Looking northwest from the entrance to the Banda rockshelter, the view encompasses land that since 1971 has been part of Bui National Park, a Wildlife Protected Area covering more than 1800 km2. Prior to that, these lands west of the Banda hills were important to local people as a source of "bush meat." Archaeological evidence suggests that for centuries hunting provided an important food source for Banda peoples. Banda hills, 30 July, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Hunting; Rockshelter; Bui National Park; Savanna woodland; Vegetation
A water level measurement pole (bottom right) at the base of a path through riparian forest leading to the Bui Dam site on the Black Volta River. These measuring devices were placed when Soviet engineers began laying groundwork for the dam under Nkrumah's government. On the other side of the river is the mountainside against which the dam was later built, beginning in 2008. View towards north. Bui Dam site, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dam Site
Subjects:
Vegetation
Subjects Facet:
Bui Dam (Ghana); Riparian forests; Black Volta River
Looking west-northwest from inside the Banda rockshelter, the view encompasses land that has been part of Bui National Park since 1971. Banda oral histories refer to this rockshelter as the place where people ran for safety when Asante attacked the area in the 1700s. These stories may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74. After this, in February 1774, Dutch officials at Elmina Castle reported purchasing captives from Asante's war against "Benda." Banda hills, 30 July, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Rockshelter; Bui National Park; Savanna woodland; Vegetation
Yaw Kyԑ paddles a canoe toward the Dam Site settlement, an Ewe fishing village on the south bank of the Black Volta River. Canoes like these were used to ferry people across the river and for fishing. In the foreground, a basket sits on the riverbank. The mountain in the background (looking northward) is the site where the Bui Dam was built, beginning in 2008. Dam Site settlement, June, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dam Site
Subjects:
Vegetation; Dam Site
Subjects Facet:
Bui Dam (Ghana); Baskets; Canoes; Riparian forests; Black Volta River; Fishing
Clay pots that have been fired and finished by dipping in a bark solution cool as a group looks on. To the right, a woman is dipping a clay pot just removed from the fire in a bark solution contained within a large metal cooking pot. She uses a long pole to turn the pot. The bark solution carbonizes as it comes in contact with the hot clay surface, creating a darkened sheen, as on the pots to the left. From left, Vida, Enoch Mensah (research assistant, blue shirt) and Obimpeh. Center and right, Yaa Sunyani (blue head scarf) Akua Kpͻͻ and Yaa Kpͻͻ (pink top). In the background (right) a fenced kitchen garden is visible. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Metal pots; Finishing; Soup pots (sro cho); Headpan
Interior of the Banda rockshelter (sdekpͻͻ in Nafaanra). Its floor is covered with large boulders which sheared from the shelter's roof over time. Banda oral histories refer to this as the cave in which people hid during Asante's attacks on Banda in the 1700s. These stories may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74. After this, in February 1774, Dutch officials at Elmina Castle reported purchasing captives from Asante's war against "Benda." Banda hills, 30 July, 1994.
View towards the east from the Banda hills north of Ahenkro. In the foreground (right) are farm fields that have been clearcut and plowed for tobacco farming.The houses of Ahenkro are visible beyond the farm fields. The mountain ranges in the distance are those near Fawoman (left) and Boase (right). Banda hills, 30 July, 1994.
Black Volta River at the Dam Site settlement, an Ewe fishing village immediately downstream of the Bui Dam site. View from the south bank across the river toward riparian woodland on the river's north bank. Dam Site settlement, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dam Site
Subjects:
Vegetation; Dam Site
Subjects Facet:
Bui Dam (Ghana); Riparian forests; Black Volta River
Yaw Kyԑ paddles a canoe toward Bui Dam settlement, an Ewe fishing village on the south bank of the Black Volta River. A path leading to the fishing village of Agbegikrom on the river's opposite bank is visible (center, right). Canoes like these were used to ferry people across the river and for fishing. The mountain in the background (looking northward) is the site where the Bui Dam was built, beginning in 2008. Bui Dam settlement, June, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dam Site
Subjects:
Vegetation; Dam Site
Subjects Facet:
Bui Dam (Ghana); Canoes; Riparian forests; Black Volta River; Fishing
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
View from the Banda hills above Ahenkro toward the range of hills near Boase. The north end of Ahenkro is visible mid photo. Banda hills, 30 July, 1994.
