Palace drummers play an ensemble of '"fontomfrum" (back), "atumpan" (center) and other drums as a woman (Kabrenga) dances at the Ahenkro palace during the celebration of the New Yam Festival (Finyjie Lie in Nafaanra). Drummer in orange shirt, center, Kofi Boakye. Man standing, far right over drums, Kwasi Peter. Ahenkro, 28 July, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Palace; Atumpan drum; New Yam Festival; Fontomfrom drum
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Dance
Elders gathered at the Ahenkro palace on the day of the New Yam Festival (Finyjie Lie in Nafaanra). Seated, front row, third from left, Kwabena Dibi. Sixth from left, Kofi Gyasi (Gyasehene); Tolԑԑ Kofi Dwuru III (Omanhene); Kupo Aboateaa (Bamuhene). Seated, far right on chair, Yaw Fori (Swordbearer). Ahenkro, 28 July, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, (left) Yaw Ble wears a strip-woven smock as he plays an antelope antler horn. He holds an iron gong in his right hand. Next to him Kwabena Nika plays a double iron gong and women (L-R: Abena Gyakari, Akua Bedu Wo and Akua Asԑmpasa) play calabash rattles. Amma Num (black head scarf, back right) looks on. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, left, Kwabena Nika plays a double gong while to his right Abena Gyakari and Ma Millah sing and play calabash rattles. The drums being played are those specifically associated with the shrine. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Rattles; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Drums (musical instrument); Rites and ceremonies; Funeral customs and rites; Gourd, Calabash; Gongs
View to the west of the mountains near Ahenkro, standing on the south edge of town. Foreground is the soccer field and its improvised goal. To the right of a large tree (center, right) is the iron-roofed clinic staffed by a government nurse. In the distance, to the right of the soccer goal, is a wooden shed that housed one of the first diesel-powered corn grinding mills established in Ahenkro. Ahenkro, July-August, 1986.
Paramount chief Tolԑԑ Kofi Dwuru III (Omanhene) dances to the rhythms of fontomfrum and atumpan (in Twi) drums at the celebration of the New Yam Festival (Finyjie Lie in Nafaanra) in the Ahenkro palace. He wears a blue-and-white strip woven cloth of the type previously made from locally spun and dyed cotton thread. Two photos. Ahenkro, 28 July, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
New Yam Festival; Palace; Fontomfrom drums; Atumpan drums
Subjects Facet:
Drums (musical instrument); Chiefs; Dance; Music; Rites and ceremonies
View of the gap in the Banda hills near Ahenkro, standing on the south edge of town, looking southwest. To the right of the tree (center) is the iron-roofed clinic staffed by a government nurse. Blocking the view of the clinic is a wooden shed that housed one of the first diesel-powered corn grinding mills established in Ahenkro. Ahenkro, July-August, 1986.
Family history interview with members of Gbla Wolo Katoo, including Nana Sie Jiniŋge, Ankobeahene (seated, center) as well as Ha Yaw, Sie Yaw Bediako, Asoma Kramo, Siedu, Kwaku Frimpong and Kwasi Wankyi, Sabiye, 15 August, 1986.
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, two women dance (Ma Millah, center, Adwoa Kupo, right). To the left Yaw Ble plays an antelope antler horn. He wears a strip-woven smock adorned with amulets sewn into leather packets. Two photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Amulets; Gbԑԑnlԑԑ (Gbeenlee) Katoo
Subjects Facet:
Funeral customs and rites; Dance; West African strip weaving; Rites and ceremonies; Drums (musical instrument)
Gbԑԑnlԑԑ Katoo in Gbao celebrates the funeral of the caretaker of a shrine who was understood to have been killed by the 'fetish' because of harm he allegedly planned against family members. In this case, the funeral involves special forms of drumming, dancing and songs as part of a thanksgiving to the shrine. Here, Ma Millah dances, center. To the left Yaw Ble plays an antelope antler horn. Standing right, Kwame Fnaso drums. Eleven photos. Gbao, 8 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Gbao
Subjects:
Gbԑԑnlԑԑ (Gbeenlee) Katoo; Horn; Atumpan drums
Subjects Facet:
Drums (musical instrument); Funeral customs and rites; Dance; Rites and ceremonies