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- Description:
- Afua Donkor, a Nafana potter, inspects clay jars of various shapes and sizes that await firing. The liquid red slip (chuma in Nafaanra) has been applied, allowed to dry and then burnished in prepartion for firing. Visible around the courtyard are wooden mortars, a pestle and a metal cooking pot. Thatch-roofed rooms surround the courtyard. Dorbour, 1994.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Location(s) Facet:
- Dorbour
- Subjects:
- Metal pots; Slippiing; Dorbour; Drying; Jars
- Subjects Facet:
- Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Courtyards; Pottery
- Identifier:
- 28
- Creator:
- Dr. M. Dores Cruz
- Contributors:
- Dr. Ann B. Stahl
- Date searchable:
- 1994
- Date searchable:
- 1994
- Genre:
- 35 mm slide
- Genre Facet:
- 35 mm slide
- Location(s):
- Dorbour;8.090342, -2.517137
- Date Digitized:
- 2016
- People Facet:
- Dr. M. Dores Cruz
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.090342, -2.517137
- Description:
- A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Location(s) Facet:
- Dorbour
- Subjects:
- Forming; Potting; Women's work ; Dorbour
- Subjects Facet:
- Handicraft; Pottery making; Enameled ware
- Identifier:
- 20
- Creator:
- Dr. M. Dores Cruz
- Contributors:
- Dr. Ann B. Stahl
- Date searchable:
- 1994
- Date searchable:
- 1994
- Genre:
- 35 mm slide
- Genre Facet:
- 35 mm slide
- Location(s):
- Dorbour;8.090342, -2.517137
- Date Digitized:
- 2016
- People Facet:
- Dr. M. Dores Cruz
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.090342, -2.517137
- Description:
- Peni Krah, a Nafana potter, sits on the ground and uses her left hand to turn the palette (kpankpa in Nafaanra) on which she has molded a clay soup pot (chiin sinyjͻlͻ in Nafaanra), smoothing its rim with a moist cloth held in her right hand. The headpan to her right contains moist clay. Dorbour, 1994.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Location(s) Facet:
- Dorbour
- Subjects:
- Forming; Women's work; Soup pots (chiin sinyjolo); Dorbour; Potting
- Subjects Facet:
- Handicraft; Pottery making
- Identifier:
- 16
- Creator:
- Dr. M. Dores Cruz
- Contributors:
- Dr. Ann B. Stahl
- Date searchable:
- 1994
- Date searchable:
- 1994
- Genre:
- 35 mm slide
- Genre Facet:
- 35 mm slide
- Location(s):
- Dorbour;8.090342, -2.517137
- Date Digitized:
- 2016
- People Facet:
- Dr. M. Dores Cruz
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.090342, -2.517137
- Description:
- Yaa Tenabrԑ, a Nafana potter, stands as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) supported by a wooden stump. She moves clockwise around the stump, using her left hand to draw clay up from the center of the lump and her right hand to shape and thin what will become the walls of the pot. As she pulls and smooths the clay, she forms the upper body and rim of the pot. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. These marks will be smoothed away as she continues to form the pot. She uses a maize cob (bedjukaan in Nafaanra) as a tool to shape and smooth the pot's walls. She uses a spatula-like tool to thin and further smooth the surface. When she is finished forming the body and rim, she will set the clay jar aside to dry on the wooden pallet on which it rests. Once dry, she will add a rounded base to the pot. Five photos. Dorbour, 1994.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Location(s) Facet:
- Dorbour
- Subjects:
- Potting; Women's work; Forming; Dorbour
- Subjects Facet:
- Pottery making; Handicraft
- Identifier:
- 26
- Creator:
- Dr. M. Dores Cruz
- Contributors:
- Dr. Ann B. Stahl
- Date searchable:
- 1994
- Date searchable:
- 1994
- Genre:
- ;35 mm slide
- Genre Facet:
- 35 mm slide
- Location(s):
- Dorbour;8.090342, -2.517137
- Date Digitized:
- 2016
- People Facet:
- Dr. M. Dores Cruz
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.090342, -2.517137
- Description:
- Ama Donkor, a Nafana potter, sits as she uses moist clay to form the base of a soup pot (chiin sinyjͻlͻ in Nafaanra). She is adding the base to a body and rim that she made the day before and set aside to dry. The clay pot rests on a metal plate that she can turn as she works (kpankpa in Nafaanra). She adds small lumps of clay as she gradually builds the rounded base of the pot. Three photos. Dorbour, 1994.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Location(s) Facet:
- Dorbour
- Subjects:
- Potting; Headpans; Women's work; Soup pots (chiin sinyjolo); Forming; Dorbour
- Subjects Facet:
- Pottery making; Handicraft
- Identifier:
- 31
- Creator:
- Dr. M. Dores Cruz
- Contributors:
- Dr. Ann B. Stahl
- Date searchable:
- 1994
- Date searchable:
- 1994
- Genre:
- ;35 mm slide
- Genre Facet:
- 35 mm slide
- Location(s):
- Dorbour;8.090342, -2.517137
- Date Digitized:
- 2016
- People Facet:
- Dr. M. Dores Cruz
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.090342, -2.517137
- Description:
- In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
- Rights:
- Creative Commons Attribution-NonCommercial
- Publisher:
- University of Victoria Libraries
- Relation:
- https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
- Location(s) Facet:
- Ahenkro
- Subjects:
- Banda Cultural Centre; Headloading; Community engagement
- Subjects Facet:
- Handicraft; Pottery making; Markets; Lifting and carrying
- Creator:
- Dr. Ann B. Stahl
- Contributors:
- Dr. Ann B. Stahl; Dr. Amanda L. Logan
- Date searchable:
- 2016
- Date searchable:
- 2016-06
- Genre:
- Digital image
- Genre Facet:
- Digital image
- Format:
- Image
- Location(s):
- Ahenkro;8.165961, -2.354312
- People Facet:
- Dr. Ann B. Stahl
- Geographic Coordinates:
- 8.165961, -2.354312
- Description:
- Two men (left) stand on the edge of a deep pit previously mined by potters from around Bui Village as a source of potting clay. The deep clay pit was used before the mid-20th century when potters were still practicing their craft east of the Banda hills. The clay pit was located along a stream which drained into the Black Volta on its south bank, on the road leading west from Bui Village. The pit was located in an area later flooded by the rising waters of Bui Lake after construction of the Bui Dam. A red-and-white 2 meter photo scale stands upright in the pit to show the pit's depth. West of Bui, 1989.
