Informational posters on Banda history and archaeology are displayed on easels in the hall of the Banda Cultural Centre. Examples of pottery recovered from excavations at Banda area sites rest on shelves in the background. Banda Cultural Centre, Ahenkro, 18 July, 2011.
Banda Research Project team member Sampson Attah (left) presents a Banda chief (right) with copies of heritage documents at a community event celebrating Banda cultural heritage. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event
Banda Research Project team members present informational posters on Banda history and heritage to members of the Banda Traditional Council. Sampson Attah (kneeling, stripped shirt) describes the content of the "Banda in the 18th & 19th Centuries" poster to the paramount chief and elders. Project members Ann Stahl (kneeling) and Kofi "Photo" Manu (standing, brown print shirt) look on together with assembled elders. Banda Ahenkro Palace, 11 July, 2011.
The Banda Queen Mother (Lelԑԑ Akosua Kepefu) and her elders look at informational posters on Banda history and heritage prior to the community event at which they were launched. Lelԑԑ Kepefu (left) listens as as Elder and Linguist Afua Fofie points to an image of women spinning cotton thread on the "Banda in the 18th and 19th Centuries" poster. Banda Research Project team members Sampson Attah (standing, orange collar) and Timothy Fordjour (right) look on. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Banda Research Project team member Yaw Frimpong (blue shirt with the Banda Cultural Centre "Unity" logo) serves as a docent for one of the informational posters on Banda history and archaeology launched at a 2011 community event. Project team member Frimpong from Nyire (tan shirt) shares insight as several community members listen. A young man in the rear uses his cell phone to take a photo of the poster as he listens to the conversation. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
Community members discuss one of the informational posters on Banda history and archaeology launched at a 2011 community event. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
Ann Stahl shares photos from Banda Project Archives with the Banda Queen Mother and her Elders as part of a consultation process leading to the Banda Heritage repository. L-R: Ann Stahl, __, __, __. Ahenkro, 19 June, 2016.
Boase Chief Tolԑԑ Ligbi Wulotei (center) looks at pottery from Banda area archaeological sites while Banda Project team member Boye (far right) looks on. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event
Banda Research Project team member Samuel Babatu (white shirt) serves as a docent for one of the informational posters on Banda history and archaeology launched at a 2011 community event. Young people gather to listen as he discusses the poster's content. In the background, other project team-member docents (Boye, Kofi "Photo" Manu and Yaw Frimpong) share other posters. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event; Poster
The Banda Queen Mother, (Lelԑԑ Akosua Kepefu) and her elders view archival photos on Ann Stahl's laptop. L-R: Afua Fofie, Lelԑԑ Kepefu and Lelԑԑ Yahͻͻ, Ann Stahl. Ahenkro, 19 June, 2016.
Young people look at and talk about the"Banda in the 15th to 17th Centuries" informational poster during a Banda Heritage community event. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Banda Research Project team members present informational posters on Banda history and heritage to members of the Banda Traditional Council. Sampson Attah (kneeling, stripped shirt) describes the content of the "Learning about Life in the Past" poster to the paramount chief and elders. Project members James Anane (standing, red shirt) and Ann Stahl (kneeling, right) look on. Banda Ahenkro Palace, 11 July, 2011.
