A group of men and women stand in the doorways of the Banda Traditional Council building as the Traditional Council holds a meeting inside. The colonial-period building's interior is lit by natural light through large windows, with several panes of window glass intact on the rear side of the building. Several young people sit on the steps of the building. Visible to the left is the metal-roofed colonial-period village clinic and residence of the village nurse who was in this period the primary medical care personnel for the Banda area. Ahenkro, 12 August, 1986.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Colonial period buildings; Banda Traditional Council
Family history interview with members of Gangoolo Katoo, including Tolԑԑ Sah Dongi, Oyokohene (seated, center), Kwaku Donkor (linguist, seated, light blue cloth), Kwado Fordjour and Ama Nyini (on left with head scarf), Samwa, 4 August, 1986.
The Banda Cultural Centre provides space for community gatherings and guest rooms for Banda Research Project and other community visitors. The Centre's motto/logo is "Nyu nunu," (Nafaanra) or "Unity." Commissioned in 1995, the main building was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. The free-standing annex (right in photo) was added in 2000. It houses additional guest rooms and storage and was also built through a combination of Banda Research Project funding and communal labor. The building is administered and maintained by the community. Ahenkro, July 2001.
Kafͻnͻ Katoo, Ahenkro, has long provided swordbearers (Bͻͻnfiԑn Yiifun) to the Banda paramount stool. Yaw Fori, pictured here, held the position in 1986.
A group of men work together, gathered at farm, processing calabash (gourd; chrԑ in Nafaanra) for market sale. The calabash is split, its pulpy interior removed, and the gourd's interior surface scraped clean before drying. Shavings from this thinning process are scattered about on the ground. Several children are gathered nearby as the men work. A basket sits next to a pile of prepared calabash bowls (chrԑgbͻͻ in Nafaanra). Farm near Ahenkro, August, 1982.
Family history interview with Elders of Kofi Krԑma [Krema] Katoo. Seated center Donkor Amma, female head; seated right Kwadwo Abedi, male head. Banda-Ahenkro, 13 August, 1986.
Exterior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. In the foreground, right, a cutlass (machete) rests on a sharpening stone. In the shade of the shelter's eave to the right of its roof-support pole are a small fired clay eating bowl, a clay cooking pot turned upside down resting on its rim, and a larger fired clay water storage pot. Farm shelters provide shade, refuge from rain and a place to rest and prepare food while families are at their farms, which may be located some distance from their homes. Farm near Ahenkro, September, 1982.
Amma Bio of Gbaŋmbɛ Katoo demonstrates the dance associated with sinyeele (balo or xylophone) music played at funerals. Male family head Nyua Kwadwo plays the sinyeele. Lying beneath the partially assembled instrument are calabashes that serve as resonators and produce the instrument's distinctive sound. A small wooden stool lies on its side nearby. Sanwa, 6 August, 1986.
Family history interview with Elders of Kuulo Katoo including (seated front, left to right) Kwame Broma, Tolԑԑ Kwadwo Fordjour (Odikro), Lelԑԑ Afua Fofie (female head). Standing in brown cloth, Kwasi Millah, and to his right Emmanuel Dwira. Other members of Kuulo Katoo pictured are Kwasi Donkor and Kwabena Mensah. James Anane (interviewer) standing left. Dompofie, 6 August, 1986.
Early in his career, art historian Roy Sieber toured Ghana studying the country's indigenous art forms (Interview with Roy Sieber, "African Arts", Vol. 25, no. 4, Oct. 1992, pg. 48). Several years later Sieber's student René Bravmann returned to west central Ghana to study the region's masking traditions. This photo of masks taken by Roy Sieber is Included in René Bravmann's photo archives with the label "Do masks at Banda, R. Sieber photo, 1960s." Masks like these are used in masquerade dances to celebrate special occasions including weddings and public festivals such as the end of Ramadan, the Muslim month of fasting. In his 1974 book "Islam and Tribal Art in West Africa" (Cambridge University Press, pg. 166), René Bravmann notes that at the time of his 1967 fieldwork there were in the "Ligbi village of Bungazi [Bongase] six Do [masks]... Interestingly enough, only three years prior to my fieldwork [1964], Roy Sieber recorded twelve Do face masks at Bungazi. My inquiries in 1967 revealed that five of the masks had been stolen and a sixth had deteriorated to the point where it was no longer usable." The masks pictured here (1964) may be among the Bongase masks that were stolen or deteriorated by the time of Bravmann's 1967 visit. Bongase, 1964.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Bongase
Subjects:
Do
Subjects Facet:
Wood carvings; Rites and ceremonies; Dance; Islam; Masquerades; Marriage customs and rites; Regalia; Masks
Several large clay pots used for water storage (chͻkoo in Nafaanra) sit in the interior courtyard of a house next to a black metal barrel, which is also used for water storage. The surface of the two larger clay jars has been textured with maize cob roulette (bledjukaan in Nafaanra ), and one is decorated with arching grooves. The smallest jar has red-painted vertical lines on its interior rim. The small round-based jar has been placed on an enameled-ware pot for support. The larger water jar behind it rests on the upturned base of an enameled-ware headpan, re-purposed after its base rusted and it could no longer be used to carry things. A clay grinding bowl is visible in the lower left corner of the picture. Banda area, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Water storage; Water pots (chokoo); Maize cob roulette; Decoration; Jars
The first oral history interview conducted by the Banda Research Project was with Kofi Asԑmpasa of Gbԑԑnlԑԑ Katoo, Gbao, in November 1982. Asԑmpasa is pictured here with family member James Anane (holding the tape recorder), listening to the audio recording of his interview. His reaction upon hearing the tape: "That man knows his history!" Asԑmpasa was among the most remarkable oral historians encountered in the course of the Banda Research Project. Gbao, 16 Nov, 1982.
Ma Mnama had a reputation as a successful farmer in the Banda area. Here she uses a short-handled hoe (kagbaan in Nafaanra; pl. kagbɛɛn) to cultivate her intercropped field, located to the east of Banda-Ahenkro, 1982
Family history interview with members of Tapanwolo Katoo, including Pԑ Yaw, family head (seated, second from left), Kwadwo Ladjaa (seated, third from left) and Alhaji Adama Abudulai, Sabiye, 15 August, 1986.
