Search

Start Over Subject(s) handicraft

51. Bonfire firing of clay pots, Adadiem, 1994

Description:
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut (boŋgrɛ in Nafaanra) shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Grinding bowls; Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery; Firing (Ceramics)
Identifier:
37
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

52. Chͻkoo (water storage vessels). Left: Adadiem; right: Dorbour

Description:
These fired clay pots are specifically designed for water storage. The water jar (chͻkoo in Nafaanra) on the left was made in Adadiem and the one on the right was made by a potter in Dorbour. Unlike pottery intended for other uses, potters do not finish pots intended for water storage in a bark solution to seal and color the pot. Instead, the surface of water storage pots needs to be porous to effectively cool the water stored inside. The size of the water jar's mouth allows access to the water inside but also limits evaporation. The color of these pots is a result of firing conditions. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Water storage; Jars
Subjects Facet:
Handicraft; Pottery
Identifier:
8
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

53. Potting clay drying, Dorbour, 1994

Description:
Potting clay is spread to dry after being mined and brought to Dorbour by a potter, perhaps aided by her relatives. The clay includes a combination of plastic clay (chͻklͻlͻ in Nafaanra) and sandy clay (sisa in Nafaanra) which are mixed together at the place where the clay is mined. After drying, the clay will be pounded, sifted, mixed with water and kneaded until the clay is the right consistency. A potter only mixes as much clay as she needs to make a batch of pots (6-8). Children may help with the work of pounding and kneading the clay. In the background, houses made of atakpame (coursed earthen-walls) with thatched roofs are visible. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Potting; Atakpame; Children's work; Pounding; Dorbour; Drying
Subjects Facet:
Handicraft; Pottery making; Clay mining; Thatched roofs
Identifier:
6
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

54. A potter's tools, Dorbour, 1994

Description:
A potter's tools are laid out for view. Sitting on a well-worn clay-smeared grinding stone are two maize cobs (left; bledjukaan in Nafaanra), half of a seed pod from a tree (jenge in Nafaanra), and a spatula (unknown material). An enamel-ware pot holds several water-worn pebbles, several of which also sit in front of the grindstone. Pebbles (gbeliͻ in Nafaanra) are used to burnish the surface or make decorations on the pot's surface. In front of the grinding stone are two iron rings or "bracelets." The one with a wide flat side (gbooroo in Nafaanra) is used to scrape and thin the pot's walls after they have been allowed to dry. The other can be used to decorate pots. A small clay bowl holds water and a piece of cloth used to moisten and smooth the surface of the pot after it is formed. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Maize cob; Potting tools; Dorbour; Grinding stone; Decoration; Women's work
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

55. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The slip is a thin solution made by mixing a red soil found on the Brawhani road with water. Some is contained in a small can sitting on the ground (left). Finished, unfired pots sit in the room behind the potter. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16917
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
27
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

56. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The base of the pot is left unslipped. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16916
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Potting tools; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
12
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

57. Clay lumps ready for use, Dorbour, 1994

Description:
A potter handles a lump of clay that she will use to make a clay pot. Other lumps, each of which will be used to make a pot, are stacked on a metal tray awaiting use. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making
Identifier:
12
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

58. Potting clay stored outside a house, Dorbour, 1994

Description:
After drying, potting clay is stored in potters' houses until needed. When the potter is ready to make a batch of clay pots, she will first pound and then sift the clay. The sifted clay is then mixed with water and kneaded until it is the right consistency for making a pot. Dorbour, 1994
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Dorbour; Pounding; Potting
Subjects Facet:
Handicraft; Pottery making
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

59. Spinning cotton thread, Dumboli, 1994

Description:
A woman in Dumboli spins cotton thread. She holds raw cotton fiber in her left hand. She has attached a strand of fiber to her spindle (gԑndԑ in Nafaanra), and she prepares to set it and the spindle whorl (gԑndԑ kaan in Nafaanra) which weights it in motion with her right hand. The whorl spins inside a small white vessel (possibly an animal skull or turtle shell) resting on a basket lid. The woman sits on a low stool. Various containers used in food preparation sit behind her. The basket on which she is spinning is used to store her equipment when not in use. Seeing women spinning in their homes would have been common before the second half of the 20th century. Archaeologists find spindle whorls in houses on sites dating to the later 18th and 19th centuries. In earlier times, however, it appears that thread was primarily made in market centers rather than in households. Two photos. Dumboli, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dumboli
Subjects:
Cotton thread; Women's work; Techniques
Subjects Facet:
Handicraft; Spinning; Spindle whorls; Baskets
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dumboli;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

