Potting 82 items

1. Potting clay source, Bondakile, 1982

Description:: A young boy stands at the base of the clay pit where potters from Bondakile mine the clay they use for making pottery. Soils from upper and lower levels are mixed together to make a workable potting clay. Children help relatives who are potters to dig and process the clay. Two photos. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16834
Location(s) Facet:: Bondakile
Subjects:: Potting; Children's work
Subjects Facet:: Pottery making; Clay mining; Handicraft
Identifier:: 15; 14
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

2. Potting clay stored outside a house, Dorbour, 1994

Description:: After drying, potting clay is stored in potters' houses until needed. When the potter is ready to make a batch of clay pots, she will first pound and then sift the clay. The sifted clay is then mixed with water and kneaded until it is the right consistency for making a pot. Dorbour, 1994
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Clay; Dorbour; Pounding; Potting
Subjects Facet:: Handicraft; Pottery making
Identifier:: 18
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

3. Mixing potting clay, Dorbour, 1994

Description:: Yakosua, a Nafana potter, mixes sifted potting clay with water in preparation for making a batch of clay pots. One large metal pot (left) contains the pounded, sifted clay and the other (right) contains water that she mixes with the clay. She mixes the two in a headpan, kneading the clay to achieve the right consistency for making pots. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Metal pots; Clay; Dorbour; Headpans; Potting
Subjects Facet:: Pottery making
Identifier:: 11
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

4. Potting clay source, Bondakile, 1982

Description:: Surface next to the deep clay pit where potters form Bondakile mine the clay they use for making pottery. Piles of excavated clay surround the pit. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17214
Location(s) Facet:: Bondakile
Subjects:: Potting
Subjects Facet:: Handicraft; Pottery making; Clay mining
Identifier:: 18
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

5. Potting clay drying, Dorbour, 1994

Description:: Potting clay is spread to dry after being mined and brought to Dorbour by a potter, perhaps aided by her relatives. The clay includes a combination of plastic clay (chͻklͻlͻ in Nafaanra) and sandy clay (sisa in Nafaanra) which are mixed together at the place where the clay is mined. After drying, the clay will be pounded, sifted, mixed with water and kneaded until the clay is the right consistency. A potter only mixes as much clay as she needs to make a batch of pots (6-8). Children may help with the work of pounding and kneading the clay. In the background, houses made of atakpame (coursed earthen-walls) with thatched roofs are visible. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Clay; Potting; Atakpame; Children's work; Pounding; Dorbour; Drying
Subjects Facet:: Handicraft; Pottery making; Clay mining; Thatched roofs
Identifier:: 6
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

6. Carrying a clay pot by bicycle, Banda, 1994

Description:: A man transports a clay pot, carefully strapped to the back of his bicycle and cushioned beneath by coiled grass leaves. He is returning from one of the potting villages where hs has purchased the clay jar from a potter. More often, pottery was taken to markets by headloading, sometimes sold by potters, but also by women who traded in clay pots. Banda area, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Banda
Subjects:: Potting; Marketing; Jars
Subjects Facet:: Bicycles; Markets; Pottery; Transportation
Identifier:: 10
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Banda
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante

7. Pottery forming techniques, Dorbour and Adadiem, 1994

Description:: This short Banda Heritage video made from still photographic images illustrates the potting techniques of Banda-area potters. It highlights the steps in their draw-and-drag forming method and the tools they use. Among the Nafana potters pictured in the video are Yaa Tenabrɛ, Adwoa Fodjoa, Peni Krah and Ama Donkor from Dorbour. Also pictured is a potter from Adadiem (1994) and an image from Bondakile (1982). Original images used to make the video are available in the Banda Heritage Repository. Dorbour, Adadiem, 1994. Bondakile 1982. Length: 5.05 minutes.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:: Adadiem
Subjects:: Potting; Grinding stone; Women's work; Potting tools; Maize cob
Subjects Facet:: Handicraft; Pottery making; Enameled ware
Creator:: Elisa O'Malley
Contributors:: Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:: English
Date searchable:: 1994;1982
Date searchable:: 2019-04-18
Genre:: Digital video
Genre Facet:: Digital video
Format:: Video
Location(s):: Adadiem;8.082874, -2.552821
Sketchfab Uid:
Commentary:: Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:: 8.082874, -2.552821

8. Unfired clay pots with red slip, Dorbour, 1994.

Description:: A group of unfired clay pots to which red slip (chuma in Nafaanra) has been applied prior to firing. The string of Babobab tree seeds (foreground) is used to burnish the slip. By rubbing the dried slip vigorously with the seeds, the slip adheres to the surface and becomes shiny. To the right rear are several unfired clay eating bowls (kpokpoo in Nafaanra). Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Potting; Burnishing; Slipping; Potting tools; Dorbour; Decoration
Subjects Facet:: Handicraft; Pottery making
Identifier:: 9
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

9. Decorating a clay cooking pot, Dorbour, 1994

Description:: Akua Donkor, a Nafana potter, etches grooves onto the leather-hard surface of a clay cooking pot (sro chͻ in Nafaanra) before it is fired. The lower part of the jar has been surface treated using a maize cob (bledjukaan in Nafaanra) as a roulette. This gives the pot surface texture, over which the grooved design is made. She wears bracelets that sometimes double as tools to decorate pots. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Bracelet; Women's work; Potting; Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:: Handicraft; Pottery making
Identifier:: 32
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

10. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:: Afua Donkor, a Nafana potter, burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The base of the pot is left unslipped. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16916
Location(s) Facet:: Dorbour
Subjects:: Women's work; Potting; Burnishing; Slipping; Potting tools; Dorbour
Subjects Facet:: Handicraft; Pottery making
Identifier:: 12
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

11. A finished clay cooking pot, ready for firing, Dorbour, 1994

Description:: A potter completes decorations on a clay cooking pot (sro chͻ in Nafaanra). Another pot sits nearby, turned upside down. The lower bodies of the pots have been surface treated by rolling a maize cob (bledjukaan in Nafaanra) across the leather-dry surface of the clay jar. Shallow grooved lines have been etched over top. The clay jars are now ready to be fired. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Potting; Cooking pots (sro cho); Maize cob; Potting tools; Dorbour; Decoration
Subjects Facet:: Handicraft; Pottery making
Identifier:: 3
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

12. Decorating a clay cooking pot, Dorbour, 1994

Description:: A potter uses a metal bracelet as a roulette to make shallow grooves on the leather-hard surface of a cooking pot (sro chͻ in Nafaanra). She rolls the bracelet across a surface that has been textured using a maize cob (bledjukaan in Nafaanra) roulette. Next she will make shallow grooves along the boundary between the smooth upper body of the jar and the maize cob-routletted lower areas. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Bracelet; Women's work; Potting; Cooking pots (sro cho); Potting tools; Maize cob roulette; Dorbour; Decoration
Subjects Facet:: Handicraft; Pottery making
Identifier:: 4
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

