Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, (L-R) Abena Gyakari, Akua Bedu and Akua Asԑmpasa play calabash rattles as a young man to the right plays an apentemma (Twi) drum. Three photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Gourd, Calabash; Drums (musical instrument); Funeral customs and rites; Rites and ceremonies
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. The small calabash ladles resting in the water are used to beat the up-turned floating calabash bowls and the rim of the large calabash. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. Among the kernels are several pesewa coins also tossed in by dancers. Two views. Boase, 11 November, 2018.
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women sit on low wooden stools as they play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. The kernels of maize (corn, or bleju in Nafaanra) clustered at the base of the larger calabash in the foreground have been tossed into the drum by dancers as they pass by. Another woman, seated upper left, holds a small calabash bowl filled with maize kernels which dancers will use as offerings. Boase, 11 November, 2018.
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. Women behind the drummers clap in accompaniment to the song. Boase, 11 November, 2018.
Members of Gbaŋmbɛ Katoo demonstrate the use of a (partially constructed) balo or xylophone (sinyeele in Nafaanra). The instrument is played at special funerals, including those of the paramount chief. A calabash with a small hole lies beneath the instrument. Together with other calabashes of graded size (small to large), it serves as the instrument's resonating chamber when fully assembled. By striking the sinyeele's wooden keys with a mallet, a range of musical notes are produced by the differently sized calabashes. Nyua Kwadwo (male family head) holds the mallets he uses to play the sinyeele. On each wrist he wears an iron bangle or bracelet with metal jangles. To the left, a family member plays a drum made from a clay pot. Sanwa, 6 August, 1986.
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. This short video shows the technique by which women strike the floating calabash and the rim of the large calabash with small calabash ladles held in their right hands. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. The women sing as they drum. Boase, 11 November, 2018. Length: .23 minutes.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. To the right of women playing calabash rattles (Akua Bedu Wo and Akua Asԑmpasa) Kwame Fnaso (standing) plays the special drums associated with the shrine. Ma Millah (right, blue top) looks on. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Horn; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, (left) Yaw Ble wears a strip-woven smock as he plays an antelope antler horn. He holds an iron gong in his right hand. Next to him Kwabena Nika plays a double iron gong and women (L-R: Abena Gyakari, Akua Bedu Wo and Akua Asԑmpasa) play calabash rattles. Amma Num (black head scarf, back right) looks on. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, left, Kwabena Nika plays a double gong while to his right Abena Gyakari and Ma Millah sing and play calabash rattles. The drums being played are those specifically associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
This short video made from still images and video footage shows calabash processing and use in the Banda area, Ghana. Original images and footage are available in the Banda Through Time Repository. Banda, 1982-2019. Length: 5:02 minutes.