60. Preparing potting clay, Banda area, 1982, 1994

Description:
This short video made from still photographic images shows how potters mine and process the clay they use to make pots. The video includes images of Mo potters in Bondakile and Nafana potters in Dorbour, including Yakosua. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Dorbour, 1994. Length: 2.25 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Bondakile
Subjects:
Potting; Metal pots; Clay; Headpans; Women's work; Children's work
Subjects Facet:
Handicraft; Pottery making; Clay mining
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1994;1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Bondakile;7.986031, -2.546331
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

61. Potting clay source, Bondakile, 1982

Description:
A young boy stands at the base of the clay pit where potters from Bondakile mine the clay they use for making pottery. Soils from upper and lower levels are mixed together to make a workable potting clay. Children help relatives who are potters to dig and process the clay. Two photos. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16834
Location(s) Facet:
Bondakile
Subjects:
Potting; Children's work
Subjects Facet:
Pottery making; Clay mining; Handicraft
Identifier:
15; 14
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

62. Pottery forming techniques, Bondakile, 1982

Description:
This short video made from still photographic images shows how Mo potters in Bondakile make clay jars using a draw-and-drag technique. The focus is on forming of the jar's body and rim. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Length: 2.59 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352
Location(s) Facet:
Bondakile
Subjects:
Potting; Forming; Women's work; Maize cob; Jars
Subjects Facet:
Handicraft; Pottery making
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. Ann B. Stahl
Language:
English
Date searchable:
1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Bondakile;7.986031, -2.546331
People Facet:
Elisa O'Malley
Sketchfab Uid:
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

63. Spinning cotton thread, Bondakile, 1994

Description:
A woman in Bondakile spins cotton thread from raw fiber held in her left hand. She holds the raw cotton between her thumb and index finger, using her middle finger to provide tension as she stretches and thins the fibers using her right hand. The thread is wound thickly toward the base of the spindle (gԑndԑ in Nafaanra) above the spindle whorl (gԑndԑ kan in Nafaanra) which is barely visible at the base of the spindle. The woman uses (what appears to be) a turtle shell (carapace) as a surface on which to spin. She has stabilized the shell with a piece of folded cloth which sits on top of an enamel ware plate. A calabash and a plastic bucket site nearby. Spinning was a routine household activity done by women until commercially manufactured cloth became commonplace (second half of the 20th century). Two photos. Bondakile, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Plastic containers; Women's work ; Cotton thread; Techniques
Subjects Facet:
Enameled ware; Handicraft; Spinning; Spindle whorls
Identifier:
36
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

64. Banda Cultural Centre painting of a man working metal, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the doors of the Banda Cultural Centre's courtyard. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a blacksmith forging iron. Based on the presence of byproducts like slag and the tools used to make metal, we know that blacksmiths smelted and forged iron in the Banda area from at least 1000 years ago. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft; Metalworking
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

65. Bonfire firing of clay pots, Adadiem, 1994

Description:
Potters in Adadiem place bark over clay pots that have been stacked on top of a bed of firewood. The bonfire has been lit and the bark serves as additional fuel. More red-slipped clay pots sit behind, waiting for the next firing. One woman carries a child on her back. The bonfire will burn for between 30 minutes and an hour, after which the pots will be ready for use or sale. Abena Donkor (far right) assists while Solomon Kojo, young boy in brown shorts, looks on. Two photos. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Women's work; Adadiem
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
22; 30
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

66. Banda Cultural Centre painting of a woman headloading pottery, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Headloading; Community engagement
Subjects Facet:
Handicraft; Pottery making; Markets; Lifting and carrying
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

67. Banda Cultural Centre painting of spinning and strip-woven cloth, 2016

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman spinning cotton thread (right) and a man wearing a locally made blue-and-white strip-woven cloth (left). Archaeologists find spindle whorls used to make thread on late 18th-and early 19th-century archaeological sites. This shows that households produced their own cloth during recent centuries. Before the 17th century, cotton cloth seems to have been less common and was probably acquired through trade from market centers. Banda Cultural Centre, Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft; West African strip weaving; Spinning; Markets
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; Dr. Amanda L. Logan
Date searchable:
2016
Date searchable:
2016-06
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

