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Start Over Subject(s) handicraft

61. Potting clay source, Bondakile, 1982

Description:
A young boy stands at the base of the clay pit where potters from Bondakile mine the clay they use for making pottery. Soils from upper and lower levels are mixed together to make a workable potting clay. Children help relatives who are potters to dig and process the clay. Two photos. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16834
Location(s) Facet:
Bondakile
Subjects:
Potting; Children's work
Subjects Facet:
Pottery making; Clay mining; Handicraft
Identifier:
15; 14
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

62. Pottery forming techniques, Bondakile, 1982

Description:
This short video made from still photographic images shows how Mo potters in Bondakile make clay jars using a draw-and-drag technique. The focus is on forming of the jar's body and rim. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Length: 2.59 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352
Location(s) Facet:
Bondakile
Subjects:
Potting; Forming; Women's work; Maize cob; Jars
Subjects Facet:
Handicraft; Pottery making
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. Ann B. Stahl
Language:
English
Date searchable:
1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Bondakile;7.986031, -2.546331
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

63. Spinning cotton thread, Bondakile, 1994

Description:
A woman in Bondakile spins cotton thread from raw fiber held in her left hand. She holds the raw cotton between her thumb and index finger, using her middle finger to provide tension as she stretches and thins the fibers using her right hand. The thread is wound thickly toward the base of the spindle (gԑndԑ in Nafaanra) above the spindle whorl (gԑndԑ kan in Nafaanra) which is barely visible at the base of the spindle. The woman uses (what appears to be) a turtle shell (carapace) as a surface on which to spin. She has stabilized the shell with a piece of folded cloth which sits on top of an enamel ware plate. A calabash and a plastic bucket site nearby. Spinning was a routine household activity done by women until commercially manufactured cloth became commonplace (second half of the 20th century). Two photos. Bondakile, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Plastic containers; Women's work ; Cotton thread; Techniques
Subjects Facet:
Enameled ware; Handicraft; Spinning; Spindle whorls
Identifier:
36
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

64. Banda Cultural Centre painting of a man working metal, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the doors of the Banda Cultural Centre's courtyard. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a blacksmith forging iron. Based on the presence of byproducts like slag and the tools used to make metal, we know that blacksmiths smelted and forged iron in the Banda area from at least 1000 years ago. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft; Metalworking
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

65. Bonfire firing of clay pots, Adadiem, 1994

Description:
Potters in Adadiem place bark over clay pots that have been stacked on top of a bed of firewood. The bonfire has been lit and the bark serves as additional fuel. More red-slipped clay pots sit behind, waiting for the next firing. One woman carries a child on her back. The bonfire will burn for between 30 minutes and an hour, after which the pots will be ready for use or sale. Abena Donkor (far right) assists while Solomon Kojo, young boy in brown shorts, looks on. Two photos. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Women's work; Adadiem
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
22; 30
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

66. Banda Cultural Centre painting of a woman headloading pottery, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Headloading; Community engagement
Subjects Facet:
Handicraft; Pottery making; Markets; Lifting and carrying
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

67. Banda Cultural Centre painting of spinning and strip-woven cloth, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman spinning cotton thread (right) and a man wearing a locally made blue-and-white strip-woven cloth (left). Archaeologists find spindle whorls used to make thread on late 18th-and early 19th-century archaeological sites. This shows that households produced their own cloth during recent centuries. Before the 17th century, cotton cloth seems to have been less common and was probably acquired through trade from market centers. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft; West African strip weaving; Spinning; Markets
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

68. Preparing the firewood for firing clay pottery, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, selects and places fuel as she prepares to fire clay soup pots (chiin sinyjͻlͻ in Nafaanra) that have been slipped red. Other clay pots sit nearby awaiting firing, some in a headpan. The pots are carefully stacked on top of the wood and additional fuel placed on top. Additional firewood is stacked behind and in front lays the bark that she will use to cover the clay pots before lighting the bonefire. Once lit, the bonfire will burn for between 30 and 60 minutes, after which the fired pottery will be hardened, useable and ready for sale. Two photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Soup pots (chiin sinyjolo); Bonfire; Headpan; Potting; Jars; Slipping
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
21; 29
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

69. Dipping clay pots in bark solution, Bondakile, 1982

Description:
Potters and their helpers place hot clay jars, just removed from the bonfire, into a solution made from pounded tree bark. They use their long wooden poles to carry the pots to large pottery bowls containing the bark solution. They dip and turn the pot in the solution, allowing it to carbonize on the surface of the hot jar. This finishing step colors the jar's surface and makes its walls less porous which is said to improve its cooking performance. The remains of the bonfire, banked by previously fired broken pots, can be seen in the rear center. Four photos. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16840
Location(s) Facet:
Bondakile
Subjects:
Potting; Finishing; Women's work; Jars
Subjects Facet:
Firing (Ceramics); Pottery; Handicraft; Pottery making
Identifier:
24
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

70. Shaping a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, stands as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) supported by a wooden stump. She moves clockwise around the stump, using her left hand to draw clay up from the center of the lump and her right hand to shape and thin what will become the walls of the pot. As she pulls and smooths the clay, she forms the upper body and rim of the pot. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. These marks will be smoothed away as she continues to form the pot. She uses a maize cob (bedjukaan in Nafaanra) as a tool to shape and smooth the pot's walls. She uses a spatula-like tool to thin and further smooth the surface. When she is finished forming the body and rim, she will set the clay jar aside to dry on the wooden pallet on which it rests. Once dry, she will add a rounded base to the pot. Five photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Women's work; Forming; Dorbour
Subjects Facet:
Pottery making; Handicraft
Identifier:
26
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137