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Start Over Subject(s) marriage customs and rite

1. Boase female Elders, 2018

Description:
Elder women of Boase who spearheaded a performance of songs and dances associated with Manaa Ndiom (puberty), Bijam (wedding) and funeral rites as practiced in Boase. The event was organized by the chief and elders of Boase and filmed by the Banda Heritage Local Committee. L-R: Ama Gyakari, Adwoa Dankuli, Ama Lopom, Ama Nimsaa, Afua Gyakari, Yaa Anto, Afua Nsiah. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17108 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17109
Location(s) Facet:
Boase
Subjects:
Manaa Ndiom; Bijam
Subjects Facet:
Rites and ceremonies; Funeral customs and rites; Puberty rites; Marriage customs and rites
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2018-11-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Boase;8.018356, -2.298013
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.018356, -2.298013

2. Two carved wooden baboon masks, Bongase, 2019

Description:
A man holds up for view a male and female pair of carved wooden baboon (Mbong in Ligbi) masks during a 2019 interview with Ligbi elders in Bongase. The male mask (left) has a reflective silver cloth attached. A pair of bush cow (Siginjuru-ayna in Ligbi) masks lays on the table behind. Masks such as these have been used in masquerade dances celebrating special occasions like weddings and public festivals, including the end of Ramadan, the annual month-long period of Muslim fasting. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." These same masks were photographed in 1967 by René A. Bravmann during the course of doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. The baboon masks pictured here were worn and photographed in 1995 when Ligbi people from Bongase brought the masquerade to the commissioning celebration for the Banda Cultural Centre. A June 2019 performance of Mbong at a Banda Heritage Event can be viewed through a link below. Bongase, 11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17335 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17332; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Banda Cultural Centre; Baboon; Banda Heritage Initiative; Do
Subjects Facet:
Wood carvings; Masks; Islam; Marriage customs and rites; Regalia; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

3. Carved wooden face masks, Banda, 1964

Description:
Early in his career, art historian Roy Sieber toured Ghana studying the country's indigenous art forms (Interview with Roy Sieber, "African Arts", Vol. 25, no. 4, Oct. 1992, pg. 48). Several years later Sieber's student René Bravmann returned to west central Ghana to study the region's masking traditions. This photo of masks taken by Roy Sieber is Included in René Bravmann's photo archives with the label "Do masks at Banda, R. Sieber photo, 1960s." Masks like these are used in masquerade dances to celebrate special occasions including weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. In his 1974 book "Islam and Tribal Art in West Africa" (Cambridge University Press, pg. 166), René Bravmann notes that at the time of his 1967 fieldwork there were in the "Ligbi village of Bungazi [Bongase] six Do [masks]... Interestingly enough, only three years prior to my fieldwork [1964], Roy Sieber recorded twelve Do face masks at Bungazi. My inquiries in 1967 revealed that five of the masks had been stolen and a sixth had deteriorated to the point where it was no longer usable." The masks pictured here (1964) may be among the Bongase masks that were stolen or deteriorated by the time of Bravmann's 1967 visit. Bongase, 1964.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bongase
Subjects:
Do
Subjects Facet:
Wood carvings; Rites and ceremonies; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Masks
Creator:
Dr. Roy Sieber
Contributors:
Dr. René A. Bravmann
Date searchable:
1964
Date searchable:
1964
Genre:
35 mm slide
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Bongase;8.238039, -2.276274
Date Digitized:
2016
People Facet:
Dr. Roy Sieber
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.238039, -2.276274

4. Two carved wooden face masks, Bongase, 2019

Description:
A man holds up for view two carved wooden masks during a 2019 interview with Ligbi elders in Bongase. These masks are used in masquerade dances to celebrate special occasions like weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. The mask on the left (13.25 inches in height) is a thrush (Kokogyinaka in Ligbi). The mask on the right (9.75 inches in length) is a "beautiful Gonja woman" (Gbanyamuso in Ligbi). Their features are highlighted by red, blue and white pigment. The Gbanyamuso mask is also adorned by a red hair band. A baboon mask (Mbong in Ligbi) lays on the table to the right. René Bravmann, an art historian, photographed these masks in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 88-95. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." A June 2019 performance of Gbanyamuso (center) at a Banda Heritage Event can be viewed through a link below. Bongase, 11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17127; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Banda Cultural Centre; Thrush; Do
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

