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Start Over Date 1994

101. Spinning cotton thread, Dumboli, 1994

Description:
A woman in Dumboli spins cotton thread. She holds raw cotton fiber in her left hand. She has attached a strand of fiber to her spindle (gԑndԑ in Nafaanra), and she prepares to set it and the spindle whorl (gԑndԑ kaan in Nafaanra) which weights it in motion with her right hand. The whorl spins inside a small white vessel (possibly an animal skull or turtle shell) resting on a basket lid. The woman sits on a low stool. Various containers used in food preparation sit behind her. The basket on which she is spinning is used to store her equipment when not in use. Seeing women spinning in their homes would have been common before the second half of the 20th century. Archaeologists find spindle whorls in houses on sites dating to the later 18th and 19th centuries. In earlier times, however, it appears that thread was primarily made in market centers rather than in households. Two photos. Dumboli, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dumboli
Subjects:
Cotton thread; Women's work; Techniques
Subjects Facet:
Handicraft; Spinning; Spindle whorls; Baskets
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Dumboli;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

102. Spinning cotton thread, Bondakile, 1994

Description:
A woman in Bondakile spins cotton thread from raw fiber held in her left hand. She holds the raw cotton between her thumb and index finger, using her middle finger to provide tension as she stretches and thins the fibers using her right hand. The thread is wound thickly toward the base of the spindle (gԑndԑ in Nafaanra) above the spindle whorl (gԑndԑ kan in Nafaanra) which is barely visible at the base of the spindle. The woman uses (what appears to be) a turtle shell (carapace) as a surface on which to spin. She has stabilized the shell with a piece of folded cloth which sits on top of an enamel ware plate. A calabash and a plastic bucket site nearby. Spinning was a routine household activity done by women until commercially manufactured cloth became commonplace (second half of the 20th century). Two photos. Bondakile, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bondakile
Subjects:
Plastic containers; Women's work ; Cotton thread; Techniques
Subjects Facet:
Enameled ware; Handicraft; Spinning; Spindle whorls
Identifier:
36
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Bondakile;7.986031, -2.546331
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

103. Preparing the firewood for firing clay pottery, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, selects and places fuel as she prepares to fire clay soup pots (chiin sinyjͻlͻ in Nafaanra) that have been slipped red. Other clay pots sit nearby awaiting firing, some in a headpan. The pots are carefully stacked on top of the wood and additional fuel placed on top. Additional firewood is stacked behind and in front lays the bark that she will use to cover the clay pots before lighting the bonefire. Once lit, the bonfire will burn for between 30 and 60 minutes, after which the fired pottery will be hardened, useable and ready for sale. Two photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Soup pots (chiin sinyjolo); Bonfire; Headpan; Potting; Jars; Slipping
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
21; 29
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

104. Bonfire firing of clay pots, Adadiem, 1994

Description:
Potters in Adadiem place bark over clay pots that have been stacked on top of a bed of firewood. The bonfire has been lit and the bark serves as additional fuel. More red-slipped clay pots sit behind, waiting for the next firing. One woman carries a child on her back. The bonfire will burn for between 30 minutes and an hour, after which the pots will be ready for use or sale. Abena Donkor (far right) assists while Solomon Kojo, young boy in brown shorts, looks on. Two photos. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Women's work; Adadiem
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
22; 30
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

105. Shaping a clay pot, Dorbour, 1994

Description:
Yaa Tenabrԑ, a Nafana potter, stands as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) supported by a wooden stump. She moves clockwise around the stump, using her left hand to draw clay up from the center of the lump and her right hand to shape and thin what will become the walls of the pot. As she pulls and smooths the clay, she forms the upper body and rim of the pot. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. These marks will be smoothed away as she continues to form the pot. She uses a maize cob (bedjukaan in Nafaanra) as a tool to shape and smooth the pot's walls. She uses a spatula-like tool to thin and further smooth the surface. When she is finished forming the body and rim, she will set the clay jar aside to dry on the wooden pallet on which it rests. Once dry, she will add a rounded base to the pot. Five photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Women's work; Forming; Dorbour
Subjects Facet:
Pottery making; Handicraft
Identifier:
26
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