68. Preparing the firewood for firing clay pottery, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, selects and places fuel as she prepares to fire clay soup pots (chiin sinyjͻlͻ in Nafaanra) that have been slipped red. Other clay pots sit nearby awaiting firing, some in a headpan. The pots are carefully stacked on top of the wood and additional fuel placed on top. Additional firewood is stacked behind and in front lays the bark that she will use to cover the clay pots before lighting the bonefire. Once lit, the bonfire will burn for between 30 and 60 minutes, after which the fired pottery will be hardened, useable and ready for sale. Two photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Soup pots (chiin sinyjolo); Bonfire; Headpan; Potting; Jars; Slipping
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
21; 29
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

69. Dipping clay pots in bark solution, Bondakile, 1982

Description:
Potters and their helpers place hot clay jars, just removed from the bonfire, into a solution made from pounded tree bark. They use their long wooden poles to carry the pots to large pottery bowls containing the bark solution. They dip and turn the pot in the solution, allowing it to carbonize on the surface of the hot jar. This finishing step colors the jar's surface and makes its walls less porous which is said to improve its cooking performance. The remains of the bonfire, banked by previously fired broken pots, can be seen in the rear center. Four photos. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16840
Location(s) Facet:
Bondakile
Subjects:
Potting; Finishing; Women's work; Jars
Subjects Facet:
Firing (Ceramics); Pottery; Handicraft; Pottery making
Identifier:
24
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

70. Shaping a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, stands as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) supported by a wooden stump. She moves clockwise around the stump, using her left hand to draw clay up from the center of the lump and her right hand to shape and thin what will become the walls of the pot. As she pulls and smooths the clay, she forms the upper body and rim of the pot. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. These marks will be smoothed away as she continues to form the pot. She uses a maize cob (bedjukaan in Nafaanra) as a tool to shape and smooth the pot's walls. She uses a spatula-like tool to thin and further smooth the surface. When she is finished forming the body and rim, she will set the clay jar aside to dry on the wooden pallet on which it rests. Once dry, she will add a rounded base to the pot. Five photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Women's work; Forming; Dorbour
Subjects Facet:
Pottery making; Handicraft
Identifier:
26
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

71. Artist and his Banda Cultural Centre painting, 2011

Description:
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate handicrafts practiced in the area for which we have archaeological evidence. Here Kwame K.B. 2 stands next to his painting of a woman carrying pottery to market. Ahenkro, 8 June, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17077 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17078 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement
Subjects Facet:
Handicraft
Creator:
Dr. Amanda L. Logan
Contributors:
Dr. Amanda L. Logan
Date searchable:
2011
Date searchable:
2011--6-08
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
People Facet:
Dr. Amanda L. Logan
Geographic Coordinates:
8.165961, -2.354312

72. Forming the base of a clay pot, Dorbour, 1994

Description:
Ama Donkor, a Nafana potter, sits as she uses moist clay to form the base of a soup pot (chiin sinyjͻlͻ in Nafaanra). She is adding the base to a body and rim that she made the day before and set aside to dry. The clay pot rests on a metal plate that she can turn as she works (kpankpa in Nafaanra). She adds small lumps of clay as she gradually builds the rounded base of the pot. Three photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Headpans; Women's work; Soup pots (chiin sinyjolo); Forming; Dorbour
Subjects Facet:
Pottery making; Handicraft
Identifier:
31
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
;35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

73. Banda Queen Mother showing cloth to local artist, 2011

Description:
Banda Queen Mother Lelԑԑ Akosua Kepefu (center) shows an example of locally made strip-woven cloth to a young painter as a model for a painting on the Banda Cultural Centre doors. Enoch Mensah holds one end of the cloth. To the right, Afua Fofie, Linguist, looks on with artist Kwame K.B. 2. They stand on Ahenkro's main street (view towards the south). Ahenkro, 5 June, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17079 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17084
Location(s) Facet:
Ahenkro
Subjects:
Queen Mother; Lelee Akosua Kepefu
Subjects Facet:
Handicraft; West African strip weaving; Villages; Streets
Creator:
Dr. Amanda L. Logan
Contributors:
Dr. Amanda L. Logan
Date searchable:
2011
Date searchable:
2011-06-05
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ahenkro;8.164906, -2.355708
People Facet:
Dr. Amanda L. Logan
Geographic Coordinates:
8.164906, -2.355708

