Exterior view of a shelter constructed at farm with walls made from woven mats and a thatched roof supported by wooden poles around the shelter's perimeter. In the foreground, right, a cutlass (machete) rests on a sharpening stone. In the shade of the shelter's eave to the right of its roof-support pole are a small fired clay eating bowl, a clay cooking pot turned upside down resting on its rim, and a larger fired clay water storage pot. Farm shelters provide shade, refuge from rain and a place to rest and prepare food while families are at their farms, which may be located some distance from their homes. Farm near Ahenkro, September, 1982.
Several large clay pots used for water storage (chͻkoo in Nafaanra) sit in the interior courtyard of a house next to a black metal barrel, which is also used for water storage. The surface of the two larger clay jars has been textured with maize cob roulette (bledjukaan in Nafaanra ), and one is decorated with arching grooves. The smallest jar has red-painted vertical lines on its interior rim. The small round-based jar has been placed on an enameled-ware pot for support. The larger water jar behind it rests on the upturned base of an enameled-ware headpan, re-purposed after its base rusted and it could no longer be used to carry things. A clay grinding bowl is visible in the lower left corner of the picture. Banda area, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Banda
Subjects:
Water storage; Water pots (chokoo); Maize cob roulette; Decoration; Jars
Members of Gbaŋmbɛ Katoo demonstrate the use of a (partially constructed) balo or xylophone (sinyeele in Nafaanra). The instrument is played at special funerals, including those of the paramount chief. A calabash with a small hole lies beneath the instrument. Together with other calabashes of graded size (small to large), it serves as the instrument's resonating chamber when fully assembled. By striking the sinyeele's wooden keys with a mallet, a range of musical notes are produced by the differently sized calabashes. Nyua Kwadwo (male family head) holds the mallets he uses to play the sinyeele. On each wrist he wears an iron bangle or bracelet with metal jangles. To the left, a family member plays a drum made from a clay pot. Sanwa, 6 August, 1986.
Boase Chief Tolԑԑ Ligbi Wulotei (center) looks at pottery from Banda area archaeological sites while Banda Project team member Boye (far right) looks on. Banda Cultural Centre, Ahenkro, 15 July, 2011.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Banda Cultural Centre; Community engagement; Community event
Base of level 7, unit 4W 4S, Mound 5, Station 6, Makala Kataa. An area of burned soil (left), several flat grinding stones (center) and an everted rim jar are exposed at the base of the level. The unit wall shows the transition from dark soils close to the mound's surface and the lighter soils in its lower levels. Makala Kataa, 6 July, 1989.
A burned basin-like feature is visible in profile in the east wall of excavation unit 130W 26S, Mound 138, Kuulo Kataa. Clustered and adjacent to the burned area at the base of level 7 are three pottery pedestal bases, broken away from their original pots. The presence of slag and other burned features in adjacent units suggest that Mound 138 was a place where the site's occupants worked metals. A photo scale with 5 cm intervals points north. Kuulo Kataa, 14 July, 1995.
Banda Research Project archaeologists unearth two everted-rim jars in level 8 of Unit 4E0S at Station 6. L-R: Obour Bartholomew; Caesar Apentiik, ___. Makala Kataa, 16 July, 1994.
Two everted-rim jars partially exposed in level 8 of Unit 4E 0S, Mound 5 at Station 6. View looking east. Photo scale in 10 cm increments. Makala Kataa, 16 July, 1994.
Several grinding stones, a whole pot and a cluster of pottery sherds have been exposed in situ at the base of level 3, unit 44N 4W at Mound 6, Ngre Kataa. The large grinding stone in the foreground (grinding stone 1, NK-08-112) is oriented with its grinding surface facing down. Another smaller stone rests on a soil pedestal created as archaeologists excavated surrounding soil to a lower level. Upper right, a whole pottery jar (NK-08-176) sits next to a large grinding stone (grinding stone 3, NK-08-173) oriented with its grinding surface up. To the far left, above the photo scale in centimeters, archaeologists have exposed the edges of a pottery jar, broken in half and lying on its side. As excavations extended into the adjacent unit (42N 4W, to the left), this broken pot was found to be associated with two tuyere fragments. This cluster of grindstones, tuyeres and nearby burned features is interpreted as part of a larger metal-working workshop, the activities of which led to the build up of mound 6. The soil on the right side of the unit is darker because it is moister than that on the left. View to west. Site Ngre Kataa. 1 July, 2008.
Banda Research Project team members Amanda Logan (right) and Amy Groleau (left) draw a plan map of units 44N 4W and 44N 6W, Mound 6, Ngre Kataa. They map in situ artifacts and features, including several large grinding stones, a whole pot, pottery clusters and a tuyere fragment. Wooden stakes mark the corners of 2 x 2 meter excavation units. A photo scale place near a partially exposed everted rim jar in unit 44N 6W (NK-08-407) is in 5 centimeter increments. Ngre Kataa, 7 July, 2008.