106. Forming the base of a clay pot, Dorbour, 1994

Description:
Ama Donkor, a Nafana potter, sits as she uses moist clay to form the base of a soup pot (chiin sinyjͻlͻ in Nafaanra). She is adding the base to a body and rim that she made the day before and set aside to dry. The clay pot rests on a metal plate that she can turn as she works (kpankpa in Nafaanra). She adds small lumps of clay as she gradually builds the rounded base of the pot. Three photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Headpans; Women's work; Soup pots (chiin sinyjolo); Forming; Dorbour
Subjects Facet:
Pottery making; Handicraft
Identifier:
31
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

107. Mat weaving, Sabiye, 1994

Description:
A man in Sabiye weaves a fiber mat (dԑnglԑ in Nafaanra) using 'gbannaa'. The mat is rolled and he works on its outer edge. Mats like these were pliable and used in a variety of ways. People slept on them within their houses. When people died, they might be wrapped in one of these valuable mats before being buried. Two photos. Sabiye, 1994.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Sabiye
Subjects:
Men's work
Subjects Facet:
Handicraft; Basket making; Mats
Identifier:
26; 29
Creator:
Dr. M. Dores Cruz
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Sabiye;8.068359, -2.352164
Date Digitized:
2016
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.068359, -2.352164

108. Collapsed walls of a house, Sabiye, 1994

Description:
The earthen walls of a house on one side of a multi-room compound have collapsed, the walls filling in the area that was once the house floor. The thatched roofs of other rooms around the open courtyard can be seen in the background. Sabiye, 1994.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Sabiye
Subjects Facet:
Housing; Building, Clay; Walls; Thatched roofs
Creator:
Dr. M. Dores Cruz
Date searchable:
1994
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Sabiye;8.068359, -2.352164
Date Digitized:
2016
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.068359, -2.352164

109. Processing soil samples through flotation, Ahenkro, 1994

Description:
Banda Research Project team member Mensah Listowell processes soil samples from Makala Kataa using a bucket flotation method. The large head pan is filled with water into which he lowers a wire mesh basket filled with soil. As he gently shakes the basket, the soil dissolves and passes through the basket mesh. He uses a small mesh ladle to skim the seeds and charcoal ("light fraction") that float to the top of the water inside the basket. The "heavy fraction" which remains in the basket after the soil has washed away will be set aside to dry. It will be sorted for small artifacts like beads that may have been missed during excavation. Ahenkro, 1994.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Ahenkro
Subjects:
Flotation
Subjects Facet:
Archaeology; Excavations (archaeology)
Identifier:
37
Creator:
Dr. Ann B. Stahl
Date searchable:
1994
Genre Facet:
35 mm slide
Location(s):
Ahenkro;8.163438, -2.356776
Date Digitized:
2019-11-06
Commentary:
Slide scanned by Ann B. Stahl
Geographic Coordinates:
8.163438, -2.356776

110. Laying out an excavation unit, Makala Kataa, 1994

Description:
In preparation for beginning excavation of a new 2 x 2 m unit, Banda Research Project team members Leith Smith (right) and Victor Mattey (left) extend grid points on Mound 6, Station 6, Makala Kataa. Smith uses a rock to pound in a grid peg at a point established using tape measures extended from previously placed grid pegs. The accuracy of the peg's location in this 2 m interval grid is checked according to horizontal (2 m) and diagonal (5.66 m) measurements from the other unit pegs. Low piles of sieved dirt from ongoing excavations are visible in the background. Makala Kataa, Station 6, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Makala Kataa, Station 6, Mound 6
Date:
1994
Location(s) Facet:
Makala Kataa
Subjects:
Grid
Subjects Facet:
Archaeology; Excavations (Archaeology)
Creator:
Dr. Ann B. Stahl
Date searchable:
1994
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Makala Kataa;8.142724, -2.382957
Date Digitized:
2019-11-08
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Ann B. Stahl
Geographic Coordinates:
8.142724, -2.382957