13. Ann Stahl near Bongase clay pit, 1990

Description:: During the 20th century, potting took place primarily in villages west of the Banda hills (Dorbour, Dumboli, Bondakile). But based on oral histories and archaeological evidence we know that pottery was made more widely across the area in earlier centuries. Here Ann Stahl makes notes on an old clay pit located east of the Ahenkro-Bongase road a short distance south of Bongase. Chuli mountain is visible in the distance. Tall grass characteristic of the rainy season covers the area. South of Bongase, 1990.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bongase
Subjects:: Potting; Chuli; Vegetation; Savanna woodland
Subjects Facet:: Pottery making; Clay mining; Landscapes; Mountains; Grasses
Creator:: Andrew Black
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1990
Date searchable:: 1990
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bongase;8.219437, -2.311567
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.219437, -2.311567

14. Preparing potting clay, Banda area, 1982, 1994

Description:: This short video made from still photographic images shows how potters mine and process the clay they use to make pots. The video includes images of Mo potters in Bondakile and Nafana potters in Dorbour, including Yakosua. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Dorbour, 1994. Length: 2.25 minutes.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:: Bondakile
Subjects:: Potting; Metal pots; Clay; Headpans; Women's work; Children's work
Subjects Facet:: Handicraft; Pottery making; Clay mining
Creator:: Elisa O'Malley
Contributors:: Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:: English
Date searchable:: 1994;1982
Date searchable:: 2019-04-18
Genre:: Digital video
Genre Facet:: Digital video
Format:: Video
Location(s):: Bondakile;7.986031, -2.546331
Sketchfab Uid:
Commentary:: Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:: 7.986031, -2.546331

15. Smoothing the inside of a clay pot, Dorbour, 1994

Description:: Yaa Tenabrԑ, a Nafana potter, stands as she uses a spatula-like tool to smooth and thin the walls of a large clay pot which she is molding. She has shaped the pot using a draw-and-drag (direct pull) technique, beginning with a lump of clay and using her hands to draw the clay upwards and outwards. The pot rests on a round metal plate (kpankpa in Nafaanra) that can be turned on the stump on which it sits and on which the pot can be moved and set aside as it dries. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Women's work; Potting; Potting tools; Dorbour
Subjects Facet:: Handicraft; Pottery making
Identifier:: 20
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

16. Making water storage pots, Dorbour, 1994

Description:: A potter sits on a stool as she molds the upper body of a clay water jar (chͻkoo in Nafaanra). In her right hand she uses a maize cob (bledjukaan in Nafaanra), pulling it against the exterior surface to smooth and thin the clay. In the foreground are water jars whose leather-hard upper body and rim have been joined to a rounded base, their clay bases still moist and not yet smoothed. Large wooden mortars and a headpan containing moist clay sit nearby as she works in the shade of an open-sided room. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Potting; Maize cob; Water jars (chokoo); Potting tools; Dorbour; Headpans
Subjects Facet:: Handicraft; Pottery making; Pottery; Mortars & pestles
Identifier:: 2
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

17. Shaping a clay pot, Dorbour, 1994

Description:: A potter seated on the ground starts to form a clay pot. She begins with a lump of clay resting on a metal plate (kpankpa in Nafaanra) which she can turn as she uses a draw-and-drag (direct pull) technique to shape the pot. A second lump of clay has already begun to be formed (lower left) and a clay bowl contains water that she uses to moisten the clay as needed (lower right). Lying on the metal plates to the left are tools that she will use as she forms the pot including two maize cobs, a spatula and a stone. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Women's work; Potting; Potting tools; Maize cobs; Dorbour
Subjects Facet:: Handicraft; Pottery making
Identifier:: 27
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

18. Decorating a clay soup pot, Dorbour, 1994

Description:: Akua Donkor, a Nafana potter, uses a rounded-edged tool to make shallow grooves on the upper body of a soup pot (chiin sinyjͻlͻ in Nafaanra). The clay pot has been allowed to dry to a leather-hard state before the decorations are applied. She has used a maize cob (bledjukaan in Nafaanra) as a roulette (roller) to surface treat the base of the clay pot. A single grooved line sets the maize cob rouletted zone from the smoothed surface above it. The woman wears bracelets that can double as tools for decorating pots. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Bracelet; Women's work; Potting; Potting tools; Maize cob roulette; Dorbour; Soup pots (chiin sinyjolo); Decoration
Subjects Facet:: Handicraft; Pottery making
Identifier:: 25
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

19. Large clay pit west of Bui Village, 1989

Description:: Two men (left) stand on the edge of a deep pit previously mined by potters from around Bui Village as a source of potting clay. The deep clay pit was used before the mid-20th century when potters were still practicing their craft east of the Banda hills. The clay pit was located along a stream which drained into the Black Volta on its south bank, on the road leading west from Bui Village. The pit was located in an area later flooded by the rising waters of Bui Lake after construction of the Bui Dam. A red-and-white 2 meter photo scale stands upright in the pit to show the pit's depth. West of Bui, 1989.
Rights:: Creative Commons Attribution--NonCommercial
Publisher:: University of Victoria Libraries
Date:: 1989
Location(s) Facet:: Bui
Subjects:: Potting
Subjects Facet:: Handicraft; Clay mining; Pottery making
Creator:: Dr. Ann B. Stahl
Date searchable:: 1989
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Format:: Image
Location(s):: 8.288707, -2.279565
Date Digitized:: 2016
Sketchfab Uid:
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.288707, -2.279565

20. Banda Heritage Event: Dorbour Potters

Description:: At a day-long celebration of the Banda area's rich cultural heritage at the Banda Cultural Centre in Banda-Ahenkro, a group of potters from Dorbour demonstrated their skills for a community audience. Using pre-prepared clay, the potters showed how they form the body and rim of pottery jars, which are then set aside to dry before the pot's base is added. The video showcases some of their finished products and an announcer describes to the audience in Nafaanra some of steps involved in firing and finishing pots. Afterwards, the potters look at examples of archaeological pots in the Banda Cultural Centre and talk with archaeologist Ann Stahl about what is known from archaeological sites about potting in the past. Ahenkro, 28 June, 2019. Length: 00:25:14.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Date:: 2019-06-28
Location(s) Facet:: Ahenkro
Subjects:: Potting; Women's work
Subjects Facet:: Pottery; Jars; Heritage
Creator:: Dr. Ann B. Stahl
Contributors:: Mary Yakosua; Yaa Kofua; Yaa Fordjour; Ama Dadia; Yaa Tabla; Mafua; Elikpim Kuto; Esi Koah Arko
Date searchable:: 2019
Date searchable:: 2019-06-28
Genre Facet:: Digital video
Format:: Video
Source:: Dr. Ann B. Stahl
Language Facet:: Nafaanra; Twi; English
Location(s):: Ahenkro;8.166006, -2.354521
Sketchfab Uid:
Geographic Coordinates:: 8.166006, -2.354521

