Ewe fisherman Dzobo Sebastian uses rope made from a vine to secure bamboo sticks as he weaves a basketry fish trap. He has woven a first row, now secured by pegs, and is moving in the opposite direction as he weaves a second row. He uses his feet to secure the bamboo sticks as he twists the cord between sticks. Behind him is a wooden mallet used to process the cordage. A large blue industrially made fish net is stretched out behind him. Akanyakrom, 21 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled)
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Ewe fisherman Dzobo Rubben weaves the top section of a basketry fish trap made of bamboo and vine cordage, securing the trap with his feet as he works. He uses cordage to bundle bamboo sticks and narrow the trap toward its top. In lower rows, individual bamboo sticks are separated by two twists of rope. As the weaver nears the top, he reduces the twist between sticks to one, narrowing their spacing. In the next row he bundles two sticks separated by one twist. He then bundles four, then eight, creating a cone-shaped trap. Akanyakrom, 23 July, 2022.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Akanyakrom (resettled);8.246709, -2.244840
Subjects:
Men's work
Subjects Facet:
Bamboo; Cordage; Fish traps; Handicrafts; Baskets; Ewe (African people)
Broken bowl of a locally made clay smoking pipe, 2 views (left: bowl interior; right: bowl exterior). Pipes like this were made across West Africa after Europeans learned the practice of smoking tobacco from First Peoples of the Americas and introduced it to Africa in early centuries of the trans-Atlantic trade. This pipe bowl has a flared pedestal base decorated with red paint. The oval bowl is decorated with vertical rows of triangular impressions, above which are two grooved lines and an area with red paint. The bowl's interior is blackened from use toward its base. The bowl's rim and its stem are missing. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 28 June, 2000.
A short-stemmed, locally made clay smoking pipe, 4 views (bottom: pipe base; center left: view from side with bowl to right; center right: front of bowl; top: view from top). Pipes like this were inspired by those used by America's First Peoples from whom Europeans learned about tobacco. Europeans introduced tobacco smoking to West Africa during the early centuries of trans-Atlantic trade. This pipe has a cylindrical bowl and lobed ("quatrefoil") base, the bottom of which shows signs of abrasion. On the base, vertical grooves mark the areas between lobes. Four horizontal gooves separate the base from a zone of vertical columns of diagonal impressions ("V"). Upper areas of the bowl are marked by another set of horizontal grooves. The bowl's rim is missing. Its stem joins the bowl at the base (a "single-angled" form). The cylindrical stem ends in a collar with a flat lip. The stem is decorated with two grooves line around its circumference. Photo scale in cm. Site A236. 23 March, 2001.
A short-stemmed, locally made clay smoking pipe, 3 views (bottom: pipe base; center: view from side with bowl to left; view from top). Pipes like this were inspired by those used by America's First Peoples from whom Europeans learned about tobacco. Europeans introduced tobacco smoking to West Africa during the early centuries of trans-Atlantic trade. This pipe has a cylindrical bowl and rounded base that shows extreme use-wear abrasion to that point that a hole has formed in the pipe's base. The bowl is decorated with two sets of horizontal incisions. Below the bottom set are several vertical incisions. Above the top set is faint overall dentate impression The bowl's rimis very abraded. The pipe's stem joins the bowl at the base (a "single-angled" form). The cylindrical stem ends in a rounded collar with a flat lip. Photo scale in cm. Site A236. 24 March, 2001.
A hunter carrying a shotgun is joined by a senior hunter as he performs a hunter's dance (Bɔfɔɔrɔ in Nafaanra). Oral history recounts that the dances are those of animals observed and copied by ancestral hunters, generations ago. Accompanied by drummers (on right), the hunters perform in front of an assembled group of villagers during a family history interview. A young woman in the background uses a cell phone to record the event. A performance of Bɔfɔɔrɔ at a June 2019 Banda Heritage Event can be viewed through a link below. Fawoman, 21 May, 2019.