Family history interview with members of Chorigbͻͻnͻ [Chorigboono] House, including Imam Lakaria (center, blue robe), Abakan Wͻye, Moro, Daudu, Sale Asomana, Alhaji Sefuyani, Adam Moro and Amadu Yaya, Sase, 20 July, 1986.
A basketry fish trap (exa in Ewe) made and used by Ewe fishermen in the Banda area, Ghana. Traps like these were used for fishing between the months of August and November. They were effective in catching different types of fish three inches in length or longer. Agbegikrom South, December, 1982.
Interior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. In the shelter's rear corner, calabash (gourd; chrԑ in Nafaanra) bowls and ladles rest on a low platform constructed of poles and thatch. Several other worn calabash and fired clay vessels are beneath the platform. A hearth, right foreground, is constructed of three stones in-between which dry wood collected from around the farm is placed. Several maize (corn; bleju in Nafaanra) shucks lie on the ground, lower left foreground. Farm near Ahenkro, September, 1982.
Members of Gbaŋmbɛ Katoo demonstrate the use of a (partially constructed) balo or xylophone (sinyeele in Nafaanra). The instrument is played at special funerals, including those of the paramount chief. A calabash with a small hole lies beneath the instrument. Together with other calabashes of graded size (small to large), it serves as the instrument's resonating chamber when fully assembled. By striking the sinyeele's wooden keys with a mallet, a range of musical notes are produced by the differently sized calabashes. Nyua Kwadwo (male family head) holds the mallets he uses to play the sinyeele. On each wrist he wears an iron bangle or bracelet with metal jangles. To the left, a family member plays a drum made from a clay pot. Sanwa, 6 August, 1986.
Interior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. Pieces of firewood lay near the shelter's entrance with a small wooden double-ended pestle/grinder lying on its side in front of the wood. Several maize (corn) cobs (bledjukaan in Nafaanra) stripped of their kernels lay on the earthen floor of the shelter. Farm near Ahenkro, September, 1982.
A Ligbi man from Bongase wearing masquerade regalia is partially hidden from view by men carrying a cloth as they walk between thatch-roofed houses en route to the space where the masqueraders will perform. He wears a carved wooden "Mbong" (baboon in Ligbi) mask. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. Bongase, December, 1967.
Two Ligbi men from Bongase appear in masquerade regalia during a visit to Bongase by René A. Bravmann, then a doctoral student at Indiana University studying African art history. They wear carved wooden "Mbong" (baboon in Ligbi) masks decorated with ochre and white paint, representing a male and female animal. Their heads and shoulders are draped in scarves. They stand in front of a house with a thatched roof and a raffia shade. Scholars refer to this masking tradition as "Do," while locally it is termed "Bedu." For additional details, see Bravmann, René A. (1974) "Islam and Tribal Art in West Africa" (Cambridge University Press), pp. 147-177. A performance of Mbong at a Banda Heritage Event in June 2019 can be viewed through a link below. Bongase, December, 1967.
Elders of Gape Katoo with the sacred bronze basin, copper alloy vessel, iron knife and "chain" (copper alloy anklet) associated with ancestor Buari Kojo, Bofie, July, 1995.
Archaeological excavations focused on a collapsed house mound are in progress at Makala Kataa "Station 10." Archaeologists have left "balk" walls between 2 x 2 meter units as a way to study the mound's stratigraphy. Headpans for carrying excavated soil to nearby screens for sieving sit beside the excavation units. Scattered around the sides of the units are short-handled hoes which the excavation team uses to carefully scrape the soil as they dig. Graduate students Maria Dores Cruz and Leith Smith direct the excavation team while Tolԑԑ Kofi Dwuru III (Nana Millah), visiting the site from Ahenkro, stands to the right in black cloth. Makala Kataa, July 1994.
Members of the 1994 archaeological excavation team at Makala Kataa. Team members included a National Service and a staff member from the Ghana National Museum, American graduate students and Banda men from Ahenkro and Makala. Back row (L-R): Kwame Bio, Samuel Babatu, __, Kwame Anane, Donkor Johnson, Timothy Fordjour, Daniel Mensah, __, Yaw Francis, __, __, Kwadwo Manu. Middle row (L-R): __, Kwame Abrifa, Kwasi Peter, Amos Bediako, Kwabena Mensah, Kofi "Photo" Manu, Yaw Frimpong, Alex Ababio. Front row (L-R): Caesar Apentiik, Ann Stahl, Maria Dores Cruz, Obour Bartholomew, Kwasi Ali, Obimpeh Blorpor, Leith Smith, Victor Mattey, Osei Kofi, Brian Thomas. Also pictured are Frank Osei Kofi, Seth Tahara, Kwame Menka, Kwame Okyei, and Thomas Bio. Makala Kataa, July, 1994.
A Makala elder pours libations at the site of Makala Kataa to open work on a Friday. He is accompanied by two members of the 1994 Banda Research Project excavation team, both from Makala. L-R: __, __, __. Makala Kataa, 1994.
Banda Research Project excavation team members at work on Mound 118 at Kuulo Kataa. Wooden stakes mark the corners of 2x2 meter excavation units, several of which are in progress. North American students Leith Smith (white hat and shirt) and Alex Caton (far right) are pictured along with men from Dompofie and Ahenkro. View looking northward. Kuulo Kataa, 1995.
The earthen walls of a house on one side of a multi-room compound have collapsed, the walls filling in the area that was once the house floor. The thatched roofs of other rooms around the open courtyard can be seen in the background. Sabiye, 1994.
View of excavation units at Mound 2, Station 10, Makala Kataa. Wooden stakes mark grid points at 2 m intervals and string is used to mark the boundaries of 2 x 2 m excavation units. A deep pit in the corner of Unit 82W 14S (bottom, left) has been excavated and is set up for being photographed with a scale and photo board. Several Banda Research Project team members work as children look on. View to the south. Makala Kataa, July, 1994.
Two men (left) stand on the edge of a deep pit previously mined by potters from around Bui Village as a source of potting clay. The deep clay pit was used before the mid-20th century when potters were still practicing their craft east of the Banda hills. The clay pit was located along a stream which drained into the Black Volta on its south bank, on the road leading west from Bui Village. The pit was located in an area later flooded by the rising waters of Bui Lake after construction of the Bui Dam. A red-and-white 2 meter photo scale stands upright in the pit to show the pit's depth. West of Bui, 1989.