74. Excavations at a metal working area, Ngre Kataa, 2009

Description:
Archaeological excavations of Mound 6 at Ngre Kataa in 2009 expose a workshop where blacksmiths produced iron and copper-alloy tools and ornaments. The mound is being excavated in 2 x 2 meter units named for the coordinates of their northeast corner. In unit 50N 0W (foreground), an area of burned soil marks the location where blacksmiths heated metals. A pottery jar sits in place to the right. In surrounding units (50N 2W, 48N 0W, 48N 2W) are large anvil stones where the hot metals would have been hammered and shaped through forging. The mound's stratified deposits suggest that the workshop area was used for many decades, and perhaps centuries, between the years of about 1350 and 1520 CE (Common Era). View across the mound from the northeast looking towards the southwest. Site Ngre Kataa. 27 June, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 6
Location(s) Facet:
Ngre Kataa
Subjects:
Workshop; Mound 6
Subjects Facet:
Handicraft; Metallurgy; Archaeology; Metalworking; Forging; Excavations (Archaeology); Iron; Copper alloys
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2009
Date searchable:
2009-06-27
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ngre Kataa;8.11277778, -2.30611111
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.11277778, -2.30611111

75. Crucible, Kuulo Kataa, 2000

Description:
A crucible used to process copper alloys from Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12. Crucibles like this would have been used to heat copper alloys to a liquid state for use in casting, including casting through a lost-wax process. Scale in cm. Kuulo Kataa, 27 June, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 130, Unit 95E 102N, Level 12
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Handicraft; Metal casting; Metalworking; Copper alloys; Lost wax casting; Archaeology; Lost-wax process; Crucibles; Artifacts (Antiquities)
Identifier:
Catalog number SF-KK-00-229
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2000
Date searchable:
2010-08-20
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Kuulo Kataa;8.14847222, -2.37472222
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.14847222, -2.37472222

76. Painting a spindle whorl, Kokua, 1994

Description:
Spindle whorls (gԑndԑ kaan in Nafaanra) are made by Muslim men in Kokua, a village on the Sampa-Asri road. Here a man decorates fired clay whorls, applying bands of colors (white, red, yellow) to their dark surface. He applies the color using a stylus, twisting the whorl to create horizontal bands around the whorl's circumference. In the foreground a finished spindle whorl sits on top of unpainted whorls in a metal pot. A bundle of thin wooden spindles sits at the man's foot, next to a calabash that holds white pigment. Yellow pigment is held by another container, possibly a turtle shell (carapace). Next to it, a red pigment stone (ochre) rests on a heavily worn grinding stone. The beauty of such a painted spindle whorl inspired the Nafaanra proverb "Chlͻ were nyu na gԑndԑ yi" (The woman is as beautiful as the spindle whorl.") Archaeological examples of whorls found on late 18th- and 19th-century sites in the Banda area are often shaped like these from Kokua, but few show signs of paint, perhaps because it has worn off during use. Kokua, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Kokua
Subjects:
Men's work; Decoration; Paint; Grinding stone
Subjects Facet:
Handicraft; Spindle whorls; Ocher
Identifier:
16
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Kokua;7.852430, -2.646146
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.852430, -2.646146

77. Making a woven tray, Dompofie, 1995

Description:
A man in Dompofie makes a basketry tray (gbrewa in Nafaanra). He uses a (metal?) tube as a frame. First the warp slats are placed at intervals on the frame. Then the weft slats are interwoven with the weft, starting from the center and working outward to the edges. Trays like this could be used in crop processing or for temporarily storing foodstuffs. A finished, well-worn basketry tray is visible, upper left, leaning against a pole. Dompofie, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dompofie
Subjects:
Men's work; Trays
Subjects Facet:
Handicraft; Basket making
Identifier:
5
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dompofie;8.148574, -2.367172
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.148574, -2.367172