21. Molding a clay jar, Bondakile, 1982

Description:: A potter uses a metal spatula as she forms the neck area of clay jar which she has shaped using a draw-and-drag (direct pull) technique. The striations on the body of the jar were created by a maize cob (bledjukaan in Nafaanra) which she used to shape and smooth the pot's wall. These will be smoothed away as she continues to form the pot. She moves around the stump on which the pot rests as she works. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Maize cob; Potting tools; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 5
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

22. Molding a clay jar, Bondakile, 1982

Description:: A potter uses a maize cob (bledjukaan in Nafaanra) to smooth the surface of clay jar body that she is molding by a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she has drawn the clay upward and outward, thinning the walls as she works. Here she moves clockwise around the stump that holds the palette (kpankpa in Nafaanra) on which the jar is being formed as she draws the maize cob up, pulling it towards her body. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Maize cob; Potting tools; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 2
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

23. Molding a clay jar, Bondakile, 1982

Description:: A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Here she uses a flat metal spatula to smooth the now-formed jar's exterior surface. She places the edge of her tool at the neck and makes downward strokes to create a smooth surface on the moist clay. As she works, she moves around the stump that supports the palette (kpankpa in Nafaanra) on which the jar is being formed. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Potting tools; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 6
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

24. A potter's tools, Dorbour, 1994

Description:: A potter's tools are laid out for view. Sitting on a well-worn clay-smeared grinding stone are two maize cobs (left; bledjukaan in Nafaanra), half of a seed pod from a tree (jenge in Nafaanra), and a spatula (unknown material). An enamel-ware pot holds several water-worn pebbles, several of which also sit in front of the grindstone. Pebbles (gbeliͻ in Nafaanra) are used to burnish the surface or make decorations on the pot's surface. In front of the grinding stone are two iron rings or "bracelets." The one with a wide flat side (gbooroo in Nafaanra) is used to scrape and thin the pot's walls after they have been allowed to dry. The other can be used to decorate pots. A small clay bowl holds water and a piece of cloth used to moisten and smooth the surface of the pot after it is formed. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Potting; Maize cob; Potting tools; Dorbour; Grinding stone; Decoration; Women's work
Subjects Facet:: Handicraft; Pottery making; Enameled ware
Identifier:: 18
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

25. Young women going to market, Adadiem, 1994

Description:: Young women carry headpans loaded with blackened clay bowls as they head to market. One girl has secured her load with rope netting. Standing right is the daughter of Yao Mosi. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Headloading; Women's work; Potting; Adadiem; Headpans; Marketing
Subjects Facet:: Pottery; Lifting and carrying; Marketing
Identifier:: 11
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

26. Clay jars for sale, Bondoukou market, 1994

Description:: Clay cooking pots (sro chͻ in Nafaanra) stacked at the Bondoukou market awaiting sale. Women have brought these pottery jars from potting villages in Banda (e.g., Dorbour) and the surrounding region (e.g. Bondakile). Bondoukou, Côte d’Ivoire, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondoukou
Subjects:: Cooking pots (sro cho) ; Marketing; Jars
Subjects Facet:: Markets; Pottery
Identifier:: 24
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondoukou;8.040654, -2.801507
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.040654, -2.801507

27. Clay lumps ready for use, Dorbour, 1994

Description:: A potter handles a lump of clay that she will use to make a clay pot. Other lumps, each of which will be used to make a pot, are stacked on a metal tray awaiting use. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Clay; Dorbour; Potting
Subjects Facet:: Handicraft; Pottery making
Identifier:: 12
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

28. Dorbour potters at a heritage celebration, 2019

Description:: Nafana potters from Dorbour demonstrate their potting practices during a heritage celebration organized by the Banda Heritage Initiative. Two women (Mary Yakosua, left) are in the process of forming the upper bodies of jars using clay that they brought from Dorbour. Ahenkro, 28 June, 2019.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-19205
Location(s) Facet:: Ahenkro
Subjects:: Banda Cultural Centre
Subjects Facet:: Heritage; Community event; Nafana (African people); Pottery; Pottery making
Creator:: Kelvin Asare
Date searchable:: 2019
Date searchable:: 2019-06-28
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Ahenkro;8.165961, -2.354312
Sketchfab Uid:
Geographic Coordinates:: 8.165961, -2.354312

29. Remains of pottery firings, Adadiem, 1994

Description:: Though potters work individually when they make clay pots, they help each other when they fire their pots. In the foreground are the ashes left by earlier fires, and in the background women tend to ongoing bonfires. Stacks of firewood are visible in the background. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Adadiem; Bonfire; Potting; Jars
Subjects Facet:: Pottery making; Pottery; Firing (ceramics); Firewood
Identifier:: 11
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

30. Grinding bowls packed in grass for transport to market, Techiman, 1994

Description:: In order to transport clay pots by motor vehicle, they must be carefully packed and padded. Here, blackened clay grinding bowls packed in grass have arrived in Techiman market from potting villages in Banda. Techiman, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16892 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16891
Location(s) Facet:: Techiman
Subjects:: Grinding bowls; Techiman; Marketing
Subjects Facet:: Markets; Pottery; Transportation
Identifier:: 31
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Techiman;7.590234, -1.941717
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.590234, -1.941717

31. Clay bowls ready for firing, Adadiem, 1994

Description:: A woman stacks clay grinding bowls on top of wood in preparation for a bonfire firing. The bowls are placed to ensure even exposure to the heat of the bonfire. She will place additional fuel on top of the bowls before lighting the fire. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Grinding bowls; Women's work; Potting; Adadiem; Bonfire; Bowls
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:: 30
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

32. Hearth made with clay pots, Adadiem, 1994

Description:: In some of the area's potting villages, women make hearths using clay pots rather than stones (gbunu in Nafaanra). Three pots are placed close to one another, with their rims turned down. A clay jar tipped on its side sits to the right and metal pots are stacked to the left. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Adadiem
Subjects Facet:: Metal pots; Hearths; Pottery
Identifier:: 36
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