Several large clay pots used for water storage (chͻkoo in Nafaanra) sit in the interior courtyard of a house next to a black metal barrel, which is also used for water storage. The surface of the two larger clay jars has been textured with maize cob roulette (bledjukaan in Nafaanra ), and one is decorated with arching grooves. The smallest jar has red-painted vertical lines on its interior rim. The small round-based jar has been placed on an enameled-ware pot for support. The larger water jar behind it rests on the upturned base of an enameled-ware headpan, re-purposed after its base rusted and it could no longer be used to carry things. A clay grinding bowl is visible in the lower left corner of the picture. Banda area, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Water storage; Water pots (chokoo); Maize cob roulette; Decoration; Jars
Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
The exterior wall of an atakpame (coursed earth) house. Atakpame is a technique for building durable earthen walls that can stand for many decades. The thatched roof is supported by interior and exterior posts and does not rest on the walls. When covered by well-maintained thatched roofs, the walls are protected from erosion by rain. A goat walks on the street outside. Makala, July, 1994.
During the 20th century women from the potting villages of Dorbour, Adadiem and other locations west of the Banda hills sold their pots in markets centers to the east and the west. Here women sell clay pots in the market at Bondoukou in Côte d’Ivoire. Visible are varied-sized cooking pots (sro chͻ in Nafaanra), water jars (chͻkoo in Nafaanra), soup pots (chiin sinyjͻlͻ in Nafaanra) and grinding bowls (pԑԑ in Nafaanra). Also for sale in the foreground are clay eating bowls that appear to have been fired in a kiln (?) rather than a bonfire. Bondoukou, 1994.
This short Banda Heritage video made from still photographic images illustrates the potting techniques of Banda-area potters. It highlights the steps in their draw-and-drag forming method and the tools they use. Among the Nafana potters pictured in the video are Yaa Tenabrɛ, Adwoa Fodjoa, Peni Krah and Ama Donkor from Dorbour. Also pictured is a potter from Adadiem (1994) and an image from Bondakile (1982). Original images used to make the video are available in the Banda Heritage Repository. Dorbour, Adadiem, 1994. Bondakile 1982. Length: 5.05 minutes.
The interior of a courtyard house surrounded by thatch-roofed rooms. Houses like this were often built over time, with rooms added as needed, gradually enclosing the interior courtyard. The compound in this photo is fully enclosed, with a doorway to the exterior visible in the center, back. Four hearths are visible in the courtyard, surrounded by a variety of metal vessels used in food preparation and other daily activities. Left, a pestle lies on the ground surrounded by groundnut (peanut, boŋgrɛ in Nafaanra) shells. Makala, July, 1994.
A potter sits on a stool as she molds the upper body of a clay water jar (chͻkoo in Nafaanra). In her right hand she uses a maize cob (bledjukaan in Nafaanra), pulling it against the exterior surface to smooth and thin the clay. In the foreground are water jars whose leather-hard upper body and rim have been joined to a rounded base, their clay bases still moist and not yet smoothed. Large wooden mortars and a headpan containing moist clay sit nearby as she works in the shade of an open-sided room. Dorbour, 1994.
Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
The exterior of a compound house made of adjoining rooms oriented around a rectangular courtyard. These were often built over time, with rooms added as needed, gradually enclosing the interior courtyard. The compound in this photo is open on one side, rooms surrounding the other three sides of the courtyard. Atakpame walls are visible as are the gabled thatched roofs that protect walls from erosion by rain. Makala, July, 1994.
During the 20th century women from the potting villages of Dorbour, Adadiem and other locations west of the Banda hills sold their pots in markets centers to the east and the west. Here women sell clay pots in the market at Bondoukou in Côte d’Ivoire. Visible are varied-sized cooking pots (sro chͻ in Nafaanra), water jars (chͻkoo in Nafaanra) and grinding bowls (pԑԑ in Nafaanra). Only the grinding bowls are blackened which was a fashion that came in sometime in the 20th century. Bondoukou, Côte d’Ivoire, 1994.