78. Spindle and spindle whorl, 1982

Description:
A spindle (gԑndԑ in Nafaanra) and a spindle whorl (gԑndԑ kaan in Nafaanra) used to make cotton thread. A black camera lens cap shows scale. For much of the 20th century, spinning was a routine activity for women. Some of the spun cotton thread was dyed blue. The blue thread was woven together with white thread to make durable strip-woven cloths that were highly valued. The rounded spindle whorl is made from fired clay and painted with white and red designs. The spindle whorl's decoration inspired the Nafaanra proverb: "Chlͻ were nyu na gԑndԑ yi" (The woman is as beautiful as the spindle whorl." Archaeologists have found spindle whorls on Banda-area archaeological sites dating to the late 18th and early 19th century. Before that time it seems that spinning cotton was not a routine household activity and that cloth was made in market centers. The spindle whorl is laying on a courtyard floor, with an eroding plaster layer visible in the background. Gbao, September, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16831 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17202
Location(s) Facet:
Gbao
Subjects:
Cotton thread
Subjects Facet:
Handicraft; Spindle whorls; West African strip weaving; Spinning
Identifier:
28
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-09
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Gbao;8.147021, -2.362744
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.147021, -2.362744

79. Potting clay source, Bondakile, 1982

Description:
Surface next to the deep clay pit where potters form Bondakile mine the clay they use for making pottery. Piles of excavated clay surround the pit. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17214
Location(s) Facet:
Bondakile
Subjects:
Potting
Subjects Facet:
Handicraft; Pottery making; Clay mining
Identifier:
18
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

80. Partially formed clay jars drying, Bondakile, 1982

Description:
These partially formed clay jars (chͻ in Nafaanra) are drying, resting on the palette (kpankpa in Nafaanra) on which they were formed. Once dried to a leather-hard state, the potter removes them from the plate and, using fresh moist clay, adds a rounded base to the jar. To the left, a metal cooking vessel rests nearby. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Metal pots; Potting; Drying; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
10
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

81. Clay grinding bowls drying, Bondakile, 1982

Description:
A toddler girl wearing a protective strand of beads sits beside finished clay grinding bowls that have been set aside to continue drying before firing. The scoring on the interior of the bowl provides a rough surface against which cooked vegetables can be ground into a paste before being added to a soup. These bowls may also serve as men's eating bowls (pԑԑ in Nafaanra). Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Grinding bowls; Potting; Drying
Subjects Facet:
Handicraft; Pottery making; Pottery; Beads
Identifier:
12
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

82. Burned bone used in spinning, Gbao, 1982

Description:
A plastic bowl holds pieces of animal bone that have been burned at a high temperature (calcined). Calcined bone turns white and its texture becomes chalky. Women periodically rub this bone chalk on their fingers to aid handling of the cotton as they spin to make cotton thread from raw fiber. Also in the bowl is a round clay spindle whorl (gԑndԑ kaan in Nafaanra) painted with white lines and a daub of white-and black cloth. Gbao, September, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17202 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16830
Location(s) Facet:
Gbao
Subjects:
Burned bone; Plastic container
Subjects Facet:
Handicraft; Spindle whorls; Spinning
Identifier:
29
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-09
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Gbao;8.147021, -2.362744
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.147021, -2.362744

83. Mat weaving, Sabiye, 1994

Description:
A man in Sabiye weaves a fiber mat (dԑnglԑ in Nafaanra) using 'gbannaa'. The mat is rolled and he works on its outer edge. Mats like these were pliable and used in a variety of ways. People slept on them within their houses. When people died, they might be wrapped in one of these valuable mats before being buried. Two photos. Sabiye, 1994.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Sabiye
Subjects:
Men's work
Subjects Facet:
Handicraft; Basket making; Mats
Identifier:
26; 29
Creator:
Dr. M. Dores Cruz
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Sabiye;8.068359, -2.352164
Date Digitized:
2016
Sketchfab Uid:
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.068359, -2.352164

84. Large clay pit west of Bui Village, 1989

Description:
Two men (left) stand on the edge of a deep pit previously mined by potters from around Bui Village as a source of potting clay. The deep clay pit was used before the mid-20th century when potters were still practicing their craft east of the Banda hills. The clay pit was located along a stream which drained into the Black Volta on its south bank, on the road leading west from Bui Village. The pit was located in an area later flooded by the rising waters of Bui Lake after construction of the Bui Dam. A red-and-white 2 meter photo scale stands upright in the pit to show the pit's depth. West of Bui, 1989.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
1989
Location(s) Facet:
Bui
Subjects:
Potting
Subjects Facet:
Handicraft; Clay mining; Pottery making
Creator:
Dr. Ann B. Stahl
Date searchable:
1989
Genre:
35 mm slide
Genre Facet:
35 mm slide
Format:
Image
Location(s):
8.288707, -2.279565
Date Digitized:
2016
Sketchfab Uid:
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.288707, -2.279565