Two Banda Research Project team members screen excavated soil at Mound 102, Kuulo Kataa. The men work on the edge of a cleared area several meters away from excavation unit 55W 69N. Thick vegetation covers the mound behind them. A headpan of excavated soil sits in front, awaiting screening. After sieving the soil, the men carefully pick and bag artifacts (fragments of pottery, metals, beads, animal bone) left in the screen. Studying these artifacts and the contexts from which they were recovered (their provenience) helps archaeologists to learn about the daily lives of past people. Kuulo Kataa, 2000.
In-progress excavations at Mound 130, Kuulo Kataa. A notched tree trunk provides a ladder into the deep units. The south walls of units 93 & 95 E, 110N are visible (center photo), showing the mound's layered deposits. In unit 95E 106 N (photo right), Emmanuel Duku (left), Wazi Apoh (center) and Leith Smith (right) record soil colors using a Munsell Soil Color Chart. Top left, two team members work by a screen used to sieve excavated soil, piles of which are visible in the background. Mound 130 covers an area of approximately 1100 m2 and rises to roughly a meter above the surrounding ground surface. Excavation here revealed thick layers of ashy midden deposits inter-stratified with walls and floors of houses. Kuulo Kataa, 2000.
Banda Research Project team members prepare to profile the north wall of unit 55W 69N at Mound 102, Kuulo Kataa. Osei Kofi (blue shirt) prepares to take measurements from a level string anchored by chaining pins. Alex Caton (wearing a hat) prepares to draw the profile. Wooden pegs mark the corners of the 1 x 2 m unit. Mound 102 is a large deep midden mound which covers approximately 1600 m2 and rises several meters above the surrounding ground surface. A single 1 x 2 m unit was excavated to the base of level 13, after which a 1 x 1 m unit was excavated to almost 4 m, removing roughly 5 m3 of soil. Kuulo Kataa, 8 July, 2000.
Banda Research Project team members Courtney Amos (left), Leith Smith (center) and Emmanuel Duku (right) document the stratigraphy and soil characteristics of the west wall of unit 68E 4N at Mound 129, Kuulo Kataa. Duku measures the boundaries of stratigraphic layers using a metal tape measure and a level string anchored midway down the profile wall. Amos uses graph paper to create a profile map, marking the locations of points measured by Duku. Smith uses a Munsell Soil Color Chart book to record the color of soils from top to bottom along the profile wall. Kuulo Kataa, 2000.
Base of excavation level 21, unit 68E 4N, Mound 129 at Kuulo Kataa. Visible in the walls of the 1 x 2 m unit are its distinct soil layers. Dark upper levels contained many rootlets. These soils transition to a lighter brown zone below, which in turn shows a distinct boundary with ash-filled gray levels beneath. Three radiocarbon dates associated with the gray ashy levels fall in the calibrated age range from c. 1400 to 1530 CE. Equally distinct is the boundary below the ashy layers, where lighter brown soils of lower levels can be seen in plan view at the base of the unit. Several features are visible against these lighter-colored soils. Center photo is an irregularly shaped patch of laterite which archaeologists interpreted as a remnant floor. At upper and lower right, concentrations of charcoal stand out against surrounding light soil. Mound 129 covers roughly 750 m2 and rises roughly 2 meters above the surrounding ground surface. Its stratigraphy suggests a complex history of formation through both primary occupation (living surfaces) and refuse dumping (midden deposits). Kuulo Kataa, 17 June, 2000.
Banda Research Project team member Enoch Mensah stands on a ladder in unit 55W 69N, Mound 102 at Kuulo Kataa. A tape measure and a level line have been set up on the north wall of the unit in preparation for drawing a profile map. Mound 102 is a large deep midden mound which covers approximately 1600 m2 and rises several meters above the surrounding ground surface. A single 1 x 2 m unit was excavated to the base of level 13, after which a 1 x 1 m unit was excavated to almost 4 m, removing roughly 5 m3 of soil. Three radiocarbon samples from lower levels of the mound (3-3.5 m below the ground surface) had calibrated age ranges of c. 1400-1530 CE. Kuulo Kataa, 2000. Kuulo Kataa, 2000.
Banda Research Project team members draw a profile map of walls in completed excavation units, Mound 5, Station 6. Enoch Mensah (kneeling) records measurements as Yaw Frimpong (standing) holds a tape measure. Makala Kataa, 1989. Wooden stakes marking 2 m grid intervals are visible across the mound surface. Makala Kataa, 1989.
Base of level 7, unit 4W 4S, Mound 5, Station 6, Makala Kataa. An area of burned soil (left), several flat grinding stones (center) and an everted rim jar are exposed at the base of the level. The unit wall shows the transition from dark soils close to the mound's surface and the lighter soils in its lower levels. Makala Kataa, 6 July, 1989.
West wall of excavation unit 4W 4S, Mound 5, Station 6, Makala Kataa. Rootlets can be seen in the dark soils of upper levels. Midway down the profile are concentrations of burned sediment, remains of pots and other artifacts. Some of these rest on compacted "floor" deposits--orange-brown in color. The rounded body of a large storage jar is visible in the south wall (left). Together these reflect a living surface that appears to have been left at short notice (in light of the number of intact pots and other things left behind). The upper levels formed on top of this living surface as rain and wind moved soil across the site. Below the "floor" level, the soils are lighter brown and yielded few artifacts. Makala Kataa, 12 July, 1989.
A deeply worn grinding stone excavated from Level 5, Unit 130W 28S, Mound 138, Kuulo Kataa. Mound 138 is a low mound covering roughly 300 m2. Mound 138 deposits included slag and a burned feature (Unit 130W 30S) which was probably related to processing metals. These associations suggest that the grinding stone in unit 130W 28S may have been used in metalworking activities. Photo scale in 5 cm intervals. Kuulo Kataa, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 138, Unit 130W 30S, Level 5
Date:
1995-07-12
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Archaeology; Excavations (Archaeology); Artifacts (Antiquities); Grinding stone
The standing wall stubs of a small structure are surrounded by trees at Makala Kataa. Its walls were built using an atakpame technique. The grass cover has been cleared by archaeologists in preparation for site mapping. Far right, Banda Research Project team members work on nearby Station 10 excavation units. According to oral histories, people moved from this area of Makala Kataa to establish a new village in a place immediately east of the old settlement. This move happened at a time when British colonial officials were implementing "village planning" schemes in the early decades of the 20th century. Makala Kataa, 1990.
