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1. Banda Cultural Centre painting of a man working metal, 2016

2. Banda Cultural Centre painting of a woman headloading pottery, 2016

3. Banda Cultural Centre painting of spinning and strip-woven cloth, 2016

4. Artist and his Banda Cultural Centre painting, 2011

5. Banda Queen Mother showing cloth to local artist, 2011

6. Excavations at a metal working area, Ngre Kataa, 2009

7. Crucible, Kuulo Kataa, 2000

8. In situ pottery and grinding stones, unit 42N 4W, Ngre Kataa, 2008

9. Burned feature, unit 50N 4W, Mound 6, Ngre Kataa, 2009

10. Burned feature in a metallurgical workshop, Mound 6, Ngre Kataa, 2009

11. Handwoven cotton strip textile called Kakya, Ahenkro, 2014

12. Handwoven textile called Kyara and a spindle with cotton thread, Ahenkro, 2014

13. Bow-shaped tool used to process raw cotton, Ahenkro, 2014

14. Handwoven cotton strip textile called Kyekye, Ahenkro, 2014

15. Handwoven cotton strip textile called Bɔfige, Ahenkro, 2014

16. Handwoven cotton strip textile called Dɔnkɔnfra, Ahenkro, 2014

17. Handwoven cotton strip textile called Gbenalekinu, Ahenkro, 2014

18. Handwoven cotton strip textile called Mmɔlɔ, Ahenkro, 2014

19. Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014

20. Handwoven textile called Mmɔlɔ Kyara and a spindle of cotton thread, Ahenkro, 2014

21. Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014

22. Handwoven textiles called Mmɔlɔ Kyara, Ahenkro, 2014

23. Handwoven cotton strip textile called Nyankakya, Ahenkro, 2014

24. Handwoven cotton strip textile called Surugukawa, Ahenkro, 2014

25. Handwoven cotton strip textile called Yongokyara, Ahenkro, 2014

26. Handwoven cotton strip textile called Yowɔɔ, Ahenkro, 2014

27. Weaving a raffia palm mat, Sabiye, 2022

28. Weaving a raffia palm mat, Sabiye, 2022

29. Finishing a raffia palm mat, Sabiye, 2022

30. Preparing bamboo for basketry fish trap making, Akanyakrom, 2022

31. Bamboo used for fish trap making, Akanyakrom, 2022

32. Dried raffia palm frond preparation, Sabiye, 2022

33. Weaving a raffia palm mat, Sabiye, 2022

34. Porcupine quills, Sabiye, 2022

35. Bundled raffia palm fronds, Sabiye, 2022

36. Starting a raffia palm mat, Sabiye, 2022

37. Starting a raffia palm mat, Sabiye, 2022

38. First row of a raffia palm mat, Sabiye, 2022

39. Preparing raffia fronds for mat weaving, Sabiye, 2022

40. Harvesting bamboo, Volta River, 2022

41. Harvesting raffia palm, Sabiye, 2022

42. Drying raffia palm fronds, Sabiye, 2022

43. Dried raffia palm fronds, Sabiye, 2022

44. Harvesting raffia palm, Sabiye, 2022

45. Harvesting raffia palm, Sabiye, 2022

46. Weaving a raffia palm mat, Sabiye, 2022

47. Adding fronds to a raffia palm mat, Sabiye, 2022

48. Adding fronds to a raffia palm mat, Sabiye, 2022

49. Weaving a basketry fish trap, top row, Akanyakrom, 2022

50. Partially complete basketry fish trap, Akanyakrom, 2022

51. Weaving a basketry fish trap, Akanyakrom, 2022

52. Weaving the tongue of a basketry fish trap, Akanyakrom, 2022

53. Narrow raffia mat, Sabiye, 2022

54. Rope and wooden mallet, Akanyakrom, 2022

55. Outer body of a basketry fish trap, Akanyakrom, 2022

56. Assembling a basketry fish trap, Akanyakrom, 2022

57. Completed basketry fish trap, Akanyakrom, 2022

58. Preparing wood for a fish trap, Akanyakrom, 2022

59. Preparing inner support for a basketry fish trap, Akanyakrom, 2022

60. Tied ends of the inner support for a basketry fish trap, Akanyakrom, 2022

61. Tongue of a basketry fish trap, Akanyakrom, 2022

62. Making rope, Akanyakrom, 2022

63. Weaving a basketry fish trap, first row, Akanyarom, 2022

64. Weaving a basketry fish trap, top row, Akanyakrom, 2022

65. Brass casting mold and bottle opener, Kumasi, 2009