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Banda Cultural Centre painting of a man working metal, 2016
Banda Cultural Centre painting of a woman headloading pottery, 2016
Banda Cultural Centre painting of spinning and strip-woven cloth, 2016
Artist and his Banda Cultural Centre painting, 2011
Banda Queen Mother showing cloth to local artist, 2011
Excavations at a metal working area, Ngre Kataa, 2009
Crucible, Kuulo Kataa, 2000
In situ pottery and grinding stones, unit 42N 4W, Ngre Kataa, 2008
Burned feature, unit 50N 4W, Mound 6, Ngre Kataa, 2009
Burned feature in a metallurgical workshop, Mound 6, Ngre Kataa, 2009
Handwoven cotton strip textile called Kakya, Ahenkro, 2014
Handwoven textile called Kyara and a spindle with cotton thread, Ahenkro, 2014
Bow-shaped tool used to process raw cotton, Ahenkro, 2014
Handwoven cotton strip textile called Kyekye, Ahenkro, 2014
Handwoven cotton strip textile called Bɔfige, Ahenkro, 2014
Handwoven cotton strip textile called Dɔnkɔnfra, Ahenkro, 2014
Handwoven cotton strip textile called Gbenalekinu, Ahenkro, 2014
Handwoven cotton strip textile called Mmɔlɔ, Ahenkro, 2014
Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014
Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014
Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014
Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014
Handwoven cotton strip textile called Nyankakya, Ahenkro, 2014
Handwoven cotton strip textile called Surugukawa, Ahenkro, 2014
Handwoven cotton strip textile called Yongokyara, Ahenkro, 2014
Handwoven cotton strip textile called Yowɔɔ, Ahenkro, 2014
Weaving a raffia palm mat, Sabiye, 2022
Weaving a raffia palm mat, Sabiye, 2022
Finishing a raffia palm mat, Sabiye, 2022
Preparing bamboo for basketry fish trap making, Akanyakrom, 2022
Bamboo used for fish trap making, Akanyakrom, 2022
Dried raffia palm frond preparation, Sabiye, 2022
Weaving a raffia palm mat, Sabiye, 2022
Porcupine quills, Sabiye, 2022
Bundled raffia palm fronds, Sabiye, 2022
Starting a raffia palm mat, Sabiye, 2022
Starting a raffia palm mat, Sabiye, 2022
First row of a raffia palm mat, Sabiye, 2022
Preparing raffia fronds for mat weaving, Sabiye, 2022
Harvesting bamboo, Volta River, 2022
Harvesting raffia palm, Sabiye, 2022
Drying raffia palm fronds, Sabiye, 2022
Dried raffia palm fronds, Sabiye, 2022
Harvesting raffia palm, Sabiye, 2022
Harvesting raffia palm, Sabiye, 2022
Weaving a raffia palm mat, Sabiye, 2022
Adding fronds to a raffia palm mat, Sabiye, 2022
Adding fronds to a raffia palm mat, Sabiye, 2022
Weaving a basketry fish trap, top row, Akanyakrom, 2022
Partially complete basketry fish trap, Akanyakrom, 2022
Weaving a basketry fish trap, Akanyakrom, 2022
Weaving the tongue of a basketry fish trap, Akanyakrom, 2022
Narrow raffia mat, Sabiye, 2022
Rope and wooden mallet, Akanyakrom, 2022
Outer body of a basketry fish trap, Akanyakrom, 2022
Assembling a basketry fish trap, Akanyakrom, 2022
Completed basketry fish trap, Akanyakrom, 2022
Preparing wood for a fish trap, Akanyakrom, 2022
Preparing inner support for a basketry fish trap, Akanyakrom, 2022
Tied ends of the inner support for a basketry fish trap, Akanyakrom, 2022
Tongue of a basketry fish trap, Akanyakrom, 2022
Making rope, Akanyakrom, 2022
Weaving a basketry fish trap, first row, Akanyarom, 2022
Weaving a basketry fish trap, top row, Akanyakrom, 2022
Brass casting mold and bottle opener, Kumasi, 2009