Banda Research Project team members use cutlasses to clear the grass around Makala Kataa, 1989. Small trees cover much of the site surface. Baobab trees also grow on the site, one of which is visible in the background (right). Makala Kataa, 1989.
Wooden grid pegs mark the edges of a 2 x 2 m excavation unit (foreground) as two Banda Research Project team members screen soil (right) at Station 6. Osei Kofi carries an empty head pan (left). After sieving the soil, the men carefully pick and bag artifacts (fragments of pottery, metals, beads, animal bone) left in the screen. Studying these artifacts and the contexts from which they were recovered (their provenience) helps archaeologists to learn about the daily lives of past people. Makala Kataa, 1989.
The deeply stratified deposits of a midden mound are visible in the east wall of excavation unit 2W 2S, Mound 101, Kuulo Kataa. Mound 101 is a large mound covering roughly 1200 m2 and rising roughly 3 m above the surrounding ground surface at its apex. Unit 2W 2S was excavated to a depth of ca. 330 cm below the mound surface to the point where laterite rock was encountered. It was excavated as a 2 x 2 m unit to level 15, narrowing to a 1 x 2 m from level 16, with a total estimated 8.7 m3 of soil removed from the unit. Upper levels were characterized by dark soils with many rootlets which transitioned to lighter brown soils. Gray ashy soils dominated the lower cultural levels of the mound. At base, orange-brown clayey soils appeared above the laterite substrate. Kuulo Kataa, July, 1995.
The deeply stratified deposits of a midden mound are visible in the east wall of excavation unit 2W 2S, Mound 101, Kuulo Kataa. Mound 101 is a large mound covering roughly 1200 m2 and rising roughly 3 m above the surrounding ground surface at its apex. Unit 2W 2S was excavated to a depth of ca. 330 cm below the mound surface to the point where laterite rock was encountered. It was excavated as a 2 x 2 m unit to level 15, narrowing to a 1 x 2 m from level 16, with a total estimated 8.7 m3 of soil removed from the unit. Upper levels were characterized by dark soils with many rootlets which transitioned to lighter brown soils. Gray ashy soils dominated the lower cultural levels of the mound. At base, orange-brown clayey soils appeared above the laterite substrate. Visible in the profile wall, to the left and slightly lower than a circular area of dark soil, is the interior of a pottery jar, the other half removed and reconstructed (KK 95-693; see link below). Kuulo Kataa, July, 1995.
A light-colored slurry plaster is visible in the base of level 8 in excavation unit 64W 4N, Mound 118, Kuulo Kataa. The plaster is associated with floors and walls of a collapsed structure. Dark circular areas which interrupt the slurry may represent post holes. A photo scale with 5 cm intervals points north. Kuulo Kataa, 14 July, 1995.
Close-up photo of slurry plaster, level 8, excavation unit 64W 4N, Mound 118, Kuulo Kataa. The outer edge (upper left) of a wall/floor appears light in color against darker subsoil. A photo scale with 5 cm intervals points north. Kuulo Kataa, 15 July, 1995.
A burned basin-like feature is visible in profile in the east wall of excavation unit 130W 26S, Mound 138, Kuulo Kataa. Clustered and adjacent to the burned area at the base of level 7 are three pottery pedestal bases, broken away from their original pots. The presence of slag and other burned features in adjacent units suggest that Mound 138 was a place where the site's occupants worked metals. A photo scale with 5 cm intervals points north. Kuulo Kataa, 14 July, 1995.
A narrow excavation trench cuts across several low mounds at Makala Kataa, Station 10. A low wall stub is visible to the left of the trench in the foreground. Trees dot the site, and low piles of screened excavated soil from the trench are visible in the background. According to oral histories, people moved from this area of Makala Kataa early in the 20th century when British colonial officials implemented a "village planning" scheme. People built new houses east of the old settlement and in time the old houses collapsed and formed low mounds. Makala Kataa, 1990.
Banda Research Project archaeologists unearth two everted-rim jars in level 8 of Unit 4E0S at Station 6. L-R: Obour Bartholomew; Caesar Apentiik, ___. Makala Kataa, 16 July, 1994.
Two everted-rim jars partially exposed in level 8 of Unit 4E 0S, Mound 5 at Station 6. View looking east. Photo scale in 10 cm increments. Makala Kataa, 16 July, 1994.
Banda Research Project team members excavate units at Mound 6, Station 6, Makala Kataa. Alex Ababio (standing left, in hat) watches as Kwasi Peter digs with a short handled hoe, placing excavated dirt into headpans. Leith Smith (center) and Yaw Francis (right) look on. In the background (right) other team members screen soil. Wooden stakes mark 2 m interval grid points with excavation units marked off by string. A large baobab, one of several on the site, is visible in the background (right). Makala Kataa, June 1994.
In-progress excavations of adjacent 2 x 2 m units at Mound 148, Kuulo Kataa. The base of units 70E 48-52N and 72E 50N have been excavated to depths ranging from 90-110 cm below datum. The large area of dark soil concentrated in unit 70E 50N (center) is intrusive pit fill which cut through the living surface at this mound level. An area of packed reddish-orange laterite gravel in unit 70E 52N (bottom, left) likely represents a prepared floor surface. To the right of the dark pit soil, in the boundary between units 70E 50N and 70E 48N, is a an irregularly shaped burned feature interpreted by archaeologists as likely associated with metalworking. Two radiocarbon samples associated with this burned feature had calibrated age ranges between c.1200-1400 CE. A cluster of hearth stones has been exposed in nearby unit 72E 50N (center photo). White bags filled with soil samples collected for flotation sit outside the excavated area together with excavation equipment. View looking eastwards. Kuulo Kataa, 11 July, 2000.
