Improving African Futures Using Lessons from the Past

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1. Remains of pottery firings, Adadiem, 1994

Description:
Though potters work individually when they make clay pots, they help each other when they fire their pots. In the foreground are the ashes left by earlier fires, and in the background women tend to ongoing bonfires. Stacks of firewood are visible in the background. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Adadiem; Bonfire; Potting; Jars
Subjects Facet:
Pottery making; Pottery; Firing (ceramics); Firewood
Identifier:
11
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

2. Clay bowls ready for firing, Adadiem, 1994

Description:
A woman stacks clay grinding bowls on top of wood in preparation for a bonfire firing. The bowls are placed to ensure even exposure to the heat of the bonfire. She will place additional fuel on top of the bowls before lighting the fire. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Grinding bowls; Women's work; Potting; Adadiem; Bonfire; Bowls
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:
30
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

3. Large clay jars ready for sale after firing, Adadiem, 1994

Description:
Potters in Adadiem make clay jars in a variety of sizes. Those pictured here have been fired, some treated with bark solution while still hot from the bonfire firing. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Adadiem; Bonfire; Finishing; Jars
Subjects Facet:
Pottery making; Pottery; Firing (ceramics)
Identifier:
5
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

4. Unfired clay pots with red slip, Dorbour, 1994.

Description:
A group of unfired clay pots to which red slip (chuma in Nafaanra) has been applied prior to firing. The string of Babobab tree seeds (foreground) is used to burnish the slip. By rubbing the dried slip vigorously with the seeds, the slip adheres to the surface and becomes shiny. To the right rear are several unfired clay eating bowls (kpokpoo in Nafaanra). Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Burnishing; Slipping; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
9
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

5. Potting clay drying, Dorbour, 1994

Description:
Potting clay is spread to dry after being mined and brought to Dorbour by a potter, perhaps aided by her relatives. The clay includes a combination of plastic clay (chͻklͻlͻ in Nafaanra) and sandy clay (sisa in Nafaanra) which are mixed together at the place where the clay is mined. After drying, the clay will be pounded, sifted, mixed with water and kneaded until the clay is the right consistency. A potter only mixes as much clay as she needs to make a batch of pots (6-8). Children may help with the work of pounding and kneading the clay. In the background, houses made of atakpame (coursed earthen-walls) with thatched roofs are visible. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Potting; Atakpame; Children's work; Pounding; Dorbour; Drying
Subjects Facet:
Handicraft; Pottery making; Clay mining; Thatched roofs
Identifier:
6
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

6. Shaping a clay pot, Dorbour, 1994

Description:
A potter seated on the ground starts to form a clay pot. She begins with a lump of clay resting on a metal plate (kpankpa in Nafaanra) which she can turn as she uses a draw-and-drag (direct pull) technique to shape the pot. A second lump of clay has already begun to be formed (lower left) and a clay bowl contains water that she uses to moisten the clay as needed (lower right). Lying on the metal plates to the left are tools that she will use as she forms the pot including two maize cobs, a spatula and a stone. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Potting tools; Maize cobs; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
27
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

7. Shaping a clay pot, Adadiem, 1994

Description:
A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Adadiem
Subjects:
Forming; Women's work; Potting; Adadiem
Subjects Facet:
Handicraft; Pottery making
Identifier:
13
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Adadiem;8.082874, -2.552821
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

8. A potter's tools, Dorbour, 1994

Description:
A potter's tools are laid out for view. Sitting on a well-worn clay-smeared grinding stone are two maize cobs (left; bledjukaan in Nafaanra), half of a seed pod from a tree (jenge in Nafaanra), and a spatula (unknown material). An enamel-ware pot holds several water-worn pebbles, several of which also sit in front of the grindstone. Pebbles (gbeliͻ in Nafaanra) are used to burnish the surface or make decorations on the pot's surface. In front of the grinding stone are two iron rings or "bracelets." The one with a wide flat side (gbooroo in Nafaanra) is used to scrape and thin the pot's walls after they have been allowed to dry. The other can be used to decorate pots. A small clay bowl holds water and a piece of cloth used to moisten and smooth the surface of the pot after it is formed. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Potting; Maize cob; Potting tools; Dorbour; Grinding stone; Decoration; Women's work
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

9. Potting clay stored outside a house, Dorbour, 1994

Description:
After drying, potting clay is stored in potters' houses until needed. When the potter is ready to make a batch of clay pots, she will first pound and then sift the clay. The sifted clay is then mixed with water and kneaded until it is the right consistency for making a pot. Dorbour, 1994
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Dorbour; Pounding; Potting
Subjects Facet:
Handicraft; Pottery making
Identifier:
18
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