33. Remains of a pottery-firing bonfire, Bondakile, 1982

Description:: The remains of a pottery-firing bonfire after the newly fired pots have been removed. Most of the jars visible here were fired prior to this bonfire. Broken or otherwise flawed, they were used to create a bank around the bonfire at its base. The bonfire's fuel has been reduced to an ash layer that remains in the center. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Bonfire; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 29
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

34. Clay pot sellers in the Bondoukou market, 1994

Description:: A woman inspects a clay jar for sale in the Bondoukou market. Large and small cooking pots (sro chͻ in Nafaanra) and a bowl are displayed for sale. During the 20th century women from Banda potting villages and surrounding areas headloaded their pottery to sell at Bondoukou's weekly market. Bondoukou, Côte d’Ivoire, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondoukou
Subjects:: Cooking pots (sro cho); Marketing; Jars
Subjects Facet:: Markets; Pottery
Identifier:: 4
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondoukou;8.040654, -2.801507
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.040654, -2.801507

35. Women heading to market, Dorbour, 1994

Description:: Women headloading pottery prepare to leave Dorbour to walk to the weekly market in Bondoukou, a distance of more than 30 km. They have secured the clay pots by tying nettting or cloth around them. The women are not necessarily potters. Some women trade in clay pots but do not make them. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Headloading; Dorbour; Headpans; Potting
Subjects Facet:: Markets; Pottery; Lifting and carrying; Transportation
Identifier:: 4
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

36. Partially formed clay jars drying, Bondakile, 1982

Description:: These partially formed clay jars (chͻ in Nafaanra) are drying, resting on the palette (kpankpa in Nafaanra) on which they were formed. Once dried to a leather-hard state, the potter removes them from the plate and, using fresh moist clay, adds a rounded base to the jar. To the left, a metal cooking vessel rests nearby. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Metal pots; Potting; Drying; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 10
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

37. Pottery firing, Bondakile, 1982

Description:: A potter tends the bonfire in which clay pottery jars are being fired. She uses a long pole to adjust the grass fuel laid on top of the pots and the wood fuel beneath them. A bank of previously fired and broken pots holds the fire in place. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Women's work; Potting; Bonfire
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 19
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

38. Shaping a clay jar, Dorbour, 1994

Description:: Peni Krah, a Nafana potter, sits on the ground and uses her left hand to turn the palette (kpankpa in Nafaanra) on which she has molded a clay soup pot (chiin sinyjͻlͻ in Nafaanra), smoothing its rim with a moist cloth held in her right hand. The headpan to her right contains moist clay. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Women's work; Soup pots (chiin sinyjolo); Dorbour; Potting
Subjects Facet:: Handicraft; Pottery making
Identifier:: 16
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

39. Clay grinding bowls drying, Bondakile, 1982

Description:: A toddler girl wearing a protective strand of beads sits beside finished clay grinding bowls that have been set aside to continue drying before firing. The scoring on the interior of the bowl provides a rough surface against which cooked vegetables can be ground into a paste before being added to a soup. These bowls may also serve as men's eating bowls (pԑԑ in Nafaanra). Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Grinding bowls; Potting; Drying
Subjects Facet:: Handicraft; Pottery making; Pottery; Beads
Identifier:: 12
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

40. Pottery sherd with slag temper, Ngre Kataa, 2008

Description:: Side view of a broken pottery sherd with a large slag inclusion. The use of crushed slag as a tempering material included in potting clay is first seen in pottery associated with Ngre phase sites in the Banda area. The use of crushed slag as a temper intensifies during Kuulo phase times, after which it becomes uncommon. Ngre Kataa, June, 2008.
Rights:: Creative Commons Attribution--NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Ngre Kataa, Mound 8, Unit 8N 127E, Level 9
Date:: 2008-06-24
Location(s) Facet:: Ngre Kataa
Subjects:: Slag
Subjects Facet:: Archaeology; Pottery; Pottery making; Artifacts (Antiquities)
Identifier:: NK08-046
Creator:: Dr. Ann B. Stahl
Date searchable:: 2008-06-24
Date searchable:: 2008
Genre:: Digital image
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Ngre Kataa;8.11277778, -2.30611111
Sketchfab Uid:
Geographic Coordinates:: 8.11277778, -2.30611111

41. Removing clay pots from the firing, Bondakile, 1982

Description:: A potter uses a pole to carry a hot clay jar from the smoldering bonfire (behind). She is carrying it to a pottery bowl that contains a solution of pounded bark into which she will dip the jar to create a finish. Newly fired pots are visible in the remains of the bonfire, lying on their sides. A row of upturned, previously fired but broken pots forms a bank around the bonfire's edge. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Women's work; Potting; Bonfire
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 22
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

42. Bark solution used to finish clay pots, Bondakile, 1982

Description:: Potters place the pounded bark of specific trees (surom, layene, koko or lakroas they are known in Nafaanra) in water to create a solution used to finish pots. The red-colored solution carbonizes on the surface of hot pots just removed from the bonfire. Here, the prepared solution awaits as the pots are being fired. A plastic container floats on the surface. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17219
Location(s) Facet:: Bondakile
Subjects:: Potting; Plastic containers; Finishing; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 20
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

43. Pottery firing, Bondakile, 1982

Description:: Sheep feed on the edges of a bonfire where clay jars are being fired. Grass has been laid as fuel over the carefully stacked pottery. Wood fuel lies beneath. At the bonfire's base, the broken pots used to bank the fire are visible. The fire will be allowed to burn down, after which the jars will be removed and, while still hot, dipped in a bark solution that coats the pot with a finish. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Bonfire
Subjects Facet:: Handicraft; Sheep; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 13
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

44. Removing clay pots from a bonfire, Bondakile, 1982

Description:: As the bonfire burns down, a helper uses a long pole to prepare the newly fired clay pots for removal. The neatly stacked pots lie on their sides. Around the edges, a bank of previously fired and broken pots, some turned upside-down, were used to hold the fuel and pots in place as the bonfire was built. The bonfire burns rapidly, the firing process lasting between about 30 minutes to an hour. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Bonfire; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 26
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

45. Shaping a clay pot, Dorbour, 1994

Description:: A seated Nafana potter uses her hands to mold the sides of a clay pot. Beginning with a lump of clay placed on a round palette (kpankpa in Nafaanra), she has used a draw-and-drag (direct pull) technique to form the pot. Nearby are the enamel ware plates that she uses as palettes or turntables on which to form pots. Another partially shaped pot is visible at the top of the photo. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Potting; Women's work ; Dorbour
Subjects Facet:: Handicraft; Pottery making; Enameled ware
Identifier:: 20
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