5. Two carved wooden bush cow masks, Bongase, 2019

Description:
A man holds up for view a female (left) and male (right) pair of carved wooden bush cow (Siginjuru-ayna in Ligbi) masks during a 2019 interview with Ligbi elders in Bongase. Masks such as these have been used in masquerade dances to celebrate special occasions like weddings and public festivals including the end of Ramadan, the Muslim month of fasting. The masks' features are highlighted by red, blue and white pigment. René A. Bravmann, an art historian, photographed the male bush cow mask in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." Bongase,11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17126
Location(s) Facet:
Bongase
Subjects:
Bedu; Do; Bush cow
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

6. Top view of two calabash drums, Boase, 2018

Description:
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. The small calabash ladles resting in the water are used to beat the up-turned floating calabash bowls and the rim of the large calabash. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. Among the kernels are several pesewa coins also tossed in by dancers. Two views. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17353 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17123 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17122
Location(s) Facet:
Boase
Subjects:
Bijam; Manaa Ndiom
Subjects Facet:
Gourd, Calabash; Puberty rites; Drums (musical instrument); Marriage customs and rites; Music; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2018
Date searchable:
2018-11-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Boase;8.018356, -2.298013
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.018356, -2.298013

7. Women playing calabash drums, Boase, 2018

Description:
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women sit on low wooden stools as they play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. The kernels of maize (corn, or bleju in Nafaanra) clustered at the base of the larger calabash in the foreground have been tossed into the drum by dancers as they pass by. Another woman, seated upper left, holds a small calabash bowl filled with maize kernels which dancers will use as offerings. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17123 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17353 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17326
Location(s) Facet:
Boase
Subjects:
Manaa Ndiom; Bijam
Subjects Facet:
Drums (musical instrument); Music; Rites and ceremonies; Gourd, Calabash; Puberty rites; Marriage customs and rites
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2018
Date searchable:
2018-11-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Boase;8.018356, -2.298013
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.018356, -2.298013

8. Women playing calabash drums, Boase, 2018

Description:
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. Women behind the drummers clap in accompaniment to the song. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17326 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17122 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17353
Location(s) Facet:
Boase
Subjects:
Manaa Ndiom; Plastic containers; Bijam
Subjects Facet:
Drums (musical instrument); Music; Rites and ceremonies; Gourd, Calabash; Puberty rites; Marriage customs and rites
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2018
Date searchable:
2018-11-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Boase;8.018356, -2.298013
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.018356, -2.298013

9. A calabash bowl with wedding gifts, Boase, 2018

Description:
At a performance showcasing the rituals associated with Nafana wedding rites (Bijam) organized by the chief and female elders of Boase, a weathered calabash or gourd bowl (chrɛgbɔɔ in Nafaanra) holds money (Ghanaian cedis) offered by well-wishers. A calabash lid rests on the ground nearby, its side mended with stitches. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Boase
Subjects:
Cedis; Bijam; Money
Subjects Facet:
Rites and ceremonies; Gourd, Calabash; Marriage customs and rites
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2018
Date searchable:
2018-11-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Boase;8.018356, -2.298013
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.018356, -2.298013

10. Sacred beads in a calabash container, Ahenkro, 1995

Description:
The glass beads considered sacred and used in the puberty (Manaa Ndiom) and marriage (Bijam) rites of Nafana women are stored within a calabash bowl, its lid lying next to it. Most of the beads are imported varieties typical of those that circulated in the Atlantic trade period. On top of two other lidded calabash bowls rests a pair of iron manacles or shackles which are included among ritual paraphernalia. Ahenkro, July 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16943; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16944
Location(s) Facet:
Ahenkro
Subjects:
Manaa Ndiom; Bijam; Manacles
Subjects Facet:
Rites and ceremonies; Glass beads; Nafana (African people); Gourd, Calabash; Puberty rites; Shackles; Ritual; Marriage customs and rites
Creator:
Alex Caton
Contributors:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995-07
Genre:
Photographic print
Genre Facet:
Photographic print
Format:
Image
Location(s):
Ahenkro;8.164906, -2.355708
Date Digitized:
2019-09-24
People Facet:
Alex Caton
Commentary:
Color print scanned by Ann B. Stahl
Geographic Coordinates:
8.164906, -2.355708