Kwasi Millah, Elder of Kuulo Katoo and caretaker of Kuulo shrines, stands in front of the baobab tree that sprang up at the spot where Lelɛɛ Wurache, the Kuulo ancestress, sank into the ground, as described in the family history of Kuulo Katoo. Outskirts of Dompofie, June, 1995.
Banda Research Project team members wearing blue shirts with the "Unity" logo and dresses embroidered in blue process down Ahenkro's main street from the Paramount Chief's palace to the Banda Cultural Centre for the centre's commissioning ceremony. Ann B. Stahl-- just enstooled as an honorary Queen Mother by the Banda Traditional Council under the stool name Lelɛɛ Yadwo Gongo II--is carried in a palanquin lined with kente cloth and shaded by one of the chief's royal umbrellas. A woman in local-made strip woven cloth stands left, with Binghamton University MA student Alex Caton wearing local dress to her right. To her right in blue-embroidered dresses are project team members Doris Millah and Doris Mensah. Visible in the background are the thatched and iron roofs of houses lining Banda-Ahenrko's main street. Ahenkro, 21 July, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Queen Mother; Banda Cultural Centre; Umbrella; Palanquin; Banda Research Project
Subjects Facet:
Rites and ceremonies; West African strip weaving; Thatched roofs; Metal roofing; Textiles; Clothing; Kente cloth; Litters (vehicles); Royal regalia
The glass beads considered sacred and used in the puberty (Manaa Ndiom) and marriage (Bijam) rites of Nafana women are stored within a calabash bowl, its lid lying next to it. Most of the beads are imported varieties typical of those that circulated in the Atlantic trade period. On top of two other lidded calabash bowls rests a pair of iron manacles or shackles which are included among ritual paraphernalia. Ahenkro, July 1995.
Young girls wear the sacred beads and necklaces associated with the girls' nubility rites, known in Nafaanra as Manaa Ndiom. They are dressed in Manaa Ndiom attire as part of a cultural celebration associated with the commissioning of the Banda Cultural Centre. Manaa Ndiom is a time when adolescent girls come together to learn from their female elders as they transition to womanhood. Here they walk alongside women carrying wooden stools to the Cultural Centre grounds. Adua Bedeaba leads the group as Almata follows. Ahenkro, 21 July, 1995.
Kwasi Millah, Elder of Kuulo Katoo and caretaker of Kuulo shrines, stands in front of the tree that sprang up at the spot where Lelɛɛ Wurache, the Kuulo ancestress, sank into the ground, as described in the family history of Kuulo Katoo. Outskirts of Dompofie, June, 1995.
People gather to watch as offerings are made at the base of Lelɛɛ Wurache's tree on the outskirts of Dompofie. Kwasi Millah (seated, center) holds a glass as Daniel Kofi Nakpah pours drink in preparation for the offering of libations. Dompofie chief Tolɛɛ Emmanuel Dwiri stands far right (blue cloth). The occasion was prompted by the request of the Banda Research Project group to conduct archaeological excavations at Kuulo Kataa. Outskirts of Dompofie, June, 1995.
Villagers from Dompofie gather beneath Lelɛɛ Wurache's tree. People have come to witness libations and offerings to the shrine, prompted by the request by members of the Banda Research Project to conduct archaeological excavations at Kuulo Kataa. Standing center in the blue strip-woven cloth is Kwasi Millah. A member of the Banda Research Project team (Andy Black; bearded, on left) joins the group. Outskirts of Dompofie, June, 1995.
Kwasi Millah offers libations to Kuulo ancestors at the base of Lelɛɛ Wurache's tree. The occasion was prompted by the request of the Banda Research Project group to conduct archaeological excavations at Kuulo Kataa. Outskirts of Dompofie, June, 1995.
Young girls wear the sacred beads and necklaces associated with the girls' nubility rites, known in Nafaanra as Manaa Ndiom. They are dressed in Manaa Ndiom attire as part of a cultural celebration associated with the commissioning of the Banda Cultural Centre. Manaa Ndiom is a time when adolescent girls come together to learn from their female elders as they transition to womanhood. Pictured, front row, L-R: Mariyama Puwee, Ama Kyerah (wearing white), Adua Bedeaba, Sarah Photo, Yaa Broni, __, Alamata, Adwoa Fordjour. Swordbearer, right: Kwabena Sekedua. Women in back row, L-R, Toryaa (center) and Afua Basabasa. Ahenkro, 21 July, 1995.
Kwasi Millah, seated right, makes offerings to Kuulo ancestors at the base of Lelɛɛ Wurache's tree. The occasion was prompted by the request of the Banda Research Project group to conduct arcaheological excavations at Kuulo Kataa. Outskirts of Dompofie, June, 1995.