A youngster helps a woman remove a loaded headpan as she approaches the thatch-roofed veranda of a room in a compound house. A variety of metal containers used to prepare food and for other household tasks are placed about, along with several calabash bowls and low stools used in this kitchen area. A headpan containing dishes rests on a cluster of hearth stones, lower right. Makala, July, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Makala
Subjects:
Headloading; Metal pots; Headpans
Subjects Facet:
Stools; Thatched roofs; Gourd, Calabash; Courtyards; Lifting and carrying
Akua Donkor, a Nafana potter, etches grooves onto the leather-hard surface of a clay cooking pot (sro chͻ in Nafaanra) before it is fired. The lower part of the jar has been surface treated using a maize cob (bledjukaan in Nafaanra) as a roulette. This gives the pot surface texture, over which the grooved design is made. She wears bracelets that sometimes double as tools to decorate pots. Dorbour, 1994.
A woman inspects a clay jar for sale in the Bondoukou market. Large and small cooking pots (sro chͻ in Nafaanra) and a bowl are displayed for sale. During the 20th century women from Banda potting villages and surrounding areas headloaded their pottery to sell at Bondoukou's weekly market. Bondoukou, Côte d’Ivoire, 1994.
Clay cooking pots (sro chͻ in Nafaanra) stacked at the Bondoukou market awaiting sale. Women have brought these pottery jars from potting villages in Banda (e.g., Dorbour) and the surrounding region (e.g. Bondakile). Bondoukou, Côte d’Ivoire, 1994.
Women headloading pottery prepare to leave Dorbour to walk to the weekly market in Bondoukou, a distance of more than 30 km. They have secured the clay pots by tying nettting or cloth around them. The women are not necessarily potters. Some women trade in clay pots but do not make them. Dorbour, 1994.
Small pedestal-based bowls like this one (called kontondԑԑ in Nafaanra) are used in funeral rituals. Women cook food and offer it to the ancestors in a funeral ceremony called 'sro waa'. Larger versions of these bowls were used in times past as women's eating bowls; however, by the late 20th century small versions like this one were only made to order for funerals. Men were prohibited from touching them. Dorbour, 1994.
Fired clay stands like these were made by potters for use in the kitchen area of houses. Grouped together in threes like hearthstones, the stands supported pots over an open fire during cooking. Some of these fired clay stands had an opening, allowing pieces of meat to be placed inside where it slow-cooked and dried as other parts of the meal were cooking. Dorbour, 1994.
Yaa Tenabrԑ, a Nafana potter, sits on a wooden stool as she scapes the interior of a large clay pot. A metal bucket containing moist clay covered in plastic sits nearby. A well-worn grinding stone is visible at the top of the photo, on top of which rests a pink plastic cup. A small clay bowl filled with water sits next to it. The blue headpan to the right can no longer be used to carry things, but it remains useful as a support or stand for other things like round-based water storage pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Plastic containers; Dorbour; Headpans; Metal buckets; Grinding stone
A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
A potter seated on the ground starts to form a clay pot. She begins with a lump of clay resting on a metal plate (kpankpa in Nafaanra) which she can turn as she uses a draw-and-drag (direct pull) technique to shape the pot. A second lump of clay has already begun to be formed (lower left) and a clay bowl contains water that she uses to moisten the clay as needed (lower right). Lying on the metal plates to the left are tools that she will use as she forms the pot including two maize cobs, a spatula and a stone. Dorbour, 1994.
Yaa Tenabrԑ, a Nafana potter, stands as she uses a spatula-like tool to smooth and thin the walls of a large clay pot which she is molding. She has shaped the pot using a draw-and-drag (direct pull) technique, beginning with a lump of clay and using her hands to draw the clay upwards and outwards. The pot rests on a round metal plate (kpankpa in Nafaanra) that can be turned on the stump on which it sits and on which the pot can be moved and set aside as it dries. Dorbour, 1994.
Young women carry headpans loaded with blackened clay bowls as they head to market. One girl has secured her load with rope netting. Standing right is the daughter of Yao Mosi. Adadiem, 1994.
Adwoa Fodjoa, a Nafana potter, sits on a wooden stool as she thins the inside walls of a clay water pot (chͻkoo in Nafaanra). The pot has been formed and set aside to dry before the potter thins its walls. The round-based pot rests on a cloth as she works. Other water pots on which she is working sit near her, turned upside down. A metal plate that she uses as a palette (kpankpa in Nafaanra) on which to form pots sits by her foot. The clay jar in front of the pot on which she is working contains the water she uses to moisten the pot as needed. A tray with lumps of clay and two enamel ware pots sit nearby. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Dorbour; Water pots (chokoo)
A field planted with tobacco near the Banda hills northwest of Ahenkro. Banda area farmers began to go into commercial tobacco farming in the 1980s. In preparation to grow tobacco, fields were clear cut and plowed by tractor. Tobacco seedlings were transplanted into the mono-cropped fields. Farmers used commercial fertilizers supplied by tobacco buyers who advanced money on cured leaves. These large cleared fields rapidly lost soil fertility. After tobacco farming was banned by the Traditional Council in the early 2000s, these open fields were often planted with other cash crops, like cashew. Northwest of Ahenkro, 1994.
