Two views of a serpent-like figure made from an iron rod. The "head" of the direct metal sculpture resembles a triangular-tipped iron projectile point, similar to those found on the same site during the same time period. The body is formed by undulating S-shaped loops which are stacked atop one another to form the "tail." Kuulo Kataa, Mound 118, Unit 62W 4N, Level 1. Scale in cm. Length: 8.4 cm. 39.6 g. Kuulo Kataa, 15 June, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 118, Unit 62W 4N, Level 1
Location(s) Facet:
Kuulo Kataa
Subjects:
Serpents
Subjects Facet:
Direct metal sculpture; Archaeology; Snakes; Iron; Projectile point; Artifacts (Antiquities)
Two Ligbi men from Bongase appear in masquerade regalia prior to a "Do" or "Bedu" performance at the commissioning celebration of the Banda Cultural Centre in Ahenkro. Their carved wooden masks represent a male and female pair of baboons (Mbong in Ligbi). Their heads and shoulders are draped in scarves, they wear raffia skirts around their waist, and over top of socks covering their feet they wear metal jangles on a chain wrapped around their ankles. They are accompanied by a number of men from Bongase. Pictured L-R: Fariah Salah, Kwame Yirikro, Abau Yaya, Abuu Doctor (masked dancer), Adoma, Ansoma Sala (masked dancer), Dandu, Alhaji Moro Mahama. A performance of Mbong at a June 2019 Banda Heritage Event can be viewed through a link below. Ahenkro, 21 July, 1995.
The Banda Cultural Centre provides space for community gatherings and guest rooms for Banda Research Project and other community visitors. The Centre's motto/logo is "Nyu nunu," (Nafaanra) or "Unity." Commissioned in 1995, the main building was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. The building is administered and maintained by the community. Ahenkro, July 1995.
The paved interior courtyard of the Banda Cultural Centre is surrounded by roofed verandas on three sides and a suite of rooms along its east side. The Banda Cultural Centre provides space for community events and guest rooms for Banda Research Project and other community visitors. Visible along the porch in front of the guest rooms are headpans used by the Banda Research Project for archaeological excavation, tipped over to dry. A tree seedling, center courtyard, is surrounded by a fence to protect it from goats. Ahenkro, July 1995.
Female elders are seated under a thatch awning outside the Banda Cultural Centre on the day of its commissioning, Ann B. Stahl (seated center) has just been enstooled as an honorary Queen Mother of the Banda Traditional Council under the stool name Yadwo Gongo II. To the left is Binghamton University graduate student Alex Caton (Peni Yaa) and seated to the right wearing white cloth is Afua Wewa, one of the Banda Queen Mother's elders. A young man holds an umbrella over the Banda Queen Mother, Lelɛɛ Akosua Kepefu, who sits behind Alex Caton. Ahenkro, 21 July, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Queen Mother; Banda Cultural Centre; Enstoolment; Banda Traditional Council
A Brong dance troupe performs at the commissioning celebration for the Banda Cultural Centre. A group of drummers is seated behind the dancers. Visible in the background is the logo of the Banda Cultural Centre which is "Nyu nunu," (Nafaanra) or "Unity." This is symbolized by an Adinkra symbol showing two crocodiles who share a common stomach (two heads, two tails, one stomach; referred to as funtumfunafu in Twi). The symbol conveys the meaning "why fight over food when you share a stomach?" The Cultural Centre's main building pictured here was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. Ahenkro, 21 July 1995.
Banda Research Project team members wearing blue shirts with the "Unity" logo and dresses embroidered in blue process down Ahenkro's main street from the Paramount Chief's palace to the Banda Cultural Centre for the centre's commissioning ceremony. Ann B. Stahl-- just enstooled as an honorary Queen Mother by the Banda Traditional Council under the stool name Lelɛɛ Yadwo Gongo II--is carried in a palanquin lined with kente cloth and shaded by one of the chief's royal umbrellas. A woman in local-made strip woven cloth stands left, with Binghamton University MA student Alex Caton wearing local dress to her right. To her right in blue-embroidered dresses are project team members Doris Millah and Doris Mensah. Visible in the background are the thatched and iron roofs of houses lining Banda-Ahenrko's main street. Ahenkro, 21 July, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Queen Mother; Banda Cultural Centre; Umbrella; Palanquin; Banda Research Project
Subjects Facet:
Rites and ceremonies; West African strip weaving; Thatched roofs; Metal roofing; Textiles; Clothing; Kente cloth; Litters (vehicles); Royal regalia
Ann B. Stahl (left) and Sampson Attah (right) stand in front of the Banda Cultural Centre shortly before the building was commissioned (21 July, 1995). The Banda Cultural Centre provides space for community events and guest rooms for Banda Research Project and other community visitors. The Centre's motto/logo is "Nyu nunu," (Nafaanra) or "Unity." This is symbolized by an Adinkra symbol showing two crocodiles who share a common stomach (two heads, two tails, one stomach; referred to as funtumfunafu in Twi). The symbol conveys the meaning "why fight over food when you share a stomach?" The Cultural Centre's main building pictured here was constructed in 1994-95 through a combination of Banda Research Project funding and communal labor supplied by Ahenkro's four Unit Committees. The building is administered and maintained by the community. Ahenkro, July 1995.