Eight jar rims have been exposed in situ at the base of level 7, unit 0W 0S, Mound 5, Makala Kataa Station 6. The jar rims are broken off below the neck of the pot and appear to have been placed around a room where they were used as pot stands. In a raised area (bottom center), not excavated to the same depth as surrounding soil, a concentration of reddish soil and gravel marks the traces of a house wall. Archaeologists interpret unit 0W 0S as a part of a kitchen area where foodstuffs were likely stored. The pots and their contents have been removed, with only the pot stands remaining. In the background sits a headpan filled with soil from cleaning the 2 x 2 m unit prior to photoing. A scale arrow with 10 cm intervals points north. View to the west. Makala Kataa, 19 July, 1994.
Banda Research Project team members use a datum string, pulled tight and leveled with a bubble level, to measure the depth below datum of the excavation unit's surface. Yaw Francis (right) holds the string level as Yaw Frimpong (left) measures the depth close to the bubble level. By taking periodic measurements as they dig across the unit, they ensure that the surface of each completed level is even. A head pan and short handled hoe sit next to excavated dirt in the unit. Maria Dores Cruz (far left) and other team members work on an adjacent excavation unit on Mound 6, Station 6. Makala Kataa, 1994.
West wall of excavation unit 55W 69N in Mound 102 at Kuulo Kataa. Topmost levels are characterized by dark soil that fades to brown below the area where rootlets are visible. A distinct boundary separates these brown soils from the gray ashy levels below. Mound 102 is a large deep midden mound which covers approximately 1600 m2 and rises several meters above the surrounding ground surface. A single 1 x 2 m unit was excavated to the base of level 13, after which a 1 x 1 m unit was excavated to almost 4 m, removing roughly 5 m3 of soil. Three radiocarbon samples from lower levels of the mound (3-3.5 m below the ground surface; not visible in this photo) had calibrated age ranges of c. 1400-1530 CE. Kuulo Kataa, 8 July, 2000.
In preparation for beginning excavation of a new 2 x 2 m unit, Banda Research Project team members Leith Smith (right) and Victor Mattey (left) extend grid points on Mound 6, Station 6, Makala Kataa. Smith uses a rock to pound in a grid peg at a point established using tape measures extended from previously placed grid pegs. The accuracy of the peg's location in this 2 m interval grid is checked according to horizontal (2 m) and diagonal (5.66 m) measurements from the other unit pegs. Low piles of sieved dirt from ongoing excavations are visible in the background. Makala Kataa, Station 6, 1994.
Banda Research Project team members Obimpeh Blopor (left) and Timothy Fordjour (right) carefully remove dry, compact soil from around a series of pot rims that are appearing in the base of level 6 in unit 0W 0S, Mound 5 at Makala Kataa Station 6. Obimpeh uses a cutlass and Fordjour a short handled hoe to loosen the dry soil. Another team member scoops the excavated soil into a headpan using a short handled hoe. A string with line level lies next to the iron rod that marks the unit datum. A trowel and tape measure rest nearby. Makala Kataa, Station 6, 1994.
Photo of a pottery bowl rim and body, with profile depicted (left). The bowl's interior surface is decorated with lines of red paint applied in reticulate and pendant patterns. The rim of the bowl is slightly everted. A portion of the interior surface is blackened as an effect of firing. An INAA sample ("Banda 27-11") from this bowl was assigned to the "K2" group of ceramic fabrics. It was therefore likely made from clays mined east of the Banda hills. Rim diameter: 34 cm at exterior lip. Sherd represents an estimated 20% of the bowl's circumference. Scale in cm. Site Banda 27. 28 February, 2001.
Photo of a pottery bowl rim and body, exterior surface, with profile depicted (left). The rim of the bowl is slightly everted. The bowl's exterior is decorated with several bands of red paint, one applied below the angle of the rim, one mid-way down the bowl body, and one toward the base. Blackened areas of the exterior are a result of firing. An INAA sample ("Banda 27-11") from this bowl was assigned to the "K2" group of ceramic fabrics. It was therefore likely made from clays mined east of the Banda hills. Rim diameter: 34 cm at exterior lip. Sherd represents an estimated 20% of the bowl's circumference. Scale in cm. Banda 27. 28 February, 2001.
Photo of a pottery bowl rim, exterior surface, with profile depicted (left). The bowl is decorated with several shallow horizontal grooves above its angular carination. A row of vertical impressions marks the carination, below which is a zone of angled "dentate" impressions, bounded by a shallow groove at its lower edge. Traces of red paint appear on the upper portions of the bowl. An INAA sample ("Banda 27-1") from this bowl was assigned to the "K2" group of ceramic fabrics. It was therefore likely made from clays mined east of the Banda hills. Rim diameter: 20 cm at the interior lip. Sherd represents an estimated 15% of the bowl's circumference. Scale in cm. Site Banda 27. 29 January, 2001.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Banda 27, Mound 1, Unit 1, Level 3
Date:
2001-01-29
Location(s) Facet:
Site Banda 27
Subjects:
Dentate impression; Red paint; Bowl; Neutron Activation Analysis
A partially reconstructed everted-rim pottery jar excavated from Banda area site A-212, Mound 7, level 10. The jar's exterior surface is decorated below the neck with closely spaced rows of dentate (comb) impressions, intersected by a double diagonal line of dentate impressions. Double lines of dentate impression applied in a chevron pattern form a band between the upper zone of dentate decoration and jar's plain base. The jar's interior is finished with an orange-red slip. An INAA sample ("A212-16") from this jar and was assigned to the "G1" group of ceramic fabrics and therefore likely made west of the Banda hills. Rim diameter 24 cm at exterior lip. Photo scale in cm. Site A-212. 1 February, 2001.
Photo of a reconstructed carinate globular pottery jar, with profile depicted (left). The jar was found in an upright position beneath a lens of hardened clay, its rim at 211 cm below datum and its base at 224 cm bd. The jar's mouth is small. Below its lip is a ridge marked with vertical impressions. The surface above the carinated shoulder is decorated with alternating horizontal lines of dentate (comb) impression and grooving. Below the carination, the base and lower portions of the jar are decorated with a carved roulette impression. The interior surface of the jar is heavily eroded, perhaps an indication that the jar was used to store a fermented liquid like millet or sorghum beer. An INAA sample (NA "KK 95-61") from this jar was assigned to the "K1" group of ceramic fabrics. The jar was therefore likely made east of the Banda hills. A jar of similar form, decoration, and interior wear (KK 95-693) was found one meter away and at a slightly lower level in the east profile wall of the excavation unit. Rim diameter: 8 cm. Photo scale in cm. Kuulo Kataa. 13 June, 1995.
