Yaw Kyԑ paddles a canoe toward the Dam Site settlement, an Ewe fishing village on the south bank of the Black Volta River. Canoes like these were used to ferry people across the river and for fishing. In the foreground, a basket sits on the riverbank. The mountain in the background (looking northward) is the site where the Bui Dam was built, beginning in 2008. Dam Site settlement, June, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dam Site
Subjects:
Vegetation; Dam Site
Subjects Facet:
Bui Dam (Ghana); Baskets; Canoes; Riparian forests; Black Volta River; Fishing
A group of men work together, gathered at farm, processing calabash (gourd; chrԑ in Nafaanra) for market sale. The calabash is split, its pulpy interior removed, and the gourd's interior surface scraped clean before drying. Shavings from this thinning process are scattered about on the ground. Several children are gathered nearby as the men work. A basket sits next to a pile of prepared calabash bowls (chrԑgbͻͻ in Nafaanra). Farm near Ahenkro, August, 1982.
Exterior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. In the foreground, right, a cutlass (machete) rests on a sharpening stone. In the shade of the shelter's eave to the right of its roof-support pole are a small fired clay eating bowl, a clay cooking pot turned upside down resting on its rim, and a larger fired clay water storage pot. Farm shelters provide shade, refuge from rain and a place to rest and prepare food while families are at their farms, which may be located some distance from their homes. Farm near Ahenkro, September, 1982.
Ma Fiԑn of Gbao (left) and Abena Wusu of Dompofie (right) spin cotton thread. Their spindles (gԑndԑ in Nafaanra) are weighted by fired clay spindle whorls (gԑndԑ kaan in Nafaanra) which help the spindle to maintain an even spin. Ma Fiԑn uses a calabash bowl as a spinning surface. Abena Wusu uses an enamel-ware bowl placed on a basket. They use their right hand to guide thread onto the spindle as it spins. In their left hand they hold the raw cotton from which the thread is being spun. They control the tension and flow of the cotton by alternately pulling back and easing their left hands. Thread forms as the spindle spins, with the finished product building up in layers toward the spindle's lower end, near the whorl. The baskets on top of which they spin used to store spinning equipment when not in use. Until recent decades, spinning was a routine household activity for women who then gave thread to men skilled in weaving to make cloth for the household. Spindle whorls found on archaeological sites dating to the late 18th and 19th centuries tell us that spinning was also a household activity during those centuries. In the photo's background harvested foods are drying (groundnut, cassava, chili pepper). A large basket and other containers (including a plastic tub) sit next to dried calabash ready to be sent to market. To the right, a clay water pot (chͻkoo in Nafaanra) rests on a metal basin and in the top right is a metal water barrel. Four photos. Gbao, September, 1982.
A basketry fish trap (exa in Ewe) made and used by Ewe fishermen in the Banda area, Ghana. Traps like these were used for fishing between the months of August and November. They were effective in catching different types of fish three inches in length or longer. Agbegikrom South, December, 1982.
Kitchen area in the center of a courtyard house, with a large wooden mortar visible in the foreground. Women and youngsters are seated near hearths with a variety of serving and cooking vessels made of basketry, metal, calabash and plastic placed around the courtyard. The large metal drum in the background is used for water storage. Makala, June-July, 1990.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Makala
Subjects:
Metal pots; Water barrels; Plastic containers; Headpans
A woman in Dumboli spins cotton thread. She holds raw cotton fiber in her left hand. She has attached a strand of fiber to her spindle (gԑndԑ in Nafaanra), and she prepares to set it and the spindle whorl (gԑndԑ kaan in Nafaanra) which weights it in motion with her right hand. The whorl spins inside a small white vessel (possibly an animal skull or turtle shell) resting on a basket lid. The woman sits on a low stool. Various containers used in food preparation sit behind her. The basket on which she is spinning is used to store her equipment when not in use. Seeing women spinning in their homes would have been common before the second half of the 20th century. Archaeologists find spindle whorls in houses on sites dating to the later 18th and 19th centuries. In earlier times, however, it appears that thread was primarily made in market centers rather than in households. Two photos. Dumboli, 1994.
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Two textiles made from handwoven cotton strips rest on an aluminum tray, together with a spindle wrapped with locally made cotton thread, next to which is some unspun fluffed cotton. This blue-and-white cloth design is known as Mmɔlɔ Kyara. Visible at the top of the image are two baskets in which women keep their spinning equipment. To the right, a calabash ladle rests inside a calabash bowl (chrԑgbͻͻ in Nafaanra). These heirloom objects were among displays at a Heritage Day and Olden Times Food Fair held at the Banda Cultural Centre with sponsorship by Dr. Amanda L. Logan. Ahenkro, 31 July, 2014.
