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1. Amma Bio, Gbaŋmbɛ Katoo, Sanwa, 1986

Description:
Amma Bio of Gbaŋmbɛ Katoo demonstrates the dance associated with sinyeele (balo or xylophone) music played at funerals. Male family head Nyua Kwadwo plays the sinyeele. Lying beneath the partially assembled instrument are calabashes that serve as resonators and produce the instrument's distinctive sound. A small wooden stool lies on its side nearby. Sanwa, 6 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17506 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16697
Location(s) Facet:
Sanwa
Subjects:
Family history; Gbaŋmbɛ [Gbangmbe] Katoo
Subjects Facet:
Music; Balo; Funeral customs and rites; Dance; Oral history; Gourd, Calabash; Xylophone; Stools
Creator:
Ann B. Stahl
Contributors:
Dr. Ann B. Stahl; James Anane
Date searchable:
1986
Date searchable:
1986-08-06
Genre:
35 mm slide
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Sanwa;8.142199, -2.372039
Date Digitized:
2016
People Facet:
Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.142199, -2.372039

2. Carved wooden face masks, Banda, 1964

Description:
Early in his career, art historian Roy Sieber toured Ghana studying the country's indigenous art forms (Interview with Roy Sieber, "African Arts", Vol. 25, no. 4, Oct. 1992, pg. 48). Several years later Sieber's student René Bravmann returned to west central Ghana to study the region's masking traditions. This photo of masks taken by Roy Sieber is Included in René Bravmann's photo archives with the label "Do masks at Banda, R. Sieber photo, 1960s." Masks like these are used in masquerade dances to celebrate special occasions including weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. In his 1974 book "Islam and Tribal Art in West Africa" (Cambridge University Press, pg. 166), René Bravmann notes that at the time of his 1967 fieldwork there were in the "Ligbi village of Bungazi [Bongase] six Do [masks]... Interestingly enough, only three years prior to my fieldwork [1964], Roy Sieber recorded twelve Do face masks at Bungazi. My inquiries in 1967 revealed that five of the masks had been stolen and a sixth had deteriorated to the point where it was no longer usable." The masks pictured here (1964) may be among the Bongase masks that were stolen or deteriorated by the time of Bravmann's 1967 visit. Bongase, 1964.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bongase
Subjects:
Do
Subjects Facet:
Wood carvings; Rites and ceremonies; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Masks
Creator:
Dr. Roy Sieber
Contributors:
Dr. René A. Bravmann
Date searchable:
1964
Date searchable:
1964
Genre:
35 mm slide
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Bongase;8.238039, -2.276274
Date Digitized:
2016
People Facet:
Dr. Roy Sieber
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.238039, -2.276274

3. Two carved wooden face masks, Bongase, 2019

Description:
A man holds up for view two carved wooden masks during a 2019 interview with Ligbi elders in Bongase. These masks are used in masquerade dances to celebrate special occasions like weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. The mask on the left (13.25 inches in height) is a thrush (Kokogyinaka in Ligbi). The mask on the right (9.75 inches in length) is a "beautiful Gonja woman" (Gbanyamuso in Ligbi). Their features are highlighted by red, blue and white pigment. The Gbanyamuso mask is also adorned by a red hair band. A baboon mask (Mbong in Ligbi) lays on the table to the right. René Bravmann, an art historian, photographed these masks in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 88-95. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." A June 2019 performance of Gbanyamuso (center) at a Banda Heritage Event can be viewed through a link below. Bongase, 11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17127; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Banda Cultural Centre; Thrush; Do
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

4. Two carved wooden bush cow masks, Bongase, 2019

Description:
A man holds up for view a female (left) and male (right) pair of carved wooden bush cow (Siginjuru-ayna in Ligbi) masks during a 2019 interview with Ligbi elders in Bongase. Masks such as these have been used in masquerade dances to celebrate special occasions like weddings and public festivals including the end of Ramadan, the Muslim month of fasting. The masks' features are highlighted by red, blue and white pigment. René A. Bravmann, an art historian, photographed the male bush cow mask in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." Bongase,11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17126
Location(s) Facet:
Bongase
Subjects:
Bedu; Do; Bush cow
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

5. Bɔfɔɔrɔ percussion instruments, Fawoman, 2019

Description:
Two Nafana men from Fawoman--center and right--beat out foundational rhythms on hippopotamus jaw bones using a hippo canine tooth to accompany a performance of hunters' dances (Bɔfɔɔrɔ in Nafaanra). Oral history recounts that the dances are those of animals observed and copied by ancestral hunters, generations ago. The percussion instruments are said to be those collected by ancestral hunters after they watched the animals dancing, then scared them off and collected their equipment. Left, a man plays an "apentemma" (Twi) drum with his hands. A June 2019 performance of the dances at a Banda Heritage Event can be viewed through a link below. Fawoman, 21 May, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19212; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19041
Location(s) Facet:
Fawoman
Subjects:
Apentemma drum; Canine; Performance
Subjects Facet:
Drums (musical instrument); Hippopotamus; Dance; Hunters
Creator:
Sampson Attah
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-05-21
Genre:
Digital image
Genre Facet:
Digital image
Format:
Image
Location(s):
Fawoman;8.120434, -2.240526
People Facet:
Sampson Attah
Geographic Coordinates:
8.120434, -2.240526