46. Newly fired clay jars, Bondakile, 1982

Description:: Clay pottery jars cool and dry after having been fired and dipped in a finishing bark solution. Once fully cooled, the jars will be stacked and stored before being sent to markets around the area. Jars like these (sro chͻ in Nafaanra) are used to prepare food, for example boiling yams and other tubers. To the right rear, wood is stored on a raised platform, awaiting use in cooking hearths. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Cooking pots (sro cho); Jars
Subjects Facet:: Food preparation; Pottery making; Pottery; Firewood
Identifier:: 28
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

47. Pottery forming techniques, Bondakile, 1982

Description:: This short video made from still photographic images shows how Mo potters in Bondakile make clay jars using a draw-and-drag technique. The focus is on forming of the jar's body and rim. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Length: 2.59 minutes.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17151 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352
Location(s) Facet:: Bondakile
Subjects:: Potting; Forming; Women's work; Maize cob; Jars
Subjects Facet:: Handicraft; Pottery making
Creator:: Elisa O'Malley
Contributors:: Dr. Ann B. Stahl; Dr. Ann B. Stahl
Language:: English
Date searchable:: 1982
Date searchable:: 2019-04-18
Genre:: Digital video
Genre Facet:: Digital video
Format:: Video
Location(s):: Bondakile;7.986031, -2.546331
Sketchfab Uid:
Commentary:: Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:: 7.986031, -2.546331

48. Shaping a clay pot, Adadiem, 1994

Description:: A standing potter bends over as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) which allows her to move the pot aside to dry once its body and rim are formed. Once dry, she will add a rounded base. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Forming; Women's work; Potting; Adadiem
Subjects Facet:: Handicraft; Pottery making
Identifier:: 13
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

49. Clay grinding bowls drying, Bondakile, 1982

Description:: Unfinished clay grinding bowls dry on the palettes (kpankpa in Nafaanra) on which they were formed. After they have dried to a leather-hard state, the potter will remove them from their palettes and score their interiors. The scoring creates a grinding surface used to process vegetables which are added to soups. These bowls may also serve as men's eating bowls (pԑԑ in Nafaanra). Immediately behind the drying bowls is a hearth, swept clean of ashes. Pottery jars can be seen drying in background, right. A chicken forages nearby. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Grinding bowls; Potting; Drying
Subjects Facet:: Handicraft; Pottery making; Hearths; Pottery; Chickens
Identifier:: 11
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

50. Bonfire firing of clay pots, Adadiem, 1994

Description:: Potters in Adadiem place bark over clay pots that have been stacked on top of a bed of firewood. The bonfire has been lit and the bark serves as additional fuel. More red-slipped clay pots sit behind, waiting for the next firing. One woman carries a child on her back. The bonfire will burn for between 30 minutes and an hour, after which the pots will be ready for use or sale. Abena Donkor (far right) assists while Solomon Kojo, young boy in brown shorts, looks on. Two photos. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Potting; Bonfire; Women's work; Adadiem
Subjects Facet:: Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:: 22; 30
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

51. Forming the base of a clay pot, Dorbour, 1994

Description:: Ama Donkor, a Nafana potter, sits as she uses moist clay to form the base of a soup pot (chiin sinyjͻlͻ in Nafaanra). She is adding the base to a body and rim that she made the day before and set aside to dry. The clay pot rests on a metal plate that she can turn as she works (kpankpa in Nafaanra). She adds small lumps of clay as she gradually builds the rounded base of the pot. Three photos. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Potting; Headpans; Women's work; Soup pots (chiin sinyjolo); Forming; Dorbour
Subjects Facet:: Pottery making; Handicraft
Identifier:: 31
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

52. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:: Dried clay jars are carefully placed on top of firewood in preparation for firing. Their surfaces have been textured by rolling a maize cob (bledjukaan in Nafaanra) over the jars' lower surface (maize cob roulette) and decorated with shallow arched grooves made when the pot was in a leather-hard state. Additional fuel will be placed on top of the stacked pottery before the fire is lit. After the fire has burned down the pots will be removed and finished by being dipped while hot in a bark solution. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Bonfire; Maize cob roulette; Decoration
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:: 37
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

53. Banda in the 18th & 19th centuries. Poster, 2011

Description:: An educational poster with pictures and text which describes Banda-area village life during the 18th and 19th centuries based on oral histories, written sources and archaeology. It describes early written references to Banda and briefly summarizes what has been learned about handicrafts like potting and cloth-making based on archaeological excavations at Makala Kataa. It is one of five posters prepared for a Banda community event held in July, 2011. Printed versions of the posters are housed in the Banda Cultural Centre, Ahenkro.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17068 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17060 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17067
Location(s) Facet:: Banda
Subjects:: Makala Kataa; Community engagement; Poster
Subjects Facet:: Handicraft; Pottery making; Spinning; Elmina Castle (Elmina, Ghana); Wars; Oral history; Tobacco pipes; Beads; Heritage
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1700-1875
Date searchable:: 2011-06
Genre:: Poster
Genre Facet:: Poster
Format:: Image
Language Facet:: English
Location(s):: Banda
Date Digitized:: 2016

54. Large slag nodule, Ngre Kataa, Mound 8, 2008

Description:: Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
Rights:: Creative Commons Attribution--NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Ngre Kataa, Mound 8, Unit 8N 127E, Level 3
Date:: 2008-06-23
Location(s) Facet:: Ngre Kataa
Subjects:: Slag
Subjects Facet:: Archaeology; Metalworking; Metallurgy; Pottery making; Artifacts (Antiquities)
Identifier:: NK08-027
Creator:: Dr. Ann B. Stahl
Date searchable:: 2008
Date searchable:: 2008-06-23
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Ngre Kataa;8.11277778, -2.30611111
Sketchfab Uid:
Geographic Coordinates:: 8.11277778, -2.30611111

55. Large slag nodule, Ngre Kataa, Mound 8, 2008

Description:: Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
Rights:: Creative Commons Attribution--NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Ngre Kataa, Mound 8, Unit 8N 127E, Level 3
Date:: 2008-06-23
Location(s) Facet:: Ngre Kataa
Subjects:: Slag
Subjects Facet:: Archaeology; Metalworking; Metallurgy; Pottery making; Artifacts (Antiquities)
Identifier:: NK08-027
Creator:: Dr. Ann B. Stahl
Date searchable:: 2008-06-23
Date searchable:: 2008
Genre Facet:: Digital image
Source:: Dr. Ann B. Stahl
Location(s):: Ngre Kataa;8.11277778, -2.30611111
Sketchfab Uid:
Geographic Coordinates:: 8.11277778, -2.30611111

