Banda Research Project team members present informational posters on Banda history and heritage to members of the Banda Traditional Council. Sampson Attah (kneeling, stripped shirt) describes the content of the "Banda in the 18th & 19th Centuries" poster to the paramount chief and elders. Project members Ann Stahl (kneeling) and Kofi "Photo" Manu (standing, brown print shirt) look on together with assembled elders. Banda Ahenkro Palace, 11 July, 2011.
The Banda Queen Mother (Lelԑԑ Akosua Kepefu) and her elders look at informational posters on Banda history and heritage prior to the community event at which they were launched. Lelԑԑ Kepefu (left) listens as as Elder and Linguist Afua Fofie points to an image of women spinning cotton thread on the "Banda in the 18th and 19th Centuries" poster. Banda Research Project team members Sampson Attah (standing, orange collar) and Timothy Fordjour (right) look on. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Banda Research Project team member Yaw Frimpong (blue shirt with the Banda Cultural Centre "Unity" logo) serves as a docent for one of the informational posters on Banda history and archaeology launched at a 2011 community event. Project team member Frimpong from Nyire (tan shirt) shares insight as several community members listen. A young man in the rear uses his cell phone to take a photo of the poster as he listens to the conversation. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
A man operates a diesel-powered corn mill in a roofed shed while another adjusts a grain bag nearby. He grinds grain into a plastic container resting in a headpan. Another headpan filled with maize (corn, bledju in Nafaanra) sits in front with a calabash used as a scoop sitting on top. Other plastic and metal containers sit nearby. Diesel-powered grinding mills first began to be set up in Ahenkro in the 1980s. They have become more common over the years, reducing the need for maize and other dried foodstuffs to be pounded by hand in wooden mortars. At the same time, they have expanded the need for cash income as grinding has become part and parcel of household budgets. Ahenkro, 2009.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Diesel engine; Automation; Headpans; Plastic containers; Men's work
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the doors of the Banda Cultural Centre's courtyard. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a blacksmith forging iron. Based on the presence of byproducts like slag and the tools used to make metal, we know that blacksmiths smelted and forged iron in the Banda area from at least 1000 years ago. Banda Cultural Centre, Ahenkro, June, 2016.
A woman prepares soup over a a coal pot. In her left had she holds a metal grinding bowl and by her right hand is a commercially made ceramic grinding bowl. The blue plastic barrel (rear) holds water for the household. Ahenkro, June, 2016.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Metal pots; Grinding bowl; Water barrels; Ahenkro; Coal pot; Women's work; Plastic containers
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman headloading pottery on her way to market. Pottery making and marketing has been practiced in the Banda area for thousands of years. Scientific studies of pottery from archaeological sites across the region show that pottery was made in different locations over time and was widely traded within and beyond the region. Banda Cultural Centre, Ahenkro, June, 2016.
Community members discuss one of the informational posters on Banda history and archaeology launched at a 2011 community event. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
In June 2011, Banda Research Project team member Amanda Logan collaborated with local artist Kwame K.B. 2 to develop paintings for the Banda Cultural Centre's courtyard doors. The paintings illustrate crafts practiced in the area for which we have archaeological evidence. This image shows a woman spinning cotton thread (right) and a man wearing a locally made blue-and-white strip-woven cloth (left). Archaeologists find spindle whorls used to make thread on late 18th-and early 19th-century archaeological sites. This shows that households produced their own cloth during recent centuries. Before the 17th century, cotton cloth seems to have been less common and was probably acquired through trade from market centers. Banda Cultural Centre, Ahenkro, June, 2016.
Ann Stahl shares photos from Banda Project Archives with the Banda Queen Mother and her Elders as part of a consultation process leading to the Banda Heritage repository. L-R: Ann Stahl, __, __, __. Ahenkro, 19 June, 2016.