85. In situ pottery and grinding stones, unit 42N 4W, Ngre Kataa, 2008

Description:
Excavations in unit 42N 4W have exposed clusters of pottery, grinding stones, tuyeres and an area of burned soil associated with metal working at Mound 6, Ngre Kataa. Foreground, left, a grinding stone (GS 08-10) rests with its working surface face down. It sits at a slightly higher level than a nearby (left) whole pottery jar (NK 08-406). To the right of these, a partial pot (NK 08-282) and a tuyere fragment (NK 08-284) are clustered together with two halves of a broken pottery jar, lying with its exterior surface facing down. To the south (behind), near the sign board and framed by photo scales, is a burned feature. Next to it sits a hand-held hammerstone (GS 08-11). Another partial pottery jar (NK 08-520) and a small flat grinding stone (GS 08-12) have been exposed to the left of the sign board at 77 cm below the unit's datum. The narrow dark bands visible in the soil are the traces of animal burrows. Photo scale adjacent to the sign board in centimeters. View looking south. Site Ngre Kataa. 7 July 2008.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19136; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19177; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19132; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19135
Provenance:
Ngre Kataa, Mound 6, unit 42N 4W
Date:
2008-07-07
Location(s) Facet:
Ngre Kataa
Subjects:
Grinding stone; Burned basin; Tuyere
Subjects Facet:
Archaeology; Excavations (Archaeology); Handicrafts; Metalworking; Pottery
Creator:
Dr. Ann B. Stahl
Date searchable:
2008-07-07
Date searchable:
2008
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ngre Kataa;8.11277778, -2.30611111
People Facet:
Dr. Ann B. Stahl
Sketchfab Uid:
Geographic Coordinates:
8.11277778, -2.30611111

86. Burned feature, unit 50N 4W, Mound 6, Ngre Kataa, 2009

Description:
The circular outline of a burned basin (Feature 3) is bracketed by photo scales (center) in unit 50N 4W (130 cm below the unit datum) at Mound 6. A pottery jar sits to the right side of the basin, its opening covered by a potsherd lid. To the left, a grinding stone sits, grinding surface down, over top of another pottery jar. Burned features like these were associated with metal working in this Mound 6 workshop area. Photo scale at bottom in centimeters. Site Ngre Kataa. 29 June, 2009.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17594
Provenance:
Ngre Kataa, Mound 6, 50N 4W, 130 cm bd
Date:
2009-06-29
Location(s) Facet:
Ngre Kataa
Subjects:
Grinding stone; Burned basin
Subjects Facet:
Archaeology; Excavations (Archaeology); Handicraft; Metalworking; Metallurgy; Pottery
Creator:
Dr. Ann B. Stahl
Date searchable:
2009-06-29
Date searchable:
2009
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ngre Kataa;8.11277778, -2.30611111
People Facet:
Dr. Ann B. Stahl
Sketchfab Uid:
Geographic Coordinates:
8.11277778, -2.30611111

87. Burned feature in a metallurgical workshop, Mound 6, Ngre Kataa, 2009

Description:
The circular outline of a burned basin (Feature 3) is bracketed by photo scales (left of center) in unit 50N 4W (130 cm below the unit datum) at Mound 6. A pottery jar sits to the right side of the basin, its opening covered by a potsherd lid. To the left, a grinding stone sits, grinding surface down, over top of another pottery jar. Another grinding stone (far left) sits at a higher level in unit 50N 6W. A second burned feature is associated with a grinding stone tipped on its side, far right. Another pottery jar sits nearby, also lidded with a broken sherd. Burned features like these were associated with metal working in this Mound 6 workshop area. Photo scale at bottom in centimeters. Site Ngre Kataa. 29 June, 2009.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17593
Provenance:
Ngre Kataa, Mound 6, 50N 4W, 130 cm bd
Date:
2009-06-29
Location(s) Facet:
Ngre Kataa
Subjects:
Grinding stone; Burned basin
Subjects Facet:
Archaeology; Excavations (Archaeology); Handicraft; Metalworking; Metallurgy; Pottery
Creator:
Dr. Ann B. Stahl
Date searchable:
2009-06-29
Date searchable:
2009
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Ngre Kataa;8.11277778, -2.30611111
People Facet:
Dr. Ann B. Stahl
Sketchfab Uid:
Geographic Coordinates:
8.11277778, -2.30611111