56. Clay jars stacked on firewood, awaiting firing, Bondakile, 1982

Description:: Finished and dried clay pottery jars are carefully placed on top of firewood in preparation for firing. Previously fired broken or flawed pots are used to bank the fuel, keeping it in place. Additional fuel will be placed on top of the stacked pottery and the fuel set on fire. The resulting bonfire will be allowed to burn down, after which the pots will be removed and finished while hot by being dipped in a bark solution. Mensah Listowell, Research Assistant (blue shirt), stands by as the potters prepare to place more fuel on the stacked pottery. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Women's work; Potting; Bonfire; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Identifier:: 36
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

57. Bonfire firing of clay pots, Adadiem, 1994

Description:: Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Potting; Bonfire; Grinding bowls; Women's work
Subjects Facet:: Handicraft; Pottery; Firing (Ceramics)
Identifier:: 37
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

58. Molding a clay jar, Bondakile, 1982

Description:: With moistened hands, a standing potter smooths the rim of a partially finished clay jar. As she works, she moves clockwise around the wooden stump that supports the palette (kpankpa in Nafaanra) on which the pot is being molded. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 8
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

59. Learning to make clay pots, Dorbour, 1994

Description:: Adwoa Miwo (right) learns to make clay pots from her experienced potter mother, Peni Ngunu Chͻ (center), as they work together in the interior courtyard of their house. Mosi Nyuu (husband and father) looks on. Partially finished clay jars sit nearby, resting on the palettes (kapankpa in Nafaanra) on which they have been formed. The more experienced mother is making a larger jar than her apprentice daughter. Also placed around the house's interior courtyard are two dark-colored clay soup pots (chiin sinyjͻlͻ in Nafaanra) and a wooden mortar (right). Thatch- and metal-roofed rooms surround the courtyard. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Women's work; Learning; Dorbour; Potting
Subjects Facet:: Handicraft; Pottery making; Thatched roofs; Mortars & pestles; Metal roofing; Courtyards; Pottery; Apprentices
Identifier:: 17
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

60. Clay pots for sale in the Bondoukou market, 1994

Description:: During the 20th century women from the potting villages of Dorbour, Adadiem and other locations west of the Banda hills sold their pots in markets centers to the east and the west. Here women sell clay pots in the market at Bondoukou in Côte d’Ivoire. Visible are varied-sized cooking pots (sro chͻ in Nafaanra), water jars (chͻkoo in Nafaanra) and grinding bowls (pԑԑ in Nafaanra). Only the grinding bowls are blackened which was a fashion that came in sometime in the 20th century. Bondoukou, Côte d’Ivoire, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondoukou
Subjects:: Grinding bowls; Water pots (chokoo); Women's work; Cooking pots (sro cho); Marketing; Jars
Subjects Facet:: Markets; Pottery
Identifier:: 8
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondoukou;8.040654, -2.801507
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.040654, -2.801507

61. Scraping a clay pot, Dorbour, 1994

Description:: Yaa Tenabrԑ, a Nafana potter, sits on a wooden stool as she scapes the interior of a large clay pot. A metal bucket containing moist clay covered in plastic sits nearby. A well-worn grinding stone is visible at the top of the photo, on top of which rests a pink plastic cup. A small clay bowl filled with water sits next to it. The blue headpan to the right can no longer be used to carry things, but it remains useful as a support or stand for other things like round-based water storage pots. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Women's work; Potting; Plastic containers; Dorbour; Headpans; Metal buckets; Grinding stone
Subjects Facet:: Handicraft; Pottery making
Identifier:: 19
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

62. Burnishing a red-slipped clay pot, Dorbour, 1994

Description:: Afua Donkor, a Nafana potter burnishes a dried but as-yet unfired clay pot on which she has applied a red slip (chuma in Nafaanra). She uses a strand of Baobab tree seeds (wasawasa in Nafaanra) to rub the slip, helping the color to adhere to the pot's surface and giving it a sheen. The slip is a thin solution made by mixing a red soil found on the Brawhani road with water. Some is contained in a small can sitting on the ground (left). Finished, unfired pots sit in the room behind the potter. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16917
Location(s) Facet:: Dorbour
Subjects:: Women's work; Potting; Burnishing; Slipping; Dorbour
Subjects Facet:: Handicraft; Pottery making
Identifier:: 27
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

63. Fired and finished clay jars, Bondakile, 1982

Description:: A group of four clay jars cool after being removed from the bonfire and dipped in bark solution. The solution carbonizes as it comes in contact with the hot surface of the pot, creating a glossy darkened surface that reduces the jar's porosity. A portion of one jar's rim has broken off during the firing and finishing process. Visible on the lower pot surfaces is the maize cob (bledjukaan in Nafaanra) roulette applied to create a roughened surface prior to firing. Shallow grooves used to decorate the upper surfaces are visible on the jar in the foreground. Pieces of bark from the bark solution adhere to the jars' surfaces. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondakile
Subjects:: Potting; Maize cob roulette; Decoration
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:: 25
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

64. Finished, fired clay pots, Adadiem, 1994

Description:: Clay pots that have been fired and finished by dipping in a bark solution cool as a group looks on. To the right, a woman is dipping a clay pot just removed from the fire in a bark solution contained within a large metal cooking pot. She uses a long pole to turn the pot. The bark solution carbonizes as it comes in contact with the hot clay surface, creating a darkened sheen, as on the pots to the left. From left, Vida, Enoch Mensah (research assistant, blue shirt) and Obimpeh. Center and right, Yaa Sunyani (blue head scarf) Akua Kpͻͻ and Yaa Kpͻͻ (pink top). In the background (right) a fenced kitchen garden is visible. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Potting; Metal pots; Finishing; Soup pots (sro cho); Headpan
Subjects Facet:: Handicraft; Gardens; Pottery; Firing (Ceramics)
Identifier:: 20
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Location(s):: Adadiem;8.082874, -2.552821
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.082874, -2.552821

65. Clay pots for sale in the Bondoukou market, 1994

Description:: During the 20th century women from the potting villages of Dorbour, Adadiem and other locations west of the Banda hills sold their pots in markets centers to the east and the west. Here women sell clay pots in the market at Bondoukou in Côte d’Ivoire. Visible are varied-sized cooking pots (sro chͻ in Nafaanra), water jars (chͻkoo in Nafaanra), soup pots (chiin sinyjͻlͻ in Nafaanra) and grinding bowls (pԑԑ in Nafaanra). Also for sale in the foreground are clay eating bowls that appear to have been fired in a kiln (?) rather than a bonfire. Bondoukou, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Bondoukou
Subjects:: Grinding bowls; Water pots (chokoo); Cooking pots (sro cho); Marketing; Eating bowls ; Jars; Soup pots (chiin sinyjolo)
Subjects Facet:: Markets; Pottery
Identifier:: 9
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondoukou;8.040654, -2.801507
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.040654, -2.801507