6. End of Ramadan celebration, Ahenkro, 1982

Description:
Muslims celebrate the end of Ramadan, the ninth and most sacred month in the Islamic lunar calendar during which Muslims fast during daylight hours. As Ramadan ends, men and women come together to dance beneath the majestic kapok tree that formerly shaded the market site located on the south side of Ahenkro. July, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16925
Location(s) Facet:
Ahenkro
Subjects:
Marketplace; Muslims
Subjects Facet:
Dance; Islam; Markets; Ritual
Identifier:
19
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-07
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Ahenkro;8.163438, -2.356776
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.163438, -2.356776

7. Two dancers in masquerade attire at the Banda Cultural Centre Commissioning, 1995

Description:
Two Ligbi men from Bongase appear in masquerade regalia prior to a "Do" or "Bedu" performance at the commissioning celebration of the Banda Cultural Centre in Ahenkro. Their carved wooden masks represent a male and female pair of baboons (Mbong in Ligbi). Their heads and shoulders are draped in scarves, they wear raffia skirts around their waist, and over top of socks covering their feet they wear metal jangles on a chain wrapped around their ankles. They are accompanied by a number of men from Bongase. Pictured L-R: Fariah Salah, Kwame Yirikro, Abau Yaya, Abuu Doctor (masked dancer), Adoma, Ansoma Sala (masked dancer), Dandu, Alhaji Moro Mahama. A performance of Mbong at a June 2019 Banda Heritage Event can be viewed through a link below. Ahenkro, 21 July, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17138 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17128 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17332; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Ahenkro
Subjects:
Bedu; Do; Banda Cultural Centre; Baboon
Subjects Facet:
Textiles; Dance; Clothing; Masquerades; Masks; Ligbi language; Wood carvings
Identifier:
Negatives 14a and 15a
Creator:
Andrew Black
Contributors:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995-07-21
Genre:
Black-and-white negative
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
Date Digitized:
2019-09-20
People Facet:
Andrew Black
Commentary:
Negative scanned by Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

8. End of Ramadan celebration, Ahenkro, 1982

Description:
Muslims celebrate the end of Ramadan, the ninth and most sacred month in the Islamic lunar calendar during which Muslims fast during daylight hours. With Ramadan ended, women dressed in blue cloth socialize at the former market site located on the south side of Ahenkro. July, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16924
Location(s) Facet:
Ahenkro
Subjects:
Marketplace; Muslims
Subjects Facet:
Dance; Islam; Markets; Ritual
Identifier:
20
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-07
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Ahenkro;8.163438, -2.356776
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.163438, -2.356776

9. Brong dance troupe, Banda Cultural Centre commissioning, 1995

Description:
A Brong dance troupe performs at the commissioning celebration for the Banda Cultural Centre. A group of drummers is seated behind the dancers. Visible in the background is the logo of the Banda Cultural Centre which is "Nyu nunu," (Nafaanra) or "Unity." This is symbolized by an Adinkra symbol showing two crocodiles who share a common stomach (two heads, two tails, one stomach; referred to as funtumfunafu in Twi). The symbol conveys the meaning "why fight over food when you share a stomach?" The Cultural Centre's main building pictured here was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. Ahenkro, 21 July 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17115
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Unit committees; Communal labor; Logo
Subjects Facet:
Dance
Creator:
Alex Caton
Contributors:
Dr. Ann B. Stahl
Date searchable:
1995
Date searchable:
1995-07-21
Genre:
Photographic print
Genre Facet:
Photographic print
Format:
Image
Location(s):
Ahenkro;8.165961, -2.354312
Date Digitized:
2019-09-24
People Facet:
Alex Caton
Commentary:
Print provided by Alex Caton scanned by Ann B. Stahl
Geographic Coordinates:
8.165961, -2.354312

10. Woman dancing at the palace, New Yam Festival, Ahenkro, 1986

Description:
Palace drummers play an ensemble of '"fontomfrum" (back), "atumpan" (center) and other drums as a woman (Kabrenga) dances at the Ahenkro palace during the celebration of the New Yam Festival (Finyjie Lie in Nafaanra). Drummer in orange shirt, center, Kofi Boakye. Man standing, far right over drums, Kwasi Peter. Ahenkro, 28 July, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Palace; Atumpan drum; New Yam Festival; Fontomfrom drum
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Dance
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1986
Date searchable:
1986-07-28
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Ahenkro;8.164906, -2.355708
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.164906, -2.355708