Photo of a patially reconstructed carinate globular pottery jar, with profile depicted (left). The jar was partially exposed, sitting upright in the east profile wall of the unit. The jar broke insitu and half of the vessel was removed and reconstructed. The jar has a narrow mouth. Alternating horizontal bands of shallow grooving and dentate (comb) impression decorate the area below the lip. A horizontal grooved line and a line of dentate (comb) impression applied above the carinated shoulder meet at small circular punctate impressions. The base and lower portions of the jar are decorated with a carved roulette impression. The interior surface of the jar is heavily eroded, perhaps an indication that the jar was used to store a fermented liquid like millet or sorghum beer. A jar of similar form, decoration and interior wear was found one meter away and at a slightly higher level in the same unit (KK 95-350). Rim diameter: 10 cm. 50% of vessel reconstructed. Photo scale in cm. Kuulo Kataa. 10 July, 1995.
Photo (interior) of a reconstructed carinate globular pottery jar, with profile depicted (left). The jar was partially exposed, sitting upright in the east profile wall of the unit. The jar broke insitu and half of the vessel was removed and reconstructed. The jar has a narrow mouth. The interior surface of the jar is heavily eroded, perhaps an indication that the jar was used to store a fermented liquid like millet or sorghum beer. A jar of similar form, decoration and interior wear was found one meter away and at a slightly higher level in the same unit (KK 95-350). Rim diameter: 10 cm. 50% of vessel reconstructed. Photo scale in cm. Kuulo Kataa. 10 July, 1995.
Photo of an inward-curving (recurved) jar rim sherd, with profile depicted (left). A zone of diagonally oriented dentate (comb) impressions is bounded on upper and lower edges by a shallow horizontal groove. A mica paint/slip was applied over top of the dentate impressions. The ceramic fabric was tempered with angular quartz grit. An INAA sample ("KK NA-29") was unassigned to a specific group of ceramic fabrics, lending no insight into where the jar was made. Interior neck diameter: 18 cm. Sherd represents an 12% of the jar's circumference. Scale in cm. Kuulo Kataa. 25 June, 1995.
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 1, Unit 1, levels 3-6. The jar (Vessel 1) was found upside-down, resting on its rim and in association with a cluster of several other complete (Vessels 2 & 3) and broken pots in what has been interpreted as a kitchen area. The round-based jar is decorated on its lower surface by faint twisted cord-roulette impressions. The zone of cord rouletting is separated from the undecorated surface above by three arching grooves or channels. Multiple small circular punctates mark the place where grooved lines meet. Whole pot. Rim diameter c. 30 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Photo of a large pottery bowl. The rim is angled inward, creating a carination where the bowl's rim and body meet. Above the carination and around the rim's circumference, the exterior surface is decorated with shallow parallel grooves. The bowl's upper body is decorated with several clusters of triangular impressions which are bounded by angled pairs of grooved lines. The interior and exterior surfaces of the bowl are burnished, giving the bowl a slight sheen. A small pedestal stabilizes the bowl at its base. The bowl is consistent in shape and size with serving/eating bowls from which several individuals (typically men) would eat. The bowl was found positioned upside-down amid a concentration of other whole and partial pottery vessels, grinding stones, charred seeds and wide-spread fire-hardened soil. The context is interpreted as a kitchen area destroyed by an incident of intense fire. Whole pot. Scale in cm. Site Makala Kataa. 4 July, 1989.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Makala Kataa, Station 6, Mound 5, 4W 4S, Level 7-8
Photo of a small pedestal-base pottery bowl. The rim of the bowl is broken away around the entire circumference of the bowl. The exterior surface is burnished and decorated with several triangular impressions (not visible on the surfaces in this photo). The bowl is consistent in shape and size with serving/eating bowls from which an individual (typically a woman) would eat. The bowl was found in association with several other pots and a laterite hearthstone in an area surrounded by oxidized fire-hardened sediment. The wider context of the excavation unit is interpreted as a kitchen area destroyed by an incident of intense fire. Scale in cm. Site Makala Kataa. 11 July, 1989.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Makala Kataa, Station 6, Mound 5, Unit 0W 4S, Level 5
Photo of a dark brown pottery jar rim, neck and body, with profile depicted (left). The rim of the jar is everted in profile. Below the neck, the body of the jar is decorated with a carved roulette rolled across the surface to create a herringbone design. The zone of carved roulette impression is bounded by a horizontal shallow groove. A curvilinear groove cuts across the roulette impression. The ceramic fabric contained both laterite and white grit, as well as finely crushed iron slag. INAA analysis ("NA B-143-8") assigned this jar to the "K1" group, with the implication that it was likely made on the east side of the Banda hills. Rim diameter: 22 cm at interior lip. Sherd represents an estimated 25% of the circumference of the jar. Scale in cm. Site B-143. 14 March, 2001.
Photo of a red-painted and mica-slipped bowl rim, with profile depicted (left). Toward the lip, multiple horizontal bands of grooving and dentate (comb) impression are overlaid by red paint. Below this is a zone with horizontal lines of wavy line impression and grooving overlaid by a mica slip. The lower zone is red-painted. The ceramic fabric includes finely crushed white grit which includes some quartz. An INAA sample ("A94-8") was assigned to the "L" group, indicating that the bowl was made from clays mined west of the Banda hills. Rim diameter: 14 cm at the interior lip. Sherd represents an estimated 15% of the bowl's circumference. Scale in cm. Site A-94. 21 February, 2001.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Site A-94, Mound 2, Unit 1, Level 6
Date:
2001-02-21
Location(s) Facet:
Site A-94
Subjects:
Wavy line impression; Dentate impression; Red paint; Mica slip; Bowl; Neutron Activation Analysis
Photo of the rim and shoulder of a large pottery bowl, with profile depicted (left). The bowl's exterior is decorated with a herringbone design, created by rolling a carved wooden roulette across its entire surface, except for a narrow band just below the bowl's lip. A single diagonal shallow groove was applied across the surface above the shoulder. An INAA sample (NA "A212-8") from this bowl was "unassigned" to a specific group of ceramic fabrics, lending no insight into where the bowl was made. Rim diameter: 20 cm at the interior lip. Sherd represents about 11% of the bowl's circumference. Scale in cm. Site A-212. 18 February, 2001.