66. Pottery firing techniques, Bondakile, Adadiem and Dorbour, 1982, 1994

Description:: This short video made from still photographic images illustrates the firing techniques of Banda-area potters. It shows examples of bonfire firing and post-firing treatment of vessels in a solution of pounded bark. Images include a 1982 sequence following Mo potters in Bondakile and 1994 images of Nafana potters in Adadiem and Dorbour, featuring Afua Donkor and Yaa Nsiah Adiemu from the latter. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Adadiem, Dorbour, 1994. Length: 4.22 minutes.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Location(s) Facet:: Adadiem
Subjects:: Potting; Bonfire; Water jars; Grinding bowls; Women's work
Subjects Facet:: Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Creator:: Elisa O'Malley
Contributors:: Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Language:: English
Date searchable:: 1982;1984
Date searchable:: 2019-04-18
Genre:: Digital video
Genre Facet:: Digital video
Format:: Video
Location(s):: Adadiem;7.986031, -2.546331
Sketchfab Uid:
Commentary:: Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:: 7.986031, -2.546331

67. Pounding bark used to finish clay pots, Dorbour, 1994

Description:: Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Headpans ; Women's work; Potting; Pounding; Dorbour; Soup pots (chiin sinyjolo)
Subjects Facet:: Handicraft; Pottery making; Mortars & pestles; Pottery
Identifier:: 22
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

68. Bonfire firing of clay pots, Adadiem, 1994

Description:: Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut (boŋgrɛ in Nafaanra) shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Adadiem
Subjects:: Grinding bowls; Women's work; Potting; Bonfire
Subjects Facet:: Handicraft; Pottery; Firing (Ceramics)
Identifier:: 37
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Adadiem;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

69. Preparing the firewood for firing clay pottery, Dorbour, 1994

Description:: Afua Donkor, a Nafana potter, selects and places fuel as she prepares to fire clay soup pots (chiin sinyjͻlͻ in Nafaanra) that have been slipped red. Other clay pots sit nearby awaiting firing, some in a headpan. The pots are carefully stacked on top of the wood and additional fuel placed on top. Additional firewood is stacked behind and in front lays the bark that she will use to cover the clay pots before lighting the bonefire. Once lit, the bonfire will burn for between 30 and 60 minutes, after which the fired pottery will be hardened, useable and ready for sale. Two photos. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Soup pots (chiin sinyjolo); Bonfire; Headpan; Potting; Jars; Slipping
Subjects Facet:: Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:: 21; 29
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

70. Dipping clay pots in bark solution, Bondakile, 1982

Description:: Potters and their helpers place hot clay jars, just removed from the bonfire, into a solution made from pounded tree bark. They use their long wooden poles to carry the pots to large pottery bowls containing the bark solution. They dip and turn the pot in the solution, allowing it to carbonize on the surface of the hot jar. This finishing step colors the jar's surface and makes its walls less porous which is said to improve its cooking performance. The remains of the bonfire, banked by previously fired broken pots, can be seen in the rear center. Four photos. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16840
Location(s) Facet:: Bondakile
Subjects:: Potting; Finishing; Women's work; Jars
Subjects Facet:: Firing (Ceramics); Pottery; Handicraft; Pottery making
Identifier:: 24
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

71. Molding a clay jar, Bondakile, 1982

Description:: A potter uses a draw-and-drag (direct pull) technique as she begins to mold the body and rim of a pottery jar from a lump of moist clay. The clay rests on a palette (kpankpa in Nafaanra) supported by a stump. She moves clockwise around the stump as she uses her hands to pull the clay upward and outward to form the walls of the pot. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: Slide number 38
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

72. Scraping a clay pot, Dorbour, 1994

Description:: Adwoa Fodjoa, a Nafana potter, sits on a wooden stool as she thins the inside walls of a clay water pot (chͻkoo in Nafaanra). The pot has been formed and set aside to dry before the potter thins its walls. The round-based pot rests on a cloth as she works. Other water pots on which she is working sit near her, turned upside down. A metal plate that she uses as a palette (kpankpa in Nafaanra) on which to form pots sits by her foot. The clay jar in front of the pot on which she is working contains the water she uses to moisten the pot as needed. A tray with lumps of clay and two enamel ware pots sit nearby. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Forming; Women's work; Potting; Dorbour; Water pots (chokoo)
Subjects Facet:: Handicraft; Pottery making; Enameled ware
Identifier:: 17
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137

73. A partially formed clay jar, Bondakile, 1982.

Description:: A potter has completed the draw-and-drag (direct pull) molding of a clay jar body and rim. The surface of the jar has been moistened and smoothed. It will be set aside to dry. Once it has dried to a leather-hard state, she will remove the partially finished jar from the palette (kpankpa in Nafaanra) on which she formed it and will add a rounded base using fresh, moist clay. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 9
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

74. Molding a clay jar, Bondakile, 1982

Description:: A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she has drawn the clay upward and outward with her hands. Here she begins to shape the form of the jar's neck and outward-flaring rim. As she works, she moves backwards around the stump that supports the palette (kpankpa in Nafaanra) on which the jar is being formed. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 4
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

75. Clay smoking pipe bowl, Kuulo Kataa, 2000

Description:: Broken bowl of a locally made clay smoking pipe, 2 views (left: bowl interior; right: bowl exterior). Pipes like this were made across West Africa after Europeans learned the practice of smoking tobacco from First Peoples of the Americas and introduced it to Africa in early centuries of the trans-Atlantic trade. This pipe bowl has a flared pedestal base decorated with red paint. The oval bowl is decorated with vertical rows of triangular impressions, above which are two grooved lines and an area with red paint. The bowl's interior is blackened from use toward its base. The bowl's rim and its stem are missing. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 28 June, 2000.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Kuulo Kataa, Mound 130, Unit 95E 110N, Level 4
Date:: 2000-06-28
Location(s) Facet:: Kuulo Kataa
Subjects Facet:: Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:: SF KK 00-233
Creator:: Dr. Ann B. Stahl
Date searchable:: 2000
Date searchable:: 2000-06-08
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Kuulo Kataa;8.14847222, -2.37472222
Sketchfab Uid:
Commentary:: Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:: 8.14847222, -2.37472222

76. Molding a clay jar, Bondakile, 1982

Description:: A standing potter puts the finishing touches on the rim of a clay jar that she has molded using a draw-and-drag (direct pull) technique. She has finished the body, neck and rim of the jar and will now set it aside to dry. After it has dried to a leather-hard state, she will remove the jar from the palette (kpankpa in Nafaanra) on which it has been formed and she will add a rounded base. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 7
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

