

11. Molding a clay jar, Bondakile, 1982

Description:
A potter uses a draw-and-drag (direct pull) technique as she begins to mold the body and rim of a pottery jar from a lump of moist clay. The clay rests on a palette (kpankpa in Nafaanra) supported by a stump. She moves clockwise around the stump as she uses her hands to pull the clay upward and outward to form the walls of the pot. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
Slide number 38
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

12. Learning to make clay pots, Dorbour, 1994

Description:
Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Learning; Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Metal roofing; Courtyards; Pottery; Apprentices
Identifier:
17
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

13. Pottery forming techniques, Dorbour and Adadiem, 1994

Description:
This short Banda Heritage video made from still photographic images illustrates the potting techniques of Banda-area potters. It highlights the steps in their draw-and-drag forming method and the tools they use. Among the Nafana potters pictured in the video are Yaa Tenabrɛ, Adwoa Fodjoa, Peni Krah and Ama Donkor from Dorbour. Also pictured is a potter from Adadiem (1994) and an image from Bondakile (1982). Original images used to make the video are available in the Banda Heritage Repository. Dorbour, Adadiem, 1994. Bondakile 1982. Length: 5.05 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Adadiem
Subjects:
Potting; Grinding stone; Women's work; Potting tools; Maize cob
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1994;1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Adadiem;8.082874, -2.552821
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
8.082874, -2.552821

14. Pottery firing techniques, Bondakile, Adadiem and Dorbour, 1982, 1994

Description:
This short video made from still photographic images illustrates the firing techniques of Banda-area potters. It shows examples of bonfire firing and post-firing treatment of vessels in a solution of pounded bark. Images include a 1982 sequence following Mo potters in Bondakile and 1994 images of Nafana potters in Adadiem and Dorbour, featuring Afua Donkor and Yaa Nsiah Adiemu from the latter. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Adadiem, Dorbour, 1994. Length: 4.22 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Water jars; Grinding bowls; Women's work
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1982;1984
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Adadiem;7.986031, -2.546331
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

15. Making water storage pots, Dorbour, 1994

Description:
A potter sits on a stool as she molds the upper body of a clay water jar (chͻkoo in Nafaanra). In her right hand she uses a maize cob (bledjukaan in Nafaanra), pulling it against the exterior surface to smooth and thin the clay. In the foreground are water jars whose leather-hard upper body and rim have been joined to a rounded base, their clay bases still moist and not yet smoothed. Large wooden mortars and a headpan containing moist clay sit nearby as she works in the shade of an open-sided room. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Maize cob; Water jars (chokoo); Potting tools; Dorbour; Headpans
Subjects Facet:
Handicraft; Pottery making; Pottery; Mortars & pestles
Identifier:
2
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

16. Pounding bark used to finish clay pots, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Headpans ; Women's work; Potting; Pounding; Dorbour; Soup pots (chiin sinyjolo)
Subjects Facet:
Handicraft; Pottery making; Mortars & pestles; Pottery
Identifier:
22
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

17. Decorating a clay cooking pot, Dorbour, 1994

Description:
Akua Donkor, a Nafana potter, etches grooves onto the leather-hard surface of a clay cooking pot (sro chͻ in Nafaanra) before it is fired. The lower part of the jar has been surface treated using a maize cob (bledjukaan in Nafaanra) as a roulette. This gives the pot surface texture, over which the grooved design is made. She wears bracelets that sometimes double as tools to decorate pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
32
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

18. Scraping a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, sits on a wooden stool as she scapes the interior of a large clay pot. A metal bucket containing moist clay covered in plastic sits nearby. A well-worn grinding stone is visible at the top of the photo, on top of which rests a pink plastic cup. A small clay bowl filled with water sits next to it. The blue headpan to the right can no longer be used to carry things, but it remains useful as a support or stand for other things like round-based water storage pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Plastic containers; Dorbour; Headpans; Metal buckets; Grinding stone
Subjects Facet:
Handicraft; Pottery making
Identifier:
19
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

19. Shaping a clay pot, Adadiem, 1994

Description:
A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Forming; Women's work; Potting; Adadiem
Subjects Facet:
Handicraft; Pottery making
Identifier:
13
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

20. Shaping a clay pot, Dorbour, 1994

Description:
A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Potting; Women's work ; Dorbour
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
20
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137