Ewe fisherman Dzobo Rubben weaves the top section of a basketry fish trap. He uses cordage to bundle bamboo sticks and narrow the trap toward its top. In lower rows, individual bamboo sticks are separated by two twists of rope. As the weaver nears the top, he reduces the twist between sticks to one, narrowing their spacing. In the next row he bundles two sticks separated by one twist. He then bundles four, then eight, creating a cone-shaped trap. Behind, another in-progress trap with narrower spacing between sticks stands upright against a shed. Akanyakrom, 23 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
A partially finished basketry fish trap made from bamboo and vine cordaage sits upright in the Ewe fishing village of Akanykrom. This resettled village was established after the community was displaced by construction of Bui Dam. Fish traps like these can no longer be used downstream of the dam because of reduced water flow, nor can they be used on the lake behind the dam. Akanyakrom, 23 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Ewe fishermen Dzobo Sebastian (center), and Dzobo Rubben (left) weave the tongue (exa woade in Ewe) of a basketry fish trap. They use vine cordage to secure the bamboo sticks. This portion of the trap is inserted into the woven cylindrical trap body, allowing fish to enter but blocking their exit from the basketry trap. Maxwell Gbadago (right) uses a wooden mallet to pound a vine that has been twisted and dried in order to remove its bark and make it pliable. The resulting rope will be used to weave remaining parts of the fish trap. Akanyakrom, 23 July, 2022.
A partially complete basketry fish trap made with bamboo sticks and vine cordage. View looking to the interior after four bracing hoops have been inserted. The hoops are placed at intervals to expand and brace the bamboo sticks that make up the trap's outer body. Akanyakrom, 26 July, 2022.
Ewe fisherman Dzobo Rubben holds the woven triangular bamboo-and-rope cover to the basketry fish trap as Dzobo Sebastian secures it in place. This cover can be removed to access fish in the trap. Akanyakrom, 26 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Ewe fishermen Dzobo Rubben (left), Maxwell Gbadago (center) and Dzobo Sebastian (right) stand alongside a bamboo fish trap that they made from locally harvested resources. The trap is oriented in the way it would be placed in the water, braced by two long sticks that would be driven into the river bottom. The trap would also be secured by a rope anchoring the trap to a nearby tree or other secure object. Akanyakrom, 26 July, 2022.
Ewe fisherman Dzobo Rubben uses a cutlass to smooth a stick that will be used to make the interior hoops that open and brace the inside of basketry fish trap. Akanyakrom, 26 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work; Cutlasses
Subjects Facet:
Fish traps; Handicrafts; Baskets; Ewe (African people)
Ewe fisherman Dzobo Sebastian forms a hoop from a flexible stick. He uses his feet to secure the stick as he makes a hoop of the right size to stretch and brace the bamboo sticks of the outer body of a basketry fish trap. Akanyakrom, 26 July, 2022.
Ewe fisherman Dzobo Sebastian uses rope made from a vine to secure bamboo sticks as he weaves a basketry fish trap. He has woven a first row, now secured by pegs, and is moving in the opposite direction as he weaves a second row. He uses his feet to secure the bamboo sticks as he twists the cord between sticks. Behind him is a wooden mallet used to process the cordage. A large blue industrially made fish net is stretched out behind him. Akanyakrom, 21 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Ewe fisherman Dzobo Rubben weaves the top section of a basketry fish trap made of bamboo and vine cordage, securing the trap with his feet as he works. He uses cordage to bundle bamboo sticks and narrow the trap toward its top. In lower rows, individual bamboo sticks are separated by two twists of rope. As the weaver nears the top, he reduces the twist between sticks to one, narrowing their spacing. In the next row he bundles two sticks separated by one twist. He then bundles four, then eight, creating a cone-shaped trap. Akanyakrom, 23 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled);8.246709, -2.244840
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Mawell Gbadago (left), Dzobo Sebastian (center) & Dzobo Rubben (right) pictured with a basketry fish trap (exa in Ewe) that they made as part of a British Museum Endangered Material Knowledge Programme project to document Indigenous technologies in the Banda area. In his right hand, Sebastian carries a length of coiled stick (afɔtasi in Ewe) like that used to force open the trap body; a bundle of twisted vine used to make the rope with which the fishermen weave the bamboo trap; and a wooden mallet (ɛka fokpo in Ewe) used to pound the vine (adzɔ in Ewe) as they process it into rope. Akanyakrom, 29 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)