77. Molding a clay jar, Bondakile, 1982

Description:: A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. As she began she drew the moist clay upward and outward from the lump with which she started. Here she shapes the jar's neck and outward flaring rim. Before doing so, she has smoothed away finger marks created as she formed the jar's body. As she works, she moves around the stump that supports the palette on which the jar is being formed. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 3
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

78. Molding a clay jar, Bondakile, 1982

Description:: A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she draws the clay upward and outward from the center as she moves clockwise around the stump that holds the movable palette (kpankpa in Nafaanra) on which the jar is being formed. The fingermarks left as she pulls and thins the clay will be smoothed over as she continues to shape the jar. Bondakile, October, 1982.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Location(s) Facet:: Bondakile
Subjects:: Forming; Women's work; Potting; Jars
Subjects Facet:: Handicraft; Pottery making; Pottery
Identifier:: 1
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1982
Date searchable:: 1982-10
Genre:: 35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Bondakile;7.986031, -2.546331
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 7.986031, -2.546331

79. Clay smoking pipe bowl, Kuulo Kataa, 2000

Description:: Broken bowl of a locally made clay smoking pipe, 2 views (left: bowl interior; right: bowl exterior). Pipes like this were made across West Africa after Europeans learned the practice of smoking tobacco from First Peoples of the Americas and introduced it to Africa in early centuries of the trans-Atlantic trade. This pipe bowl flares outward toward its rim and inward toward its base. Its inward-flaring bottom is decorated with red paint in a zone marked by a deep horizontal groove. Above this, decorated zones are separated by two vertical grooves. Zones of hatched incised lines alternate with vertical rows of rectangular impressions. The top half of the bowl's interior is blackened from use. The bowl's base and the pipe's stem are missing. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 6 July, 2000.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Kuulo Kataa, Mound 123, Unit 89E 86S, Level 8
Date:: 2000-07-06
Location(s) Facet:: Kuulo Kataa
Subjects Facet:: Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:: SF KK 00-379a
Creator:: Dr. Ann B. Stahl
Date searchable:: 2000
Date searchable:: 2000-07-06
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Kuulo Kataa;8.14847222, -2.37472222
Sketchfab Uid:
Commentary:: Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:: 8.14847222, -2.37472222

80. Clay smoking pipe, Kuulo Kataa, 2000

Description:: A short-stemmed, locally made clay smoking pipe, 2 views (bottom: view from side with pipe bowl to the left; top: view from top). Pipes like this were inspired by those used by America's First Peoples from whom Europeans learned about tobacco. Europeans introduced tobacco smoking to West Africa during the early centuries of trans-Atlantic trade. This pipe's bowl has a flared pedestal base with traces of red paint. The rounded pipe bowl is marked by deep vertical grooves at its base, above which are closely spaced horizontal rows of dentate impressions. The bowl's rim is missing. Its stem joins the bowl at its base (a "single-angled" form). The stem is collared at its end and has a flat lip. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 4 July, 2000.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Provenance:: Kuulo Kataa, Mound 130, 95E 108N, Level 3
Date:: 2000-07-04
Location(s) Facet:: Kuulo Kataa
Subjects Facet:: Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:: SF KK 00-326
Creator:: Dr. Ann B. Stahl
Date searchable:: 2000
Date searchable:: 2000-07-04
Genre Facet:: Digital image
Format:: Image
Source:: Dr. Ann B. Stahl
Location(s):: Kuulo Kataa;8.14847222, -2.37472222
Sketchfab Uid:
Commentary:: Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:: 8.14847222, -2.37472222

81. Women preparing food, Sabiye, 1986

Description:: Women in the house of Brɛmawuo work together to prepare the main meal of the day. The wives of the house sit on low wooden stools as they prepare food at clustered hearths. Each hearth is made of three laterite stones which hold the cooking pot above the fire. The women use an array of metal cooking vessels, calabash bowls (chrԑgbͻͻ in Nafaanra) and a clay pot (on the front hearth). The clay pot was likely purchased from one of the potting villages on the west of the Banda hills. Beneath the thatched roof behind the women are hearths used during rainy weather. This house was revisited in November 2018 and several of the women pictured here were interviewed about how foodways have changed over the three decades since this photo was taken. Among the women pictured are (L-R) Adwoa Hana (stirring), Yaa Yaa Dankwa (Stirring), Ama Nwotwenwaa (holding a calabash), Abena Kuma, (standing in blue cloth) and Ama Mensah (standing in red cloth). Sabiye, 15 August 1986.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Relation:: https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17145 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17144
Date:: 1986-08-15
Location(s) Facet:: Sabiye
Subjects:: Bremawuo House
Subjects Facet:: Gourd, Calabash; Stools; Cooking; Hearths; Textiles; Food preparation; West African strip weaving; Pottery
Identifier:: 0
Creator:: Dr. Ann B. Stahl
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1986
Date searchable:: 1986-08-15
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Sabiye;8.068359, -2.352164
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.068359, -2.352164

82. Shaping a clay pot, Dorbour, 1994

Description:: Yaa Tenabrԑ, a Nafana potter, stands as she begins to pull a clay lump upwards and outwards, using a draw-and-drag (direct pull) technique to form the walls of a clay pot. The clay rests on a metal plate (kpankpa in Nafaanra) supported by a wooden stump. She moves clockwise around the stump, using her left hand to draw clay up from the center of the lump and her right hand to shape and thin what will become the walls of the pot. As she pulls and smooths the clay, she forms the upper body and rim of the pot. The finger marks visible at this stage of the pot's forming show the direction in which she pulls the clay as she works. These marks will be smoothed away as she continues to form the pot. She uses a maize cob (bedjukaan in Nafaanra) as a tool to shape and smooth the pot's walls. She uses a spatula-like tool to thin and further smooth the surface. When she is finished forming the body and rim, she will set the clay jar aside to dry on the wooden pallet on which it rests. Once dry, she will add a rounded base to the pot. Five photos. Dorbour, 1994.
Rights:: Creative Commons Attribution-NonCommercial
Publisher:: University of Victoria Libraries
Location(s) Facet:: Dorbour
Subjects:: Potting; Women's work; Forming; Dorbour
Subjects Facet:: Pottery making; Handicraft
Identifier:: 26
Creator:: Dr. M. Dores Cruz
Contributors:: Dr. Ann B. Stahl
Date searchable:: 1994
Date searchable:: 1994
Genre:: ;35 mm slide
Genre Facet:: 35 mm slide
Location(s):: Dorbour;8.090342, -2.517137
Date Digitized:: 2016
Commentary:: Slide scanned by Veronique Plante
Geographic Coordinates:: 8.090342, -2.517137