The glass beads considered sacred and used in the puberty (Manaa Ndiom) and marriage (Bijam) rites of Nafana women are stored within a calabash bowl, its lid lying next to it. Most of the beads are imported varieties typical of those that circulated in the Atlantic trade period. On top of two other lidded calabash bowls rests a pair of iron manacles or shackles which are included among ritual paraphernalia. Ahenkro, July 1995.
Elders of Gape Katoo with the sacred bronze basin, copper alloy vessel, iron knife and "chain" (copper alloy anklet) associated with ancestor Buari Kojo, Bofie, July, 1995.
Local and visiting members of the Banda Research Project Team gathered on the day of the Banda Cultural Centre's dedication event. Their shirts are printed with the Cultural Centre's motto/logo "Nyu Nunu," (Nafaanra) or "Unity." Ahenkro, 21 July, 1995.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Location(s) Facet:
Ahenkro
Subjects:
Community event; Banda Cultural Centre; Banda Research Project
A copper alloy finger ring made from a rod forged into undulating S-shaped loops and joined at its ends by a flat metal plate. Two views. From Kuulo Kataa, Mound 101, Unit 2W 2S, Level 7. Height: 1.4 cm. Width: 2.6 cm. Weight: 8.4 g. Kuulo Kataa, 9 June, 1995.
Members of the archaeological excavation team during the last days of the 1995 season at Kuulo Kataa. Team members included Banda men from Ahenkro and Dompofie along with visiting American graduate students and Ann Stahl. Back row (L-R): __, Kwame Bio, __, __, __, __, Amos Bediako, Obour Bartholomew, __, Alex Ababio, Daniel, __, Kwasi Peter. Middle row (L-R): Yaw Francis, Kwasi Ali, Anane, __, Kofi "Photo" Manu, Donkor Johnson, Yaw Frimpong, Osei Kofi, Obimpeh Blorpor, Enoch Mensah, Kwame Anane, __, __. Front row (L-R): Ann Stahl, Andrew Black. Also included in the photo are Alex Donkor, Alfred Nkrumah, Anane Peter, Asamoa Martin, John Preprah, Kwadwo Masoate, Kwadwo Nkrumah, Moses Nsiah, Peter Bile, and Stephen Okrah. Kuulo Kataa, July, 1995.
Members of the archaeological excavation team joined by the Dompofie chief and teachers during the last days of the 1995 season at Kuulo Kataa. Team members included Banda men from Ahenkro and Dompofie along with visiting American graduate students and Ann Stahl. Back row (L-R): __, __, __, __, __, __, Amos Bediako, __, Alex Ababio, Daniel, __, Kwasi Peter, __. Middle row (L-R): Nana Emmanuel Dwiru, Yaw Francis, Kwasi Ali, Anane, __, Kofi "Photo" Manu, Donkor Johnson, Yaw Frimpong, Osei Kofi, Obimpeh Blorpor, Enoch Mensah, Kwame Anane, __, __. Front row (L-R): Kwame Bio, Alex Caton, Leith Smith, Ann Stahl, Obour Bartholomew. Also included in the photo are Alex Donkor, Alfred Nkrumah, Anane Peter, Asamoa Martin, John Preprah, Kwadwo Masoate, Kwadwo Nkrumah, Moses Nsiah, Peter Bile, and Stephen Okrah. Kuulo Kataa, July, 1995
Banda Research Project excavation team members at work on Mound 118 at Kuulo Kataa. Wooden stakes mark the corners of 2x2 meter excavation units, several of which are in progress. North American students Leith Smith (white hat and shirt) and Alex Caton (far right) are pictured along with men from Dompofie and Ahenkro. View looking northward. Kuulo Kataa, 1995.
Photo of a reconstructed carinate globular pottery jar, with profile depicted (left). The jar was found in an upright position beneath a lens of hardened clay, its rim at 211 cm below datum and its base at 224 cm bd. The jar's mouth is small. Below its lip is a ridge marked with vertical impressions. The surface above the carinated shoulder is decorated with alternating horizontal lines of dentate (comb) impression and grooving. Below the carination, the base and lower portions of the jar are decorated with a carved roulette impression. The interior surface of the jar is heavily eroded, perhaps an indication that the jar was used to store a fermented liquid like millet or sorghum beer. An INAA sample (NA "KK 95-61") from this jar was assigned to the "K1" group of ceramic fabrics. The jar was therefore likely made east of the Banda hills. A jar of similar form, decoration, and interior wear (KK 95-693) was found one meter away and at a slightly lower level in the east profile wall of the excavation unit. Rim diameter: 8 cm. Photo scale in cm. Kuulo Kataa. 13 June, 1995.
Photo of a patially reconstructed carinate globular pottery jar, with profile depicted (left). The jar was partially exposed, sitting upright in the east profile wall of the unit. The jar broke insitu and half of the vessel was removed and reconstructed. The jar has a narrow mouth. Alternating horizontal bands of shallow grooving and dentate (comb) impression decorate the area below the lip. A horizontal grooved line and a line of dentate (comb) impression applied above the carinated shoulder meet at small circular punctate impressions. The base and lower portions of the jar are decorated with a carved roulette impression. The interior surface of the jar is heavily eroded, perhaps an indication that the jar was used to store a fermented liquid like millet or sorghum beer. A jar of similar form, decoration and interior wear was found one meter away and at a slightly higher level in the same unit (KK 95-350). Rim diameter: 10 cm. 50% of vessel reconstructed. Photo scale in cm. Kuulo Kataa. 10 July, 1995.