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81. Preparing calabash at farm, Banda, 1982

Description:
A group of men work together, gathered at farm, processing calabash (gourd; chrԑ in Nafaanra) for market sale. The calabash is split, its pulpy interior removed, and the gourd's interior surface scraped clean before drying. Shavings from this thinning process are scattered about on the ground. Several children are gathered nearby as the men work. A basket sits next to a pile of prepared calabash bowls (chrԑgbͻͻ in Nafaanra). Farm near Ahenkro, August, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Calabash; Men's work
Subjects Facet:
Lagenaria siceraria; Baskets; Agriculture; Gourd, Calabash; Cash crops
Identifier:
22
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-08
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Banda
Date Digitized:
2019-05-28
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Mark McIntyre

82. Farm shelter near Ahenkro, 1982

Description:
Interior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. Pieces of firewood lay near the shelter's entrance with a small wooden double-ended pestle/grinder lying on its side in front of the wood. Several maize (corn) cobs (bledjukaan in Nafaanra) stripped of their kernels lay on the earthen floor of the shelter. Farm near Ahenkro, September, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17118 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17119
Location(s) Facet:
Banda
Subjects:
Mats; Farm shelter; Maize; Grinding pestle
Subjects Facet:
Building; Farming; Basket making; Firewood; Corn
Identifier:
38
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-09
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Banda
Date Digitized:
2019-05-28
Commentary:
Slide scanned by Mark McIntyre

83. Basketry fish trap used by Ewe fishermen, Agbegikrom South, 1982

Description:
A basketry fish trap (exa in Ewe) made and used by Ewe fishermen in the Banda area, Ghana. Traps like these were used for fishing between the months of August and November. They were effective in catching different types of fish three inches in length or longer. Agbegikrom South, December, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19552
Location(s) Facet:
Agbegikrom South
Subjects Facet:
Baskets; Fishing; Fish Traps; Bamboo; Cordage; Handicrafts; Ewe (African people)
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-12
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Agbegikrom South;8.232275, -2.205676
Date Digitized:
2019-05-28
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Mark McIntyre
Geographic Coordinates:
8.232275, -2.205676

84. Two carved wooden baboon masks, Bongase, 2019

Description:
A man holds up for view a male and female pair of carved wooden baboon (Mbong in Ligbi) masks during a 2019 interview with Ligbi elders in Bongase. The male mask (left) has a reflective silver cloth attached. A pair of bush cow (Siginjuru-ayna in Ligbi) masks lays on the table behind. Masks such as these have been used in masquerade dances celebrating special occasions like weddings and public festivals, including the end of Ramadan, the annual month-long period of Muslim fasting. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." These same masks were photographed in 1967 by René A. Bravmann during the course of doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. The baboon masks pictured here were worn and photographed in 1995 when Ligbi people from Bongase brought the masquerade to the commissioning celebration for the Banda Cultural Centre. A June 2019 performance of Mbong at a Banda Heritage Event can be viewed through a link below. Bongase, 11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17335 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17332; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Banda Cultural Centre; Baboon; Banda Heritage Initiative; Do
Subjects Facet:
Wood carvings; Masks; Islam; Marriage customs and rites; Regalia; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

85. Wooden face masks, Bongase, 1967

Description:
Two carved wooden masks which are worn during masquerade dances celebrating special occasions among Muslim Ligbi communities in the Banda area are displayed. The masks pictured here were photographed in 1967 by René A. Bravmann, then a doctoral student at Indiana University studying African art history. The mask pictured left (13.25 inches in length) represents a thrush (Kokogyinaka in Ligbi). The one on the right (9.75 inches in length) is a "beautiful Gonja woman" (Gbanyamuso in Ligbi). The masks are periodically renewed with pigments made from plants and earthen materials. This masking tradition is referred to by scholars as "Do" but it is referred to in Bongase as "Bedu." For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. A 2019 performance of Gbanyamuso at a Banda Heritage Event can be viewed through a link below. Bongase, December, 1967.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17130; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Do; Thrush
Subjects Facet:
Gonja (African people); Wood carvings; Masks; Ligbi language; Islam; Masquerades; Regalia
Identifier:
Negative 8a/9
Creator:
Dr. René A. Bravmann
Contributors:
Dr. René A. Bravmann
Date searchable:
1967
Date searchable:
1967-12
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Bongase;8.238039, -2.276274
Date Digitized:
2019-09-20
People Facet:
Dr. René A. Bravmann
Commentary:
Negative scanned by Ann B. Stahl
Geographic Coordinates:
8.238039, -2.276274