Photo of an everted-rim jar. The round-based pot is decorated on its lower surface by maize cob impressions, created by rolling a kernel-less maize cob over the pot's surface. The top edge of the maize-cob-rouletted zone is marked by pendant grooves or channels. Small circular punctates mark the place where pendant grooved lines meet. A single grooved line offsets this decorated zone from an undecorated zone below the jar's neck. Whole pot. Scale in cm. Site A-9. 1 Feb. 2001.
Photo of a carinated pottery bowl, with profile depicted (left). The bowl has a restricted opening with the rim rounded at the lip. Above the angular carination, the exterior surface is decorated with horizontal bands of wavy line impression, below which are two deep channels. Shallow grooves appear above and below narrow bands of dentate (comb) impressions. Below the carination, the exterior surface is decorated overall with a carved roulette impression. An INAA sample ("B123-2") from this bowl was assigned to the "L" group of ceramic fabrics. It was therefore likely made from clays mined west of the Banda hills. Rim diameter: 23 cm at the interior lip. Sherd represents an estimated 18% of the bowl's circumference. Scale in cm. Site B-123. 22 July, 2000.
Body sherds from a large jar. The exterior surface is decorated with bands of horizontal grooving, inside of which are bands of dentate (comb) impressions. Rows of dentate impression applied at an angle create a chevron design across the central zone. An overall red paint or slip finishes the surface. An INAA sample from this jar ("Banda 27-13") was assigned to the "K2" group of ceramic fabrics. It was therefore liked made from clays mined east of the Banda hills. Scale in cm. Site Banda 27. 1 March, 2001.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Banda 27, Mound 2, Unit 1, Level 16
Date:
2001-03-01
Subjects:
Red paint; Dentate impression; Jar; Neutron Activation Analysis
Photo of a buff-colored pottery bowl rim and carination, with profile depicted (left). The bowl is decorated with two shallow horizontal grooves, applied below the lip on the exterior surface. Below this is a band of shallow criss-cross incised lines, beneath which is a plain zone, followed by a more deeply incised band of criss-cross incisions, applied just above the exaggerated carination (angled shoulder). Based on patterned overlap in the criss-cross lines, the lines slanted upper left to lower right were made first, after which the lines slanted upper right to lower left were made. The exterior surface below the carination is undecorated. The ceramic fabric included some laterite grit as well as a small amount of finely crushed slag. An INAA sample from this bowl (NA "B143-2") was "unassigned" to a specific group, lending no insight into where the bowl was made. Rim diameter: 15 cm at interior lip. Sherd represents about 15% of the vessel's circumference. Scale in cm. Site B-143. 13 March, 2001.
End view of a fired clay tuyere fragment used in an iron smelting furnace. A thick layer of slag produced during the smelting process coats the tuyere's outside surface (upper right). The tuyere was used to introduce air to the interior chamber of a smelting furnace. The tuyere was collected during site survey by N. Leith Smith in the course of his doctoral dissertation research. The tuyere was recovered in his survey area A, Site 7, Quad P14. Banda area, 8 February, 1997.
A typical side road leading to villages off the then-main road that connected Menji to Ahenkro in the Banda area. Tall grass lines the narrow track which was primarily used by lorries which transported agricultural products. December, 1982.
Side view of a fired clay tuyere fragment used in an iron smelting furnace. A thick layer of slag produced during the smelting process coats the tuyere's outside surface. The tuyere was used to introduce air to the interior chamber of a smelting furnace. The tuyere was collected during site survey by N. Leith Smith in the course of his doctoral dissertation research. The tuyere was recovered in his survey area A, Site 7, Quad P14. A catalog tag indicating provenience information is tied to the tuyere with string. Banda area, 8 February, 1997.
The Ewe fishermen who supplied local and regional markets with freshwater fish from the Black Volta River traveled in locally made wooden canoes. Several are moored on the south bank of the river near the Dam Site settlement, a short distance downstream from the projected site of the Bui Dam. Dam Site, 7 October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1982-10-07
Location(s) Facet:
Dam Site
Subjects:
Dam Site
Subjects Facet:
Fishing; Canoes; Ewe (African people); Black Volta River; Rivers
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Levels 5-6. The jar (Vessel 1) was located in the north profile wall of the unit, together with another vessel (Vessel 2).
The jar has a carinated shoulder and a rounded base. To the right and below the carination, a portion of the exterior surface has broken away. The upper area of the jar is decorated with three horizontal grooved lines, inbetween which are lines of dentate impression. Just above the carination is another line of dentate impression and a grooved line. To the left and right, on the upper side of the carination, sets of two triangular designs were applied, consisting of three punctates connected by two short grooved lines. The area inside the triangle is marked by crossed dentate impressions, forming an "X" inside the triangle. This design was repeated twice on the recovered portion of the jar. It was likely repeated a third time on the missing portion. Below the carination are two shallow horizontal grooves. The jar's base is smooth, with no surface treatment applied. Roughly 65% of the vessel was recovered. Rim diameter 25 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 5. The jar (Vessel 2) was located in the north profile wall of the unit together with another vessel (Vessel 1). The jar has a carinated shoulder and a rounded base. The upper area of the jar is decorated with three horizontal grooved lines inbetween which are lines of dentate impression. The base of the jar is surface treated with a twisted cord roulette. Two roughly parallel horizontal grooved lines separate the cord rouletted zone from a plain zone below the carination. A hole in the base of the pot (ca. 7 cm across) may have been deliberately broken in this otherwise whole pot. Rim diameter 22 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Members of the Banda Research Project, Maria Dores Cruz (left) and Osei Kofi (right) stand near a surveying level mounded on a tripod. The level was used to map the site's contours and establish grid lines to orient excavation units. A local-made short-handled hoe lies in front of the tripod, its wide flat blade standing upright. Bottom left are stacked headpans used to move soil between excavation units and screens. Station 6, Makala Kataa, June 1994.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 20. The jar was located in the west profile wall of the unit. The jar has a carinated shoulder and a rounded base. A single horizontal line of wavy line impression was applied to the neck constriction, with the area above the carination otherwise plain. The base of the jar is surface treated with a fiber (perhaps braided strip) roulette. Two roughly parallel horizontal grooved lines are superimposed over the roulette treatment. Whole pot. Rim diameter 17.5 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 3 April, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa (Banda 40), Mound 4, Unit 1, Level 20, W Wall.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, levels 15-16, where the jar was exposed in the south wall of the excavation unit. The jar has a carinated shoulder and a rounded base. The area above the carination was decorated by five unevenly placed horizontal grooved lines. In three places around the vessel's circumference, the grooved line just above the carination is marked by "ꓥ." In a zone that begins c. 2 cm below the carination, lower areas of the jar are surface treated with a carved roulette impression. The ceramic fabric includes mixed grit (including laterite and quartz) and likely also finely crushed slag. An INAA sample (Banda 40/3) from the jar could not be assigned to a known source group. Roughly 2/3 of the vessel present. Rim diameter: 22.5 cm at interior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
To the right of a large tree, a field planted with tobacco is seen from the roadside. After clear-cutting, the rectangular field was tractor-plowed and planted with seedlings provided by the Pioneer Tobacco Company. Trees left standing mark the edges of the field. Visible in foreground is scarring created by construction of a new grated road. Near Nyrie, June, 1994.