Storytelling is an entertaining way through which elders convey wisdom to younger people. Here three of Ahenkro's storytellers share stories at a Banda Heritage Event held at the Banda Cultural Centre. A film of the storytellers sharing tales can be accessed through the "iaff_works" link below. L-R, Idisa Yaya, Akosua Mattah, and Alhasa Watara. Ahenkro, 28 June, 2019.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, a group of potters from Dorbour demonstrated their skills for a community audience. Using pre-prepared clay, the potters showed how they form the body and rim of pottery jars, which are then set aside to dry before the pot's base is added. The video showcases some of their finished products and an announcer describes to the audience in Nafaanra some of steps involved in firing and finishing pots. Afterwards, the potters look at examples of archaeological pots in the Banda Cultural Centre and talk with archaeologist Ann Stahl about what is known from archaeological sites about potting in the past. Ahenkro, 28 June, 2019. Length: 00:25:14.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Potting; Women's work
Subjects Facet:
Pottery; Jars; Heritage
Creator:
Dr. Ann B. Stahl
Contributors:
Mary Yakosua; Yaa Kofua; Yaa Fordjour; Ama Dadia; Yaa Tabla; Mafua; Elikpim Kuto; Esi Koah Arko
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, a group of hunters from Fawoman performed dances passed down through generations of hunters. Known as Bɔfɔɔrɔ, ancestral hunters learned these dances from animals in the bush. Using an unloaded gun and accompanied by drums and percussion instruments made from hippo jaws and canines, hunters and women from Fawoman shared ten dances with the assembled crowd. Ahenkro, 28 June, 2019. Length: 00:19:57 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, men associated with the Kralɔngɔ Royal Palace performed a Nafana version of Kete. Known primarily as an Akan royal practice, Nafana oral histories characterize Kete as a genre they learned from Kulango people. In this performance, four men simultaneously use brass rattles and play flutes that oral accounts say were taken from the Kulango in their performance of five Kete songs. They are accompanied by two drummers and a man playing an iron gong. Ahenkro, 28 June, 2019. Length: 00:13:14 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Ligbi community members from Bongase performed a masquerade dance which today they call "Bedu" but scholars term "Do." Two masks performed: Mbong (Baboon) and Gbanyamuso (Beautiful Gonja Woman). Their costumes include metal jangles worn around their ankles. The dancers are accompanied by women singing in Ligbi and drumming on conga and box drums, as well as by young men drumming and fanning the dancers. Ahenkro, 28 June, 2019. Length: 00:15:26 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Kuulo people from Dompofie share customs associated with their wedding celebrations. A bride and groom accompanied by two girls sit as women sing songs of praise and dance in a circle around them. A pot containing pito (locally brewed grain beer) sits in front of them. The women wear strip-woven local cloth wraps around their waists. In an opening song, the women beat rhythms with calabash gourd drinking bowls as they dance. The gourds are placed in front of the newly married couple after the first dance. After the final dance, the calabash bowls are used to catch overflowing beer poured from the pito pot, signaling that the bride was a virgin when married. Ahenkro, 28 June, 2019. Length: 00:20:21 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Performance; Kuulo, Dompo (African people)
Subjects Facet:
Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Heritage
Part 4 of a four-part video, based on an interview with Adjua Tini of Habaa Katoo. Though the interview was concluded, Adjua Tini wanted to close the session with a song. One song led to another, and soon she was joined by Lelԑԑ Yahͻͻ, with whom she sang a number of songs associated with courtship, marriage and funerals. Several songs toward the end of the short film are not accompanied by video footage. Ahenkro. Length: 00:36.05 minutes.
At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, Nafana people from Boase share customs associated with their wedding celebrations (Bijam). Two young women dressed as brides wear local strip woven cloth and carry walking sticks as they approach the Banda Cultural Centre, accompanied by female relatives and young girls dressed in nubility attire. After circling the event grounds, the girls are seated and the women perform a series of songs and dances accompanied by calabash drums. Men and women well-wishers toss maize kernels in the water of the calabash drums as they dance. Afterwards, the brides, covered by cloth, dance behind an elder relative as other women prepare their path by pouring water from a bucket. Afterwards, locally made grain beer (pito) is poured into a calabash, overflowing to signal that the brides were virgins at the time of their marriage.In a final dance, female relatives dance with a bowl of food, after which gifts are presented to the bride's family. Many of the women wear locally made strip-woven blue-and-white textiles as wraps. Ahenkro, 28 June, 2019. Length: 00:22:01 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
2019-06-28
Location(s) Facet:
Ahenkro
Subjects:
Performance; Nafana (African people)
Subjects Facet:
Dance; Songs; Music; Rites and Ceremonies; Marriage customs and rites; Gourd, Calabash; West African strip weaving; Drums (musical instrument); Heritage
Gathered around a table in the Banda Cultural Centre's exhibit hall during a workshop to gauge student interest in learning from heritage resources, University of Ghana Education PhD student Esther Attiogbe talks with a group of Junior High School girls about how women in the area made pottery from locally available clays. The photos of local pottery-making laid out on the table are ones included in the Banda Through Time repository. On shelves behind them are examples of pottery excavated from archaeological sites around the area. Banda Cultural Centre, Ahenkro, 25 June, 2019.