10. Mixing potting clay, Dorbour, 1994

Description:
Yakosua, a Nafana potter, mixes sifted potting clay with water in preparation for making a batch of clay pots. One large metal pot (left) contains the pounded, sifted clay and the other (right) contains water that she mixes with the clay. She mixes the two in a headpan, kneading the clay to achieve the right consistency for making pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Metal pots; Clay; Dorbour; Headpans; Potting
Subjects Facet:
Pottery making
Identifier:
11
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

11. Clay lumps ready for use, Dorbour, 1994

Description:
A potter handles a lump of clay that she will use to make a clay pot. Other lumps, each of which will be used to make a pot, are stacked on a metal tray awaiting use. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Clay; Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making
Identifier:
12
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

12. Pottery forming techniques, Dorbour and Adadiem, 1994

Description:
This short Banda Heritage video made from still photographic images illustrates the potting techniques of Banda-area potters. It highlights the steps in their draw-and-drag forming method and the tools they use. Among the Nafana potters pictured in the video are Yaa Tenabrɛ, Adwoa Fodjoa, Peni Krah and Ama Donkor from Dorbour. Also pictured is a potter from Adadiem (1994) and an image from Bondakile (1982). Original images used to make the video are available in the Banda Heritage Repository. Dorbour, Adadiem, 1994. Bondakile 1982. Length: 5.05 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:
Adadiem
Subjects:
Potting; Grinding stone; Women's work; Potting tools; Maize cob
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:
English
Date searchable:
1994;1982
Date searchable:
2019-04-18
Genre:
Digital video
Genre Facet:
Digital video
Format:
Video
Location(s):
Adadiem;8.082874, -2.552821
People Facet:
Elisa O'Malley
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
8.082874, -2.552821

13. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The slip is a thin solution made by mixing a red soil found on the Brawhani road with water. Some is contained in a small can sitting on the ground (left). Finished, unfired pots sit in the room behind the potter. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16917
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
27
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

14. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The base of the pot is left unslipped. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16916
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Burnishing; Slipping; Potting tools; Dorbour
Subjects Facet:
Handicraft; Pottery making
Identifier:
12
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

15. Pounding bark used to finish clay pots, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Headpans ; Women's work; Potting; Pounding; Dorbour; Soup pots (chiin sinyjolo)
Subjects Facet:
Handicraft; Pottery making; Mortars & pestles; Pottery
Identifier:
22
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

16. Learning to make clay pots, Dorbour, 1994

Description:
Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Learning; Dorbour; Potting
Subjects Facet:
Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Metal roofing; Courtyards; Pottery; Apprentices
Identifier:
17
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

17. Decorating a clay soup pot, Dorbour, 1994

Description:
Akua Donkor, a Nafana potter, uses a rounded-edged tool to make shallow grooves on the upper body of a soup pot (chiin sinyjͻlͻ in Nafaanra). The clay pot has been allowed to dry to a leather-hard state before the decorations are applied. She has used a maize cob (bledjukaan in Nafaanra) as a roulette (roller) to surface treat the base of the clay pot. A single grooved line sets the maize cob rouletted zone from the smoothed surface above it. The woman wears bracelets that can double as tools for decorating pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Potting tools; Maize cob roulette; Dorbour; Soup pots (chiin sinyjolo); Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
25
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

18. Decorating a clay cooking pot, Dorbour, 1994

Description:
Akua Donkor, a Nafana potter, etches grooves onto the leather-hard surface of a clay cooking pot (sro chͻ in Nafaanra) before it is fired. The lower part of the jar has been surface treated using a maize cob (bledjukaan in Nafaanra) as a roulette. This gives the pot surface texture, over which the grooved design is made. She wears bracelets that sometimes double as tools to decorate pots. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
32
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

19. A finished clay cooking pot, ready for firing, Dorbour, 1994

Description:
A potter completes decorations on a clay cooking pot (sro chͻ in Nafaanra). Another pot sits nearby, turned upside down. The lower bodies of the pots have been surface treated by rolling a maize cob (bledjukaan in Nafaanra) across the leather-dry surface of the clay jar. Shallow grooved lines have been etched over top. The clay jars are now ready to be fired. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Women's work; Potting; Cooking pots (sro cho); Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
3
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

20. Decorating a clay cooking pot, Dorbour, 1994

Description:
A potter uses a metal bracelet as a roulette to make shallow grooves on the leather-hard surface of a cooking pot (sro chͻ in Nafaanra). She rolls the bracelet across a surface that has been textured using a maize cob (bledjukaan in Nafaanra) roulette. Next she will make shallow grooves along the boundary between the smooth upper body of the jar and the maize cob-routletted lower areas. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Dorbour
Subjects:
Bracelet; Women's work; Potting; Cooking pots (sro cho); Potting tools; Maize cob roulette; Dorbour; Decoration
Subjects Facet:
Handicraft; Pottery making
Identifier:
4
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Genre Facet:
35 mm slide
Location(s):
Dorbour;8.090342, -2.517137
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137