These partially formed clay jars (chÍ» in Nafaanra) are drying, resting on the palette (kpankpa in Nafaanra) on which they were formed. Once dried to a leather-hard state, the potter removes them from the plate and, using fresh moist clay, adds a rounded base to the jar. To the left, a metal cooking vessel rests nearby. Bondakile, October, 1982.