A group of Junior High School boys gather in front of posters on local archaeology in the courtyard of the Banda Cultural Centre as part of a week-long workshop exploring the potential of heritage resources to enrich school learning. Samuel Acquah of the Ghana National Museum's Education Division leads the boys in a conversation what archaeology reveals about local life during the 13th through 15th centuries. Banda Cultural Centre, Ahenkro, 26 June, 2019.
Gathered around a table in the Banda Cultural Centre's exhibit hall during a workshop to gauge interest in using local heritage resources to support classroom learning, several Banda area Junior High School teachers look at images included in the Banda Through Time digital repository. On shelves behind them are examples of pottery excavated from archaeological sites around the area. Banda Cultural Centre, Ahenkro, 26 June, 2019.
Banda Queen Mother Lelԑԑ Akosua Kepefu (blue head scarf) arrives at the Banda Cultural Centre together with members of the royal family on the day of a heritage celebration organized by the Banda Heritage Initiative. Ahenkro, 28 June, 2019.
Men associated with the Kralɔngɔ Royal Palace perform a Nafana version of Kete during a heritage celebration organized by the Banda Heritage Initiative. Several men play flutes and brass rattles that oral histories say were captured from Kulango people. They are accompanied by men playing drums and (left) an iron gong. Ahenkro, 28 June, 2019.
Nafana women play calabash rattles as they sing songs associated with customary puberty and marriage celebrations at a heritage celebration organized by the Banda Heritage Initiative. Two women from Ahenkro are joined (left) by District Chief Executive Mary Komeh (white blouse). Ahenkro, 28 June, 2019.
A Nafana hunter from Fawoman performs a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched in front of a pot that was smashed in an earlier dance, he clenches a bundle of leaves in his teeth as he assumes an animal's posture. Ahenkro, 28 June, 2019.
Nafana men from Fawoman perform a hunter's dance at a heritage celebration organized by the Banda Heritage Initiative. Crouched on the ground, the men enact the process of tracking an animal as women sing and men drum in the background. The man in the front holds a gun. Ahenkro, 28 June, 2019.
Nafana potters from Dorbour sit behind a display of their wares during a heritage celebration organized by the Banda Heritage Initiative. Arrayed in front of them are pottery jars of varying size and a single small bowl. Ahenkro, 28 June, 2019.
Banda area chiefs and elders sit under a tree and community members under canopies at the start of a heritage celebration organized by the Banda Heritage Initiative. To the right, potters from Dorbour display their wares in front of where they sit. Ahenkro, 28 June, 2019.
Drummers play an atumpan and a fɔntɔmfrɔm drum as part of the opening procession for a heritage celebration organized by the Banda Heritage Initiative. Ahenkro, 28 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Atumpan drums; Fɔntɔmfrɔm drums
Subjects Facet:
Heritage; Community event; Drums (musical instrument)
Two Ligbi masquerade dancers from Bongase perform at a heritage celebration organized by the Banda Heritage Initiative. One (left) wears a mask known in Ligbi as Gbanyamuso (beautiful Gonja woman), his body draped in a floral cloth. The other wears a baboon mask (mbong in Ligbi), his body draped in black and his head in a shimmering silver cloth. He carries a whisk in his right hand. Ahenkro, 28 June, 2019.
A Ligbi masquerade dancer from Bongase performs at a heritage celebration organized by the Banda Heritage Initiative. He wears a mask known as Gbanyamuso in Ligbi (beautiful Gonja woman), his body draped in a floral cloth. A young man follows close behind, fanning the dancer as he performs. An elder Libgi woman and a young man beat square drums as they follow behind the dancer. Ahenkro, 28 June, 2019.