A cashew tree (Anacardium sp.) grows in an agricultural field planted (foreground) with calabash (Lagenaria siceraria). Sampson Attah stands near the tree. Calabash has long been grown as a cash crop for local and regional sale in the Banda area. When cashew trees were first planted in the area from the mid-1990s, they were grown singly or in small numbers. A growing shift to cashew farming in the area during the early 2000s was accompanied by the planting of large stands of cashew trees referred to locally as "plantations." Banda area, June, 1995.
Photo of an everted-rim pottery jar excavated from Ngre Kataa, Mound 4, Unit 1, levels 15-16, where the jar was exposed in the south wall of the excavation unit. The jar has a carinated shoulder and a rounded base. The area above the carination was decorated by five unevenly placed horizontal grooved lines. In three places around the vessel's circumference, the grooved line just above the carination is marked by "ꓥ." In a zone that begins c. 2 cm below the carination, lower areas of the jar are surface treated with a carved roulette impression. The ceramic fabric includes mixed grit (including laterite and quartz) and likely also fine crushed slag. An INAA sample (Banda 40/3) from the jar could not be assigned to a known group. Roughly 2/3 of the vessel present. Rim diameter: 22.5 cm at interior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 5 April, 2001.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa (Banda 40), Mound 4, Unit 1, Level 15, South Wall
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 1, Unit 1, Levels 4-5. The jar (Vessel 3) was found sitting upright in association with a cluster of several other complete and broken pots (Vessels 1 & 2) in what has been interpreted as a kitchen area. Most of the jar has been surface treated with a twisted cord roulette. Single pendant grooved lines surround the circumference of the jar. A total of five circular impressions, perhaps made with a hollow reed, are placed below the intersection points of the pendant grooves. A hole in the base of the pot (ca. 7 cm across) may have been deliberately broken in this otherwise whole pot. Rim diameter: 17.5 cm at exterior lip. Site Ngre Kataa ("Banda 40"). 3 April, 2001.
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 1, Unit 1, Levels 4-6. The jar (Vessel 2) was found sitting upright in association with a cluster of several other complete (Vessels 1 & 3) and broken pots in what has been interpreted as a kitchen area. The upper surface of the round-based jar is undecorated. In a zone bounded by double grooved lines, the base and lower surface of the jar is surface treated with maize cob roulette. Groups of three circular punctates mark the spots where gooved lines meet. A hole in the base of the pot (4 x 3.5 cm) may have been deliberately broken in this otherwise whole pot. Rim diameter: 20.5 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 4 March, 2001.
Photo of an everted-rim jar excavated from Ngre Kataa, Mound 4, Unit 1, Level 16. The undecorated exterior surface of the round-based jar is orange-brown from firing, with areas of black fire-clouding. Roughly 30% of jar is represented. Rim diameter: 21 cm at exterior lip. Photo scale in cm. Site Ngre Kataa ("Banda 40"). 28 March, 2001.
Standing on the south bank of the Black Volta River near Bui village, looking east-northeast to the gap in the Banda hills where the Bui Dam was constructed after 2008. The area between Bui village and the river was the site of a 19th-century village, Bui Kataa (old Bui). This area was flooded by the rising waters of Bui Lake as it formed behind Bui Dam after 2012. Bui Village, 25 July, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1982-07-25
Location(s) Facet:
Bui
Subjects:
Bui Lake; Bui Kataa; Savanna woodland; Vegetation
Subjects Facet:
Bui Dam (Ghana); Landscapes; Riparian forests; Black Volta River; Mountains
The soil of a agricultural mound has been dug away to expose a yam (Dioscorea sp.) tuber. The yam vine spreads across the mound and beyond at the top of the photo, its roots surrounding the tuber. A yellow pencil is placed to the left of the yam to provide scale. Banda area, June, 1982.
Yam mounds have been raised in a partially cleared agricultural field. Small trees have been left to supply support for climbing vines and to aid fallowing after the field has been used for several years. The hard work of forming the mounds using short-handled hoes takes place early in the dry season, after which mounds are planted with yam cuttings during the months of January-February. The vines grow throughout the rainy months of April to August, forming new tubers which are ready for harvesting in late August-September. Banda area, Dec. 1982.
A roadside agricultural field is planted with cassava (Manihot esculenta). The palmate leaves of the mature plants are visible growing among trees that were left standing when the intercropped field was first prepared. Regular weeding is needed to control spear grass, which can be seen growing at the edge of the field. Cassava is grown for its tubers, which can be harvested over a long period and store well when processed and dried. Its leaves are valued as an ingredient in soups. Planted early in the rainy season (April-May) the tubers mature in 6-18 months, depending on variety. Cassava tolerates poorer soils than yams (Dioscorea sp.), which are a preferred food in the area. Therefore, cassava it is grown in intercropped fields after yams are grown in the first year or two and before fields are left to fallow. Roadside near Nyire, August, 1994.