88. Handwoven cotton strip textile called Kakya, Ahenkro, 2014

Description:
A folded textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. The name of this cloth design is Kakya. Single strands of blue warp thread create vertical lines against a background of white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

89. Handwoven textile called Kyara and a spindle with cotton thread, Ahenkro, 2014

Description:
A wooden spindle wrapped with cotton thread rests on top of a folded black-and-white textile made from handwoven cotton strips. Cloth of this design is called Kyara. Hand stiching can be seen along the edges where strips have been sewn together. These were among heirloom objects on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft;
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

90. Bow-shaped tool used to process raw cotton, Ahenkro, 2014

Description:
A bow-shaped tool (klada in Nafaanra) made from flexible wood and taut string rests on a folded handwoven blue-and-white textile called Kyara. Women used the bow to prepare cotton for spinning into thread. After removing seeds from the cotton, they held the bow's string over the fibers. Plucking the string caused cotton fibers to stick to it. By pulling up on the bow, the cotton became fluffed and its fibers aligned, making it easier to spin. The klada and handwoven textiles seen in the picture were among heirloom objects on display as part of a Heritage Day and Olden Times Foods Fair held at the Banda Cultural Centre. Ahenkro, 2014-07-31.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

91. Handwoven cotton strip textile called Kyekye, Ahenkro, 2014

Description:
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Kyekye and is sewn from strips of similar dark blue-and-white design. Variation in patterning is created by offsetting strips. Sections of solid color created by weaving blue weft over blue warp threads are sewn to strip sections with horizontal stripes created by alternating blue and white weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

92. Handwoven cotton strip textile called Bɔfige, Ahenkro, 2014

Description:
A folded white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre, with sponsorship from Amanda L. Logan. The name of this cloth design is Bɔfige. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

93. Handwoven cotton strip textile called Dɔnkɔnfra, Ahenkro, 2014

Description:
Two folded textiles made from handwoven cotton strips, pieced together in a design called Dɔnkɔnfra. They were photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. One cloth rests on top of the other. The lighter colored strips in each cloth have white warp threads woven together with white, red and blue weft threads. Darker strips were woven from blue and white warp and weft threads. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

94. Handwoven cotton strip textile called Gbenalekinu, Ahenkro, 2014

Description:
A folded gray-and-white textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. Textiles of this design are called Gbenalekinu. A narrow band of red woven accent can be seen on two of the strips. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

95. Handwoven cotton strip textile called Mmɔlɔ, Ahenkro, 2014

Description:
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Mmɔlɔ and is sewn from strips of similar blue-and-white striped design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
8.165892, -2.354363
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

96. Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014

Description:
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Spinning; Handicraft; Baskets; Gourd, calabash
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

97. Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014

Description:
A folded textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. The name of this cloth design is Mmɔlɔ Kyara. A wood spindle wrapped with locally made cotton thread rests alongside the cloth. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
8.165892, -2.354363
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

98. Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014

Description:
Two folded textiles made from handwoven cotton strips, pieced together in a design called Mmɔlɔ Kyara. They were photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. One cloth is made from alternating strips of white and blue-and-white striped cloth. The other is made of similar blue-and-white strips, in which white weft threads create a checkered design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

99. Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014

Description:
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Spinning; Handicraft; Baskets; Gourd, calabash
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363

100. Handwoven cotton strip textile called Nyankakya, Ahenkro, 2014

Description:
A textile made of handwoven cotton strips, photographed while on display at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre. This cloth is called Nyankakya and is sewn from strips of similar white-and-blue design. Ahenkro, 31 July, 2014.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects Facet:
Textiles; West African strip weaving; Weaving; Handicraft
Creator:
Amanda L. Logan
Date searchable:
2014
Date searchable:
2014-07-31
Genre Facet:
Digital image
Format:
Image
Source:
Dr. Amanda L. Logan
Language Facet:
Nafaanra
Location(s):
Ahenkro;8.165892, -2.354363
Sketchfab Uid:
Geographic Coordinates:
8.165892, -2.354363