During a performance of songs and dances associated with puberty (Manaa Ndiom) and marriage (Bijam) celebrations as practiced in Boase, elder Afua Gyakari holds a microphone as she sings surrounded by other elders, including Boase chief Tolԑԑ Ligbi Wulotei (wearing a black-and-gold cap). Ahenkro, 28 June, 2019.
An elder Ligbi woman and a young man play drums with their hands during a masquerade dance performed at a heritage celebration organized by the Banda Heritage Initiative. Seated in the background to the right are Nafana potters from Dorbour with an array of their wares. Ahenkro, 28 June, 2019.
Nafana potters from Dorbour demonstrate their potting practices during a heritage celebration organized by the Banda Heritage Initiative. Two women (Mary Yakosua, left) are in the process of forming the upper bodies of jars using clay that they brought from Dorbour. Ahenkro, 28 June, 2019.
Three of Ahenkro' s Nafana storytellers share stories at a Banda Heritage Event held at the Banda Cultural Centre. A film of the storytellers sharing tales can be accessed through the "iaff_works" link below. L-R, Idisa Yaya, Akosua Mattah, and Alhasa Watara. Ahenkro, 28 June, 2019.
A Ligbi masquerade dancer from Bongase performs at a heritage celebration organized by the Banda Heritage Initiative. He wears a carved wooden baboon mask (mbong in Ligbi). His body is draped in black and his head in shimmering silver cloth. Attendants fan him as he dances. Ahenkro, 28 June, 2019.
Junior High School students pose for a picture with their teacher and members of the Banda Heritage Initiative after participating in a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"). Allison Balabuch (left), a University of Victoria PhD student in Curriculum and Instruction, drafted the resource. The girls hold weaving projects that they worked on during the consultation. The girls' teacher and Banda Heritage Initiative members Patrick Mensah (black cap) and Enoch Mensah (far right) stand with the girls. Model School, Ahenkro, 25 July, 2022.
Women from Boase sit together under a canopy at a heritage celebration organized by the Banda Heritage Initiative. Young women dressed in attire associated with marriage (Bijam) and puberty (Manaa Ndiom) celebrations are seated in the center. To the left are three large calabashes filled with water on which the women will float smaller calabash bowls. These are used as drums to accompany songs sung during marriage and puberty celebrations. Ahenkro, 28 June, 2019.
Heritage; Community event; Drums (musical instrument); Rites and ceremonies; Nafana (African people); Gourd, Calabash; Puberty rites; Marriage customs and rites
Two Junior High School students try their hand at weaving on a simple stick loom as part of a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"), which lays on the desk in front of them. The booklet is open to pages that describe how local people in the past wove textiles on strip looms. Teacher Jerry Tsito looks on as they weave. Model School, Ahenkro, 25 July, 2022.
Two Junior High School students try their hand at weaving on a simple stick loom as part of a consultation on a draft heritage learning resource ("Learning From Our Past. Banda District, Ghana"), which lays on the desk in front of them. The booklet is open to pages that describe how local people in the past wove textiles on strip looms. Model School, Ahenkro, 25 July, 2022.
A group of students at the Calvary Methodist Junior High School in Banda-Ahenkro consult a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana") as they try their hand at weaving on simple stick looms. Teacher Jerry Tsito (blue shirt) coordinated classroom visits to gauge student interest in learning from heritage resources. Ahenkro, 27 July, 2022.
University of Victoria PhD student in Curriculum and Instruction Allison Balabuch helps two Junior High School students at the Model School who are learning to weave on simple stick looms as part of a consultation on a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana"). Ahenkro, 25 July, 2022.
Kuulo women from Dompofie sing songs associated with Kuulo marriage celebrations at a heritage celebration organized by the Banda Heritage Initiative. They wear local strip-woven wraps as skirts and hold microphones as they sing. Ahenkro, 28 June, 2019.
A group of Junior High School students who participated in a consultation on a draft heritage learning resource ("Learning From Our Past, Banda District, Ghana") display weaving projects that they worked on as part of a hands-on learning project. Ahenkro, 29 July, 2022.