Calabash drums accompany songs sung by Nafana women during the celebration of puberty (Manaa Ndiom) and marriage (Bijam) rites. These drums are played exclusively by women. The drums are made by filling a large hollowed-out calabash or gourd (chrɛ in Nafaanra) with water. A smaller calabash bowl (chrɛgbɔɔ in Nafaanra) floating upright in the water provides the surface on which the women drum. The small calabash ladles resting in the water are used to beat the up-turned floating calabash bowls and the rim of the large calabash. Visible at the bottom of the larger calabash drum are maize (bleju in Nafaanra) kernels tossed into the drum by passing dancers. Among the kernels are several pesewa coins also tossed in by dancers. Two views. Boase, 11 November, 2018.
Two views of a twinned lost-wax cast copper alloy figurine from Kuulo Kataa, Mound 118, Unit 62W 4N, Level 3. Lower "foot" plate broken off from figurine body. Height: 3.7 cm. Weight: 13.2 g. Kuulo Kataa, 15 June, 1995.
Two views of a serpent-like figure made from an iron rod. The "head" of the direct metal sculpture resembles a triangular-tipped iron projectile point, similar to those found on the same site during the same time period. The body is formed by undulating S-shaped loops which are stacked atop one another to form the "tail." Kuulo Kataa, Mound 118, Unit 62W 4N, Level 1. Scale in cm. Length: 8.4 cm. 39.6 g. Kuulo Kataa, 15 June, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 118, Unit 62W 4N, Level 1
Location(s) Facet:
Kuulo Kataa
Subjects:
Serpents
Subjects Facet:
Direct metal sculpture; Archaeology; Snakes; Iron; Projectile point; Artifacts (Antiquities)
An educational poster with pictures and text focused on how and what we can learn from the past. The poster encourages young people to talk to their elders to learn more about life in the past. It is one of five posters prepared for a Banda community event held in 2014. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
An educational poster with pictures and text which describes Banda-area village life from the 15th through the 17th centuries. It briefly summarizes what has been learned from archaeological excavations at Kuulo Kataa about metal working. It also outlines the use of wild and domestic animals and the new objects and practices that developed in this time when trade connections with the Niger River area were strong. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
An educational poster with pictures and text which describes Banda-area village life during the 13th to the 15th centuries. It briefly summarizes what has been learned from archaeological excavations about handicrafts at Ngre Kataa including metal working and pottery making. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are available in the Banda Cultural Centre, Ahenkro.
An educational poster with pictures and text focused on histories of farming and drought in the Banda area. It describes how archaeologists learn about farming in the past and what has been learned about the foods which Banda peoples used in a period of severe drought several centuries ago. It is one of five posters prepared for a Banda community event held in 2014. Printed versions of the posters are available in the Banda Cultural Centre, Ahenkro.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Farming; Community engagement; Poster
Subjects Facet:
Droughts; Agriculture; Foodways; Sorghum; Corn; Pearl millet; Heritage
An educational poster with pictures and text which describes Banda-area village life during the 18th and 19th centuries based on oral histories, written sources and archaeology. It describes early written references to Banda and briefly summarizes what has been learned about handicrafts like potting and cloth-making based on archaeological excavations at Makala Kataa. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
Two Ligbi men from Bongase appear in masquerade regalia prior to a "Do" or "Bedu" performance at the commissioning celebration of the Banda Cultural Centre in Ahenkro. Their carved wooden masks represent a male and female pair of baboons (Mbong in Ligbi). Their heads and shoulders are draped in scarves, they wear raffia skirts around their waist, and over top of socks covering their feet they wear metal jangles on a chain wrapped around their ankles. They are accompanied by a number of men from Bongase. Pictured L-R: Fariah Salah, Kwame Yirikro, Abau Yaya, Abuu Doctor (masked dancer), Adoma, Ansoma Sala (masked dancer), Dandu, Alhaji Moro Mahama. A performance of Mbong at a June 2019 Banda Heritage Event can be viewed through a link below. Ahenkro, 21 July, 1995.
Informational posters on Banda history and archaeology are displayed on easels in the hall of the Banda Cultural Centre. Examples of pottery recovered from excavations at Banda area sites rest on shelves in the background. Banda Cultural Centre, Ahenkro, 18 July, 2011.