The glass beads considered sacred and used in the puberty (Manaa Ndiom) and marriage (Bijam) rites of Nafana women are stored within a calabash bowl, its lid lying next to it. Most of the beads are imported varieties typical of those that circulated in the Atlantic trade period. On top of two other lidded calabash bowls rests a pair of iron manacles or shackles which are included among ritual paraphernalia. Ahenkro, July 1995.
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. This short video shows the technique by which women strike the floating calabash and the rim of the large calabash with small calabash ladles held in their right hands. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. The women sing as they drum. Boase, 11 November, 2018. Length: .23 minutes.
Young girls wear the sacred beads and necklaces associated with the girls' nubility rites, known in Nafaanra as Manaa Ndiom. They are dressed in Manaa Ndiom attire as part of a cultural celebration associated with the commissioning of the Banda Cultural Centre. Manaa Ndiom is a time when adolescent girls come together to learn from their female elders as they transition to womanhood. Here they walk alongside women carrying wooden stools to the Cultural Centre grounds. Adua Bedeaba leads the group as Almata follows. Ahenkro, 21 July, 1995.
Oral history of Gbԑԑnlԑԑ [Gbeenlee] Katoo (house), Gbao. This was the first family history recorded as part of the Banda Research Project. The history describes how the Gbԑԑnlԑԑ family came to live in the Banda area, relating also the history of the Brafour segment of the family who live in Ahenkro (Kafͻnͻ/Kafono Katoo). It relays how the Jakari Fetish was brought to the area. Former male and female heads of family are listed. To cite: Stahl, Ann, and James Anane. 2011. Gbɛɛnlɛɛ Katoo, Gbau [Gbao]. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pp. 11-13. Brochure circulated 1989, reissued with photos and additional histories in 2011. 4 pages.
Young girls wear the sacred beads and necklaces associated with the girls' nubility rites, known in Nafaanra as Manaa Ndiom. They are dressed in Manaa Ndiom attire as part of a cultural celebration associated with the commissioning of the Banda Cultural Centre. Manaa Ndiom is a time when adolescent girls come together to learn from their female elders as they transition to womanhood. Pictured, front row, L-R: Mariyama Puwee, Ama Kyerah (wearing white), Adua Bedeaba, Sarah Photo, Yaa Broni, __, Alamata, Adwoa Fordjour. Swordbearer, right: Kwabena Sekedua. Women in back row, L-R, Toryaa (center) and Afua Basabasa. Ahenkro, 21 July, 1995.
Oral history of Habaa Katoo (house), Ahenkro, describes how the family came to live in the Banda area and their movements in relation to wars between Banda and Asante. Also described are negotiations to settle a dispute with Kulango people and the history of how the family acquired the Kete dance from Kulango people. A list of former male and female heads of family is provided. To cite: Stahl, Ann, and James Anane. 2011. Habaa Katoo, Banda-Ahenkro. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pg. 16. Brochure circulated 1989, reissued with photos and additional histories in 2011. 4 pages.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Kakala; Kete; Latolo; Bui ; Family history; Migration; Habaa Katoo
Subjects Facet:
Banda (Brong-Ahafo Region, Ghana); Music; Rites and ceremonies; Gold; Wars; Oral history; Ashanti; Gongs; Kulango (African people); Nafana (African people)
Creator:
Stahl, Ann B. ; Anane, James
Contributors:
Dr. Ann B. Stahl; Afua Kumah; Abraham Forjour; Adoa Tami; Enoch Mensah
Oral history of Kofi Krԑma [Krema] Katoo (house)--a subhouse of Gbaha Katoo from Makala--describes how they came to live in Ahenkro and the shrines for which the family had responsibility. The animal sacrifices offered to each shrine are described, as are powers of the Nyi and Tie "festishes." Former male and female heads of family are listed. To cite: Stahl, Ann, and James Anane. 2011. Kofi Krɛma Katoo, Banda-Ahenkro. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pp. 25-26. Brochure circulated 1989, reissued with photos and additional histories in 2011. 2 pages.
Oral history of Kuulo Katoo (house), Dompofie, describes how the ancestress Wurache came to the area from the sky. The history of how other groups came to live alongside Wurache and her family is summarized. The role of the family in the installation of the chief and their postion as earth priest is described. A list of former male and female heads of family is included. To cite: Stahl, Ann, and James Anane. 2011. Kuulo Katoo, Dumpofie [Dompofie]. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pp. 27-28. Brochure circulated 1989, reissued with photos and additional histories in 2011. 3 pages.
