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61. Banda Cultural Centre painting of spinning and strip-woven cloth, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman spinning cotton thread (right) and a man wearing a locally made blue-and-white strip-woven cloth (left). Archaeologists find spindle whorls used to make thread on late 18th-and early 19th-century archaeological sites. This shows that households produced their own cloth during recent centuries. Before the 17th century, cotton cloth seems to have been less common and was probably acquired through trade from market centers. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft; West African strip weaving; Spinning; Markets
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

62. Banda Cultural Centre painting of a woman headloading pottery, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Headloading; Community engagement
Subjects Facet:
Handicraft; Pottery making; Markets; Lifting and carrying
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

63. Artist and his Banda Cultural Centre painting, 2011

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate handicrafts practiced in the area for which we have archaeological evidence. Here Kwame K.B. 2 stands next to his painting of a woman carrying pottery to market. Ahenkro, 8 June, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft
Creator:
Dr. Amanda L. Logan
Contributors:
Dr. Amanda L. Logan
Date searchable:
2011
Date searchable:
2011--6-08
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Amanda L. Logan
Geographic Coordinates:
8.165961, -2.354312

64. Excavations at a metal working area, Ngre Kataa, 2009

Description:
Archaeological excavations of Mound 6 at Ngre Kataa in 2009 expose a workshop where blacksmiths produced iron and copper-alloy tools and ornaments. The mound is being excavated in 2 x 2 meter units named for the coordinates of their northeast corner. In unit 50N 0W (foreground), an area of burned soil marks the location where blacksmiths heated metals. A pottery jar sits in place to the right. In surrounding units (50N 2W, 48N 0W, 48N 2W) are large anvil stones where the hot metals would have been hammered and shaped through forging. The mound's stratified deposits suggest that the workshop area was used for many decades, and perhaps centuries, between the years of about 1350 and 1520 CE (Common Era). View across the mound from the northeast looking towards the southwest. Site Ngre Kataa. 27 June, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 6
Location(s) Facet:
Ngre Kataa
Subjects:
Workshop; Mound 6
Subjects Facet:
Handicraft; Metallurgy; Archaeology; Metalworking; Forging; Excavations (Archaeology); Iron; Copper alloys
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2009
Date searchable:
2009-06-27
Genre Facet:
Digital image
Format:
Image
Location(s):
Ngre Kataa;8.11277778, -2.30611111
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.11277778, -2.30611111

65. Banda Queen Mother showing cloth to local artist, 2011

Description:
Banda Queen Mother Lelԑԑ Akosua Kepefu (center) shows an example of locally made strip-woven cloth to a young painter as a model for a painting on the Banda Cultural Centre doors. Enoch Mensah holds one end of the cloth. To the right, Afua Fofie, Linguist, looks on with artist Kwame K.B. 2. They stand on Ahenkro's main street (view towards the south). Ahenkro, 5 June, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Queen Mother; Lelee Akosua Kepefu
Subjects Facet:
Handicraft; West African strip weaving; Villages; Streets
Creator:
Dr. Amanda L. Logan
Contributors:
Dr. Amanda L. Logan
Date searchable:
2011
Date searchable:
2011-06-05
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.164906, -2.355708
People Facet:
Dr. Amanda L. Logan
Geographic Coordinates:
8.164906, -2.355708

66. Crucible, Kuulo Kataa, 2000

Description:
A crucible used to process copper alloys from Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12. Crucibles like this would have been used to heat copper alloys to a liquid state for use in casting, including casting through a lost-wax process. Scale in cm. Kuulo Kataa, 27 June, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Handicraft; Metal casting; Metalworking; Copper alloys; Lost wax casting; Archaeology; Lost-wax process; Crucibles; Artifacts (Antiquities)
Identifier:
Catalog number SF-KK-00-229
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2000
Date searchable:
2010-08-20
Genre Facet:
Digital image
Format:
Image
Location(s):
Kuulo Kataa;8.14847222, -2.37472222
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.14847222, -2.37472222

67. Finished, fired clay pots, Adadiem, 1994

Description:
Clay pots that have been fired and finished by dipping in a bark solution cool as a group looks on. To the right, a woman is dipping a clay pot just removed from the fire in a bark solution contained within a large metal cooking pot. She uses a long pole to turn the pot. The bark solution carbonizes as it comes in contact with the hot clay surface, creating a darkened sheen, as on the pots to the left. From left, Vida, Enoch Mensah (research assistant, blue shirt) and Obimpeh. Center and right, Yaa Sunyani (blue head scarf) Akua Kpͻͻ and Yaa Kpͻͻ (pink top). In the background (right) a fenced kitchen garden is visible. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Metal pots; Finishing; Soup pots (sro cho); Headpan
Subjects Facet:
Handicraft; Gardens; Pottery; Firing (Ceramics)
Identifier:
20
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

68. Bonfire firing of clay pots, Adadiem, 1994

Description:
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Grinding bowls; Women's work
Subjects Facet:
Handicraft; Pottery; Firing (Ceramics)
Identifier:
37
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

69. Basketry fish trap used by Ewe fishermen, Agbegikrom South, 1982

Description:
A basketry fish trap (exa in Ewe) made and used by Ewe fishermen in the Banda area, Ghana. Traps like these were used for fishing between the months of August and November. They were effective in catching different types of fish three inches in length or longer. Agbegikrom South, December, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19552
Location(s) Facet:
Agbegikrom South
Subjects Facet:
Baskets; Fishing; Fish Traps; Bamboo; Cordage; Handicrafts; Ewe (African people)
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-12
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Agbegikrom South;8.232275, -2.205676
Date Digitized:
2019-05-28
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Mark McIntyre
Geographic Coordinates:
8.232275, -2.205676

70. Spinning cotton thread, Gbao, 1982

Description:
Ma Fiԑn of Gbao (left) and Abena Wusu of Dompofie (right) spin cotton thread. Their spindles (gԑndԑ in Nafaanra) are weighted by fired clay spindle whorls (gԑndԑ kaan in Nafaanra) which help the spindle to maintain an even spin. Ma Fiԑn uses a calabash bowl as a spinning surface. Abena Wusu uses an enamel-ware bowl placed on a basket. They use their right hand to guide thread onto the spindle as it spins. In their left hand they hold the raw cotton from which the thread is being spun. They control the tension and flow of the cotton by alternately pulling back and easing their left hands. Thread forms as the spindle spins, with the finished product building up in layers toward the spindle's lower end, near the whorl. The baskets on top of which they spin used to store spinning equipment when not in use. Until recent decades, spinning was a routine household activity for women who then gave thread to men skilled in weaving to make cloth for the household. Spindle whorls found on archaeological sites dating to the late 18th and 19th centuries tell us that spinning was also a household activity during those centuries. In the photo's background harvested foods are drying (groundnut, cassava, chili pepper). A large basket and other containers (including a plastic tub) sit next to dried calabash ready to be sent to market. To the right, a clay water pot (chͻkoo in Nafaanra) rests on a metal basin and in the top right is a metal water barrel. Four photos. Gbao, September, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16830 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16831
Location(s) Facet:
Gbao
Subjects:
Plastic containers; Chͻkoo (chokoo); Cotton thread; Techniques; Water barrels; Women's work
Subjects Facet:
Gourd, Calabash; Enameled ware; Handicraft; Spinning; Spindle whorls; West African strip weaving; Baskets; Water
Identifier:
27; 23; 24; 25
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-09
Genre Facet:
35 mm slide
Location(s):
Gbao;8.147021, -2.362744
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.147021, -2.362744