- Rights:
- Creative Commons Attribution--NonCommercial
- Publisher:
- University of Victoria Libraries
- Date:
- 1989
- Location(s) Facet:
- Bui
- Subjects:
- Potting
- Subjects Facet:
- Handicraft; Clay mining; Pottery making
- Creator:
- Dr. Ann B. Stahl
- Date searchable:
- 1989
- Genre:
- 35 mm slide
- Genre Facet:
- 35 mm slide
- Format:
- Image
- Location(s):
- 8.288707, -2.279565
- Date Digitized:
- 2016
- Commentary:
- Slide scanned by Veronique Plante
- Geographic Coordinates:
- 8.288707, -2.279565
- Description:
- Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
- Rights:
- Creative Commons Attribution--NonCommercial
- Publisher:
- University of Victoria Libraries
- Provenance:
- Ngre Kataa, Mound 8, Unit 8N 127E, Level 3
- Date:
- 2008-06-23
- Location(s) Facet:
- Ngre Kataa
- Subjects:
- Slag
- Subjects Facet:
- Archaeology; Metalworking; Metallurgy; Pottery making; Artifacts (Antiquities)
- Identifier:
- NK08-027
- Creator:
- Dr. Ann B. Stahl
- Date searchable:
- 2008
- Date searchable:
- 2008-06-23
- Genre:
- Digital image
- Genre Facet:
- Digital image
- Format:
- Image
- Source:
- Dr. Ann B. Stahl
- Location(s):
- Ngre Kataa;8.11277778, -2.30611111
- Geographic Coordinates:
- 8.11277778, -2.30611111
- Description:
- Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
- Rights:
- Creative Commons Attribution--NonCommercial
- Publisher:
- University of Victoria Libraries
- Provenance:
- Ngre Kataa, Mound 8, Unit 8N 127E, Level 3
- Date:
- 2008-06-23
- Location(s) Facet:
- Ngre Kataa
- Subjects:
- Slag
- Subjects Facet:
- Archaeology; Metalworking; Metallurgy; Pottery making; Artifacts (Antiquities)
- Identifier:
- NK08-027
- Creator:
- Dr. Ann B. Stahl
- Date searchable:
- 2008-06-23
- Date searchable:
- 2008
- Genre:
- Digital image
- Genre Facet:
- Digital image
- Source:
- Dr. Ann B. Stahl
- Location(s):
- Ngre Kataa;8.11277778, -2.30611111
- Geographic Coordinates:
- 8.11277778, -2.30611111
- Description:
- Side view of a broken pottery sherd with a large slag inclusion. The use of crushed slag as a tempering material included in potting clay is first seen in pottery associated with Ngre phase sites in the Banda area. The use of crushed slag as a temper intensifies during Kuulo phase times, after which it becomes uncommon. Ngre Kataa, June, 2008.
- Rights:
- Creative Commons Attribution--NonCommercial
- Publisher:
- University of Victoria Libraries
- Provenance:
- Ngre Kataa, Mound 8, Unit 8N 127E, Level 9
- Date:
- 2008-06-24
- Location(s) Facet:
- Ngre Kataa
- Subjects:
- Slag
- Subjects Facet:
- Archaeology; Pottery; Pottery making; Artifacts (Antiquities)
- Identifier:
- NK08-046
- Creator:
- Dr. Ann B. Stahl
- Date searchable:
- 2008-06-24
- Date searchable:
- 2008
- Genre:
- Digital image
- Genre Facet:
- Digital image
- Format:
- Image
- Source:
- Dr. Ann B. Stahl
- Location(s):
- Ngre Kataa;8.11277778, -2.30611111
- Geographic Coordinates:
- 8.11277778, -2.30611111