A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. As she began she drew the moist clay upward and outward from the lump with which she started. Here she shapes the jar' s neck and outward flaring rim. Before doing so, she has smoothed away finger marks created as she formed the jar' s body. As she works, she moves around the stump that supports the palette on which the jar is being formed. Bondakile, October, 1982.
