Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. To the right of women playing calabash rattles (Akua Bedu Wo and Akua Asԑmpasa) Kwame Fnaso (standing) plays the special drums associated with the shrine. Ma Millah (right, blue top) looks on. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Horn; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, (left) Yaw Ble wears a strip-woven smock as he plays an antelope antler horn. He holds an iron gong in his right hand. Next to him Kwabena Nika plays a double iron gong and women (L-R: Abena Gyakari, Akua Bedu Wo and Akua Asԑmpasa) play calabash rattles. Amma Num (black head scarf, back right) looks on. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, left, Kwabena Nika plays a double gong while to his right Abena Gyakari and Ma Millah sing and play calabash rattles. The drums being played are those specifically associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, men associated with the Kralɔngɔ Royal Palace performed a Nafana version of Kete. Known primarily as an Akan royal practice, Nafana oral histories characterize Kete as a genre they learned from Kulango people. In this performance, four men simultaneously use brass rattles and play flutes that oral accounts say were taken from the Kulango in their performance of five Kete songs. They are accompanied by two drummers and a man playing an iron gong. Ahenkro, 28 June, 2019. Length: 00:13:14 minutes.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine. After falling ill and dying, the man was understood to have been killed by the 'fetish' because of harm he was alleged to be planning against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Next (right), Kwabena Nika plays a double iron gong with a wooden hammer. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Atumpan drums
Subjects Facet:
Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. On the left, Yaw Ble plays an antelope antler horn while holding an iron gong in his right hand. Abena Gyakari, Akua Bedu Wo, and Akua Asԑmpasa (blue top) play calabash rattles. Standing, Kwame Fnaso plays the special drums associated with the shrine. Looking on, right, is James Anane. Two photos. Gbao, 8 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Yaw Ble wears a strip-woven smock as he plays an antelope antler horn and dances. To the left, women play calabash rattles and Kwabena Nika plays a double iron gong. Drums that belong to the shrine are played as he dances. Four photos. Gbao, 8 August, 1986.
Men associated with the Kralɔngɔ Royal Palace perform a Nafana version of Kete during a heritage celebration organized by the Banda Heritage Initiative. Several men play flutes and brass rattles that oral histories say were captured from Kulango people. They are accompanied by men playing drums and (left) an iron gong. Ahenkro, 28 June, 2019.