Elder women of Boase who spearheaded a performance of songs and dances associated with Manaa Ndiom (puberty), Bijam (wedding) and funeral rites as practiced in Boase. The event was organized by the chief and elders of Boase and filmed by the Banda Heritage Local Committee. L-R: Ama Gyakari, Adwoa Dankuli, Ama Lopom, Ama Nimsaa, Afua Gyakari, Yaa Anto, Afua Nsiah. Boase, 11 November, 2018.
Irene Mensah, a member of the Banda Heritage Initiative Local Committee, uses a camcorder to shoot video footage in Boase during a visit by the Local Committee to document the songs and dances of Nafana puberty (Manaa Ndiom) and marriage (Bijam) ceremonies. She volunteered to join the Local Committee after hearing her grandfather tell stories of the area's past during an interview. To the right, a group of young people are gathered near a small kiosk which is surrounded by a bicycle, a motorcycle and a motorized three-wheeled cart. Metal-roofed houses line the main street. Boase, 11 November, 2018.
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. The small calabash ladles resting in the water are used to beat the up-turned floating calabash bowls and the rim of the large calabash. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. Among the kernels are several pesewa coins also tossed in by dancers. Two views. Boase, 11 November, 2018.
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women sit on low wooden stools as they play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. The kernels of maize (corn, or bleju in Nafaanra) clustered at the base of the larger calabash in the foreground have been tossed into the drum by dancers as they pass by. Another woman, seated upper left, holds a small calabash bowl filled with maize kernels which dancers will use as offerings. Boase, 11 November, 2018.
At an event showcasing the songs and dances associated with puberty (Manaa Ndiom) and wedding (Bijam) rites, two Boase women play drums made from hollowed-out calabashes or gourds (chrɛ in Nafaanra). The large lower calabashes are supported by another container (a large tomato paste tin on the left and a plastic bowl on the right). A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floats upright in water contained within the larger calabash. The women create a rhythm by tapping the calabash ladles held in their right hands on the surface of the floating calabash and the rim of the larger calabash bowl. Women behind the drummers clap in accompaniment to the song. Boase, 11 November, 2018.
At a performance showcasing the rituals associated with Nafana wedding rites (Bijam) organized by the chief and female elders of Boase, a weathered calabash or gourd bowl (chrɛgbɔɔ in Nafaanra) holds money (Ghanaian cedis) offered by well-wishers. A calabash lid rests on the ground nearby, its side mended with stitches. Boase, 11 November, 2018.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Boase
Subjects:
Cedis; Bijam; Money
Subjects Facet:
Rites and ceremonies; Gourd, Calabash; Marriage customs and rites
Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. This short video shows the technique by which women strike the floating calabash and the rim of the large calabash with small calabash ladles held in their right hands. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. The women sing as they drum. Boase, 11 November, 2018. Length: .23 minutes.
Young girls dressed in the attire for Manaa Ndiom (puberty) and Bijam (wedding) rites as part of a cultural performance in Boase. The event was organized by the chief and elders of Boase and filmed by the Banda Heritage Local Committee. Front, L-R: ___, ____. Rear, L-R: ___, ___, ___. Boase, 11 Nov, 2018.
Chief and Elders of Boase on the day of a cultural performance organized to showcase the Manaa Ndiom, Bijam and funeral songs and dances previously practiced in the community. Front, L-R: ___, ___, Boase chief Tolԑԑ Ligbi Wulotei, ____. Boase, 11 Nov, 2018.