In order to transport clay pots by motor vehicle, they must be carefully packed and padded. Here, blackened clay grinding bowls packed in grass have arrived in Techiman market from potting villages in Banda. Techiman, 1994.
By 1994, many Banda farmers had gone into tobacco farming. Money was advanced to farmers by tobacco companies to purchase the cement and iron sheets needed to build drying barns. The buyers also advanced commercial fertilizer needed to grow the cash crop. A tractor supplied by the company was used to prepare fields for the seedlings and to transport firewood from surrounding areas to the barns. Large amounts of wood were used to stoke fires in the drying barns. South side of Ahenkro, June-July, 1994.
View from the mountain gap in the Banda hills west of Ahenkro, looking southeast toward the range of hills near Boase. A clear-cut tractor-plowed field (foreground) awaits planting of tobacco seedlings. Tobacco was grown as a cash crop in Banda from the mid-1980s through the 1990s until its cultivation was banned by the Banda Traditional Council. Beyond the field are houses in Gbao and savanna woodland extending to the Boase range. Outskirts of Ahenkro, 1994.
Enoch Mensah climbs down the steep slope below the Banda rockshelter, headed southward. He moves towards what elders described as the water source used by people who took refuge in the cave when Asante attacked Banda. Oral histories describe hardships in getting food and water while people hid in the cave. This attack may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74 when many Banda people were taken captive and sold by Asante to the Dutch at Elmina Castle. Banda hills, 30 July, 1994.
Interior of the Banda rockshelter (sdekpͻͻ in Nafaanra). Its floor is covered with large boulders which sheared from the shelter's roof over time. Enoch Mensah and Doris Millah sit in the foreground. Banda oral histories refer to this as the cave in which people hid during Asante's attacks on Banda in the 1700s. These stories may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74. After this, in February 1774, Dutch officials at Elmina Castle reported purchasing captives from Asante's war against "Benda." Banda hills, 30 July, 1994.
The cliff face of the of the Banda rockshelter (upper right) gives way to a rocky slope below which is partially covered in low-growing grass. View to the north. Banda hills, 30 July, 1994.
Interior of the Banda rockshelter (sdekpͻͻ in Nafaanra). Its floor is covered with large boulders which sheared from the shelter's roof over time. Banda oral histories refer to this as the cave in which people hid during Asante's attacks on Banda in the 1700s. These stories may relate to Asantehene Osei Kwadwo's campaign against Banda during the dry season of 1773-74. After this, in February 1774, Dutch officials at Elmina Castle reported purchasing captives from Asante's war against "Benda." Banda hills, 30 July, 1994.
The steep rocky slope below the Banda rockshelter is covered in short grass. The dense cover of trees at the base of the mountain is visible below. Banda hills, 30 July, 1994.
A view across a compound courtyard toward the courtyard of a neighboring house. Several hearths have clay pots resting on their hearth stones (gbunu in Nafaanra). Two wooden mortars are nearby. The house in the distance is made of sun-dried blocks, with one side of the house roofed with metal and the other side thatch. The ground is clear of plants and clean swept. Adadiem, 1994.
A woman stacks clay grinding bowls on top of wood in preparation for a bonfire firing. The bowls are placed to ensure even exposure to the heat of the bonfire. She will place additional fuel on top of the bowls before lighting the fire. Adadiem, 1994.
A man transports a clay pot, carefully strapped to the back of his bicycle and cushioned beneath by coiled grass leaves. He is returning from one of the potting villages where hs has purchased the clay jar from a potter. More often, pottery was taken to markets by headloading, sometimes sold by potters, but also by women who traded in clay pots. Banda area, 1994.
Though potters work individually when they make clay pots, they help each other when they fire their pots. In the foreground are the ashes left by earlier fires, and in the background women tend to ongoing bonfires. Stacks of firewood are visible in the background. Adadiem, 1994.