Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, left, Kwabena Nika plays a double gong while to his right Abena Gyakari and Ma Millah sing and play calabash rattles. The drums being played are those specifically associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Paramount chief Tolԑԑ Kofi Dwuru III (Omanhene) dances to the rhythms of fontomfrum and atumpan (in Twi) drums at the celebration of the New Yam Festival (Finyjie Lie in Nafaanra) in the Ahenkro palace. He wears a blue-and-white strip woven cloth of the type previously made from locally spun and dyed cotton thread. Two photos. Ahenkro, 28 July, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
New Yam Festival; Palace; Fontomfrom drums; Atumpan drums
Subjects Facet:
Drums (musical instrument); Chiefs; Dance; Music; Rites and ceremonies
Oral history of Kuulo Katoo (house), Dompofie, describes how the ancestress Wurache came to the area from the sky. The history of how other groups came to live alongside Wurache and her family is summarized. The role of the family in the installation of the chief and their postion as earth priest is described. A list of former male and female heads of family is included. To cite: Stahl, Ann, and James Anane. 2011. Kuulo Katoo, Dumpofie [Dompofie]. In, "Family Histories from the Banda Traditional Area, Brong-Ahafo Region, Ghana, 1986," pp. 27-28. Brochure circulated 1989, reissued with photos and additional histories in 2011. 3 pages.
This short video made from still images and video footage shows calabash processing and use in the Banda area, Ghana. Original images and footage are available in the Banda Through Time Repository. Banda, 1982-2019. Length: 5:02 minutes.
A video made from a photo and original cassette tape audio recording of a 1986 family history interview with Elders of Kuulo Katoo in Dompofie, Banda. Female head of family, Lelɛɛ Afua Fofie (age, c. 90 yrs), shared in the Nafaanra language the history of Wurache, female ancestress of Kuulo Katoo. The interview was conducted by Dr. Ann Stahl and James Anane as part of a 1986 research project on family histories of the Banda area. Also participating in the interview were: Dompofie Odikro and male head of family, Tolɛɛ Kwadwo Fordjour (age, c. 95 yrs), Kwame Broma (age, c. 80 yrs), Kwasi Donkor (age, c. 70 yrs), Kwasi Millah (age, 60 yrs), Kwabena Mensah (age, 60 yrs), Kwame Dɔmeabra (age, 55 yrs) and Emmanuel Dwira (age, 33 yrs). The original audio has been edited to exclude (poorly audible) translations of Nafaanra dialogue into English. The original cassette recording ended prior to the conclusion of the interview, and thus does not capture the full exchange in Nafaanra. An English translation of the interview and the still image of Dompofie elders are available in the Banda Through Time repository (links below). Dompofie, 6 August, 1986. Length: 15.38 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, a group of hunters from Fawoman performed dances passed down through generations of hunters. Known as Bɔfɔɔrɔ, ancestral hunters learned these dances from animals in the bush. Using an unloaded gun and accompanied by drums and percussion instruments made from hippo jaws and canines, hunters and women from Fawoman shared ten dances with the assembled crowd. Ahenkro, 28 June, 2019. Length: 00:19:57 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, men associated with the Kralɔngɔ Royal Palace performed a Nafana version of Kete. Known primarily as an Akan royal practice, Nafana oral histories characterize Kete as a genre they learned from Kulango people. In this performance, four men simultaneously use brass rattles and play flutes that oral accounts say were taken from the Kulango in their performance of five Kete songs. They are accompanied by two drummers and a man playing an iron gong. Ahenkro, 28 June, 2019. Length: 00:13:14 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Ligbi community members from Bongase performed a masquerade dance which today they call "Bedu" but scholars term "Do." Two masks performed: Mbong (Baboon) and Gbanyamuso (Beautiful Gonja Woman). Their costumes include metal jangles worn around their ankles. The dancers are accompanied by women singing in Ligbi and drumming on conga and box drums, as well as by young men drumming and fanning the dancers. Ahenkro, 28 June, 2019. Length: 00:15:26 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Nafana people from Boase share customs associated with their wedding celebrations (Bijam). Two young women dressed as brides wear local strip woven cloth and carry walking sticks as they approach the Banda Cultural Centre, accompanied by female relatives and young girls dressed in nubility attire. After circling the event grounds, the girls are seated and the women perform a series of songs and dances accompanied by calabash drums. Men and women well-wishers toss maize kernels in the water of the calabash drums as they dance. Afterwards, the brides, covered by cloth, dance behind an elder relative as other women prepare their path by pouring water from a bucket. Afterwards, locally made grain beer (pito) is poured into a calabash, overflowing to signal that the brides were virgins at the time of their marriage.In a final dance, female relatives dance with a bowl of food, after which gifts are presented to the bride's family. Many of the women wear locally made strip-woven blue-and-white textiles as wraps. Ahenkro, 28 June, 2019. Length: 00:22:01 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Performance; Nafana (African people)
Subjects Facet:
Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Heritage
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, people from Ahenkro share Nafana songs and dances associated with with girls' puberty rites (Manaa Ndiom) and wedding celebrations (Bijam). The film opens with photos of girls dressed in Manaa Ndiom attire during the 1995 inauguration of the Banda Cultural Centre. A series of songs and dances performed at the 2019 event follows, accompanied by the rhythms of calabash drums, calabash rattles and, in some cases, a wooden drum. The group is joined in the first song by District Chief Executive Mary Konneh who plays calabash rattles and dances. Seated under the shade of the canopy, Afua Donkor demonstrates how to spin cotton while others sing and dance. Young people can be seen using their cell phones to record the action. Many of the Elder women who perform wear locally made strip-woven blue-and-white textiles as skirt wraps. Ahenkro, 28 June, 2019. Length: 00:15:57 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Subjects:
Performance; Cell phones
Subjects Facet:
Nafana (African people); Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Rattles; Heritage