Oral history of Pejomako Katoo (house), Ahenkro, describes the family's role as a subfamily of the royal house (Sie Lͻngͻ Katoo) in charge of the conduct of females in the royal family. The story of how the family came to hold this role is recounted and a list of former male and female heads of family is provided. To cite: Stahl, Ann, and James Anane. 2011. Pejomako Katoo, Banda-Ahenkro. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pg. 33. Brochure circulated 1989, reissued with photos and additional histories in 2011. 1 page.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Manaa Ndiom; Animal sacrifices; Family history; Bijam; Pejomako Katoo
Subjects Facet:
Banda (Brong-Ahafo Region, Ghana); Rites and ceremonies; Nafana (African people); Oral history; Puberty rites; Marriage customs and rites
A video made from a photo and original cassette tape audio recording of a 1986 family history interview with Elders of Kuulo Katoo in Dompofie, Banda. Female head of family, Lelɛɛ Afua Fofie (age, c. 90 yrs), shared in the Nafaanra language the history of Wurache, female ancestress of Kuulo Katoo. The interview was conducted by Dr. Ann Stahl and James Anane as part of a 1986 research project on family histories of the Banda area. Also participating in the interview were: Dompofie Odikro and male head of family, Tolɛɛ Kwadwo Fordjour (age, c. 95 yrs), Kwame Broma (age, c. 80 yrs), Kwasi Donkor (age, c. 70 yrs), Kwasi Millah (age, 60 yrs), Kwabena Mensah (age, 60 yrs), Kwame Dɔmeabra (age, 55 yrs) and Emmanuel Dwira (age, 33 yrs). The original audio has been edited to exclude (poorly audible) translations of Nafaanra dialogue into English. The original cassette recording ended prior to the conclusion of the interview, and thus does not capture the full exchange in Nafaanra. An English translation of the interview and the still image of Dompofie elders are available in the Banda Through Time repository (links below). Dompofie, 6 August, 1986. Length: 15.38 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, people from Ahenkro share Nafana songs and dances associated with with girls' puberty rites (Manaa Ndiom) and wedding celebrations (Bijam). The film opens with photos of girls dressed in Manaa Ndiom attire during the 1995 inauguration of the Banda Cultural Centre. A series of songs and dances performed at the 2019 event follows, accompanied by the rhythms of calabash drums, calabash rattles and, in some cases, a wooden drum. The group is joined in the first song by District Chief Executive Mary Konneh who plays calabash rattles and dances. Seated under the shade of the canopy, Afua Donkor demonstrates how to spin cotton while others sing and dance. Young people can be seen using their cell phones to record the action. Many of the Elder women who perform wear locally made strip-woven blue-and-white textiles as skirt wraps. Ahenkro, 28 June, 2019. Length: 00:15:57 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Subjects:
Performance; Cell phones
Subjects Facet:
Nafana (African people); Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Rattles; Heritage
Oral history of Chokoe Kataoo (house), Gbao, describes how the family came to settle in Banda and how they came to play a role in the area's New Yam Festival. Former male and female heads of family are listed. To cite: Stahl, Ann, and James Anane. 2011. Chokoe Katoo, Gbau [Gbao]. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pg. 3. Brochure circulated 1989, reissued with photos and additional histories in 2011. 2 pages.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
New Yam Festival; Family history; Migration; Chokoe Katoo
Subjects Facet:
Gonja (African people); Rites and ceremonies; Nafana (African people); Oral history; Banda (Brong-Ahafo Region, Ghana)
Men associated with the Kralɔngɔ Royal Palace perform a Nafana version of Kete during a heritage celebration organized by the Banda Heritage Initiative. Several men play flutes and brass rattles that oral histories say were captured from Kulango people. They are accompanied by men playing drums and (left) an iron gong. Ahenkro, 28 June, 2019.
Nafana women play calabash rattles as they sing songs associated with customary puberty and marriage celebrations at a heritage celebration organized by the Banda Heritage Initiative. Two women from Ahenkro are joined (left) by District Chief Executive Mary Komeh (white blouse). Ahenkro, 28 June, 2019.
A Nafana hunter from Fawoman performs a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched in front of a pot that was smashed in an earlier dance, he clenches a bundle of leaves in his teeth as he assumes an animal's posture. Ahenkro, 28 June, 2019.
Nafana men from Fawoman perform a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched on the ground, the men enact the process of tracking an animal as women sing and men drum in the background. The man in the front holds a gun. Ahenkro, 28 June, 2019.
During a performance of songs and dances associated with puberty (Manaa Ndiom) and marriage (Bijam) celebrations as practiced in Boase, elder Afua Gyakari holds a microphone as she sings surrounded by other elders, including Boase chief Tolԑԑ Ligbi Wulotei (wearing a black-and-gold cap). Ahenkro, 28 June, 2019.
Women from Boase sit together under a canopy at a heritage celebration organized by the Banda Heritage Initiative. Young women dressed in attire associated with marriage (Bijam) and puberty (Manaa Ndiom) celebrations are seated in the center. To the left are three large calabashes filled with water on which the women will float smaller calabash bowls. These are used as drums to accompany songs sung during marriage and puberty celebrations. Ahenkro, 28 June, 2019.
Heritage; Community event; Drums (musical instrument); Rites and ceremonies; Nafana (African people); Gourd, Calabash; Puberty rites; Marriage customs and rites