The courtyard of a long-established compound in Ahenkro. The main room has a columned verandah and its walls are plastered. A metal roof covers it and the courtyard entrance. A hearth occupies the central courtyard. Two metal water barrels (right and left), headpans and a bucket speak to the daily activity of fetching water. Ahenkro, July-August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Metal pots; Headpans; Water barrels
Subjects Facet:
Plastering; Building; Metal roofing; Courtyards; Water; Housing; Hearths
The courtyard kitchen area of a partially enclosed compound has two hearths with cooking equipment placed around. Several low stools and a wooden chair sit among metal pots, calabashes (gourds) and other kitchen items. A mortar and a basket sit to the right. A stack of dried blocks (right, rear) suggests that an addition to the compound is planned. More blocks are stored inside the open room whose wooden door has been removed. Ahenkro, July-August, 1986.
While many houses take the form of compounds, people may build stand-alone structures that might later be added on to, creating an enclosed courtyard. Here, one side of the building is wattle-and-daub construction, the other side made by an atakpame (coursed earth) technique and later plastered. The wattle-and-daub technique allows walls to be built quickly, the frame ("wattle") allowing the daub to be placed without the need to let lower levels of the wall dry before adding upper levels. Ahenkro, July-August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Atakpame
Subjects Facet:
Plastering; Thatched roofs; Wattle and daub; Building, Clay; Housing
The exterior wall of a compound built with sun-dried bricks. The varying sizes of the bricks suggest that rooms may have been added at different times. An entrance to the compound midway along the wall has been filled in with smaller blocks or atakpame. Goats find shelter from the heat of the day beneath the roof's thatched overhang. Ahenkro, August, 1986.
A woman carries harvested tobacco leaves from farm to the area where the leaves will be tied for drying. Behind her, a ladder rests against the wall of a cement block metal-roofed tobacco drying barn. Tobacco was grown as a cash crop in the Banda area from the early 1980s into the early 2000s. Farmers received materials like bags of cement and roofing sheets to build drying barns as advances on their crop. South side of Ahenkro, July-August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Headloading; Drying barns; Women's work
Subjects Facet:
Building; Tobacco; Metal roofing; Cash crops; Lifting and carrying
Family history interview with members of Tapanwolo Katoo, including Pԑ Yaw, family head (seated, second from left), Kwadwo Ladjaa (seated, third from left) and Alhaji Adama Abudulai, Sabiye, 15 August, 1986.
Family history interview with members of Chorigbͻͻnͻ [Chorigboono] House, including Imam Lakaria (center, blue robe), Abakan Wͻye, Moro, Daudu, Sale Asomana, Alhaji Sefuyani, Adam Moro and Amadu Yaya, Sase, 20 July, 1986.
Members of Gbaŋmbɛ Katoo demonstrate the use of a (partially constructed) balo or xylophone (sinyeele in Nafaanra). The instrument is played at special funerals, including those of the paramount chief. A calabash with a small hole lies beneath the instrument. Together with other calabashes of graded size (small to large), it serves as the instrument's resonating chamber when fully assembled. By striking the sinyeele's wooden keys with a mallet, a range of musical notes are produced by the differently sized calabashes. Nyua Kwadwo (male family head) holds the mallets he uses to play the sinyeele. On each wrist he wears an iron bangle or bracelet with metal jangles. To the left, a family member plays a drum made from a clay pot. Sanwa, 6 August, 1986.