86. Two carved wooden face masks, Bongase, 2019

Description:
A man holds up for view two carved wooden masks during a 2019 interview with Ligbi elders in Bongase. These masks are used in masquerade dances to celebrate special occasions like weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. The mask on the left (13.25 inches in height) is a thrush (Kokogyinaka in Ligbi). The mask on the right (9.75 inches in length) is a "beautiful Gonja woman" (Gbanyamuso in Ligbi). Their features are highlighted by red, blue and white pigment. The Gbanyamuso mask is also adorned by a red hair band. A baboon mask (Mbong in Ligbi) lays on the table to the right. René Bravmann, an art historian, photographed these masks in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 88-95. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." A June 2019 performance of Gbanyamuso (center) at a Banda Heritage Event can be viewed through a link below. Bongase, 11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17127; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19216
Location(s) Facet:
Bongase
Subjects:
Bedu; Banda Cultural Centre; Thrush; Do
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

87. Wooden face masks, Bongase, 1967

Description:
Two carved wooden masks which are worn during masquerade dances celebrating special occasions among Muslim Ligbi communities in the Banda area are displayed. The masks pictured here were photographed in 1967 by René A. Bravmann, then a doctoral student at Indiana University studying African art history. The mask pictured left (10.5 inches in length) represents a sheep (Saragigi in Ligbi). The one on the right (12.25 inches in length) is a bush cow (Siginkuru-ayna in Ligbi). The masks are periodically renewed with pigments made from plants and earthen materials. This masking tradition is referred to by scholars as "Do" but it is referred to in Bongase as "Bedu."For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. Bongase, December, 1967.
Rights:
Copyright Undetermined
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17129
Location(s) Facet:
Bongase
Subjects:
Bedu; Do; Bush cow
Subjects Facet:
Wood carvings; Sheep; Masks; Ligbi language; Islam; Masquerades; Regalia
Identifier:
Negative 7a/8
Creator:
Dr. René A. Bravmann
Contributors:
Dr. René A. Bravmann
Date searchable:
1967
Date searchable:
1967-12
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Bongase;8.238039, -2.276274
Date Digitized:
2019-09-20
People Facet:
Dr. René A. Bravmann
Commentary:
Negative scanned by Ann B. Stahl
Geographic Coordinates:
8.238039, -2.276274

88. Two carved wooden bush cow masks, Bongase, 2019

Description:
A man holds up for view a female (left) and male (right) pair of carved wooden bush cow (Siginjuru-ayna in Ligbi) masks during a 2019 interview with Ligbi elders in Bongase. Masks such as these have been used in masquerade dances to celebrate special occasions like weddings and public festivals including the end of Ramadan, the Muslim month of fasting. The masks' features are highlighted by red, blue and white pigment. René A. Bravmann, an art historian, photographed the male bush cow mask in 1967 during doctoral dissertation fieldwork. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." Bongase,11 June, 2019.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17126
Location(s) Facet:
Bongase
Subjects:
Bedu; Do; Bush cow
Subjects Facet:
Wood carvings; Masks; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Rites and ceremonies
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
2019
Date searchable:
2019-06-11
Genre Facet:
Digital image
Format:
Image
Location(s):
Bongase;8.236556, -2.276194
People Facet:
Dr. Ann B. Stahl
Geographic Coordinates:
8.236556, -2.276194

89. Asante-style "akonkromfi" chair belonging to Tolɛɛ Kofi Dwuru II, Ahenkro, 1967

Description:
This Asante-style "akonkromfi" chair belonged to Tolɛɛ Kofi Dwuru II who was the Paramount Chief of Banda from the time of his enstoolment in 1938 until his death in 1977. Kofi Dwuru purchased the chair in Kumasi during the 1930s. The chair's back rest and legs are studded with brass tacks. A leather cushion rests on the seat of the chair. For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 89. Ahenkro, 25 November, 1967.
Rights:
Copyright Undetermined
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17329
Location(s) Facet:
Ahenkro
Subjects:
Paramount Chief
Subjects Facet:
Chiefs; Ashanti; Royal regalia; Chairs
Identifier:
Negative 30A/31
Creator:
Dr. René A. Bravmann
Contributors:
Dr. René A. Bravmann
Date searchable:
1967
Date searchable:
1967-11-25
Genre Facet:
Black-and-white negative
Format:
Image
Location(s):
Ahenkro;8.164906, -2.355708
Date Digitized:
2016
People Facet:
Dr. René A. Bravmann
Commentary:
Negative scanned by Veronique Plante
Geographic Coordinates:
8.164906, -2.355708

90. Water storage pots, Banda area, 1994

Description:
Several large clay pots used for water storage (chͻkoo in Nafaanra) sit in the interior courtyard of a house next to a black metal barrel, which is also used for water storage. The surface of the two larger clay jars has been textured with maize cob roulette (bledjukaan in Nafaanra ), and one is decorated with arching grooves. The smallest jar has red-painted vertical lines on its interior rim. The small round-based jar has been placed on an enameled-ware pot for support. The larger water jar behind it rests on the upturned base of an enameled-ware headpan, re-purposed after its base rusted and it could no longer be used to carry things. A clay grinding bowl is visible in the lower left corner of the picture. Banda area, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Water storage; Water pots (chokoo); Maize cob roulette; Decoration; Jars
Subjects Facet:
Pottery; Water
Identifier:
9
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre Facet:
35 mm slide
Format:
Image
Location(s):
Banda
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante