Potting 82 items

61. Large slag nodule, Ngre Kataa, Mound 8, 2008

Description:
Iron slag is formed as a byproduct of iron smelting. Here a large slag nodule has broken in half, revealing its interior texture. At the archaeological site of Ngre Kataa, large chunks of 'bubbly' slag like this were occasionally found in household and other contexts, away from areas otherwise associated with metal-working activities. Potters at the time of the site's occupation had begun to use crushed iron slag as a tempering agent in their potting clays, which may explain why large nodules were being carried and cached in areas away from metal-working locations. Ngre Kataa, June, 2008.
Rights:
Creative Commons Attribution--NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Ngre Kataa, Mound 8, Unit 8N 127E, Level 3
Date:
2008-06-23
Location(s) Facet:
Ngre Kataa
Subjects:
Slag
Subjects Facet:
Archaeology; Metalworking; Metallurgy; Pottery making; Artifacts (Antiquities)
Identifier:
NK08-027
Creator:
Dr. Ann B. Stahl
Date searchable:
2008
Date searchable:
2008-06-23
Genre:
Digital image
Format:
Image
Source:
Dr. Ann B. Stahl
Location(s):
Ngre Kataa
Parent:
17-18289
Geographic Coordinates:
8.11277778, -2.30611111

62. Fired and finished clay jars, Bondakile, 1982

Description:
A group of four clay jars cool after being removed from the bonfire and dipped in bark solution. The solution carbonizes as it comes in contact with the hot surface of the pot, creating a glossy darkened surface that reduces the jar's porosity. A portion of one jar's rim has broken off during the firing and finishing process. Visible on the lower pot surfaces is the maize cob (bledjukaan in Nafaanra) roulette applied to create a roughened surface prior to firing. Shallow grooves used to decorate the upper surfaces are visible on the jar in the foreground. Pieces of bark from the bark solution adhere to the jars' surfaces. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Potting; Maize cob roulette; Decoration
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics)
Identifier:
25
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

63. Bonfire firing of clay pots, Adadiem, 1994

Description:
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Grinding bowls; Women's work
Subjects Facet:
Handicraft; Pottery; Firing (Ceramics)
Identifier:
37
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Location(s):
Adadiem;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

64. Dipping clay pots in bark solution, Bondakile, 1982

Description:
Potters and their helpers place hot clay jars, just removed from the bonfire, into a solution made from pounded tree bark. They use their long wooden poles to carry the pots to large pottery bowls containing the bark solution. They dip and turn the pot in the solution, allowing it to carbonize on the surface of the hot jar. This finishing step colors the jar's surface and makes its walls less porous which is said to improve its cooking performance. The remains of the bonfire, banked by previously fired broken pots, can be seen in the rear center. Four photos. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16840
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Potting; Finishing; Women's work; Jars
Subjects Facet:
Firing (Ceramics); Pottery; Handicraft; Pottery making
Identifier:
24
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

65. Pounding bark used to finish clay pots, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, uses a pestle to pound bark that will be used to make a solution to finish clay pots. In a nearby headpan, more stripped bark awaits pounding. After pounding, the bark will be soaked in water. Hot clay pots just removed from the bonfire will be dipped and turned in the solution. This colors the pots and is said to reduce their porosity. She sits on a stool as she works in the courtyard near a hearth. Nearby is a large metal cooking pot, several wooden mortars and a number of pestles. Finished clay soup cooking pots (chiin sinyjͻlͻ in Nafaanra) sit behind her ready for sale. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Dorbour
Subjects:
Headpans ; Women's work; Potting; Pounding; Dorbour; Soup pots (chiin sinyjolo)
Subjects Facet:
Handicraft; Pottery making; Mortars & pestles; Pottery
Identifier:
22
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Location(s):
Dorbour;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

66. Clay pots for sale in the Bondoukou market, 1994

Description:
During the 20th century women from the potting villages of Dorbour, Adadiem and other locations west of the Banda hills sold their pots in markets centers to the east and the west. Here women sell clay pots in the market at Bondoukou in Côte d’Ivoire. Visible are varied-sized cooking pots (sro chͻ in Nafaanra), water jars (chͻkoo in Nafaanra), soup pots (chiin sinyjͻlͻ in Nafaanra) and grinding bowls (pԑԑ in Nafaanra). Also for sale in the foreground are clay eating bowls that appear to have been fired in a kiln (?) rather than a bonfire. Bondoukou, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Bondoukou
Subjects:
Grinding bowls; Water pots (chokoo); Cooking pots (sro cho); Marketing; Eating bowls ; Jars; Soup pots (chiin sinyjolo)
Subjects Facet:
Markets; Pottery
Identifier:
9
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Location(s):
Bondoukou;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.040654, -2.801507

67. Bonfire firing of clay pots, Adadiem, 1994

Description:
Fired, blackened clay grinding bowls are stacked (center). While hot from the fire, the bowls have been blackened by rolling them in dry grass or peanut (boŋgrɛ in Nafaanra) shells. To the right, a bonfire firing is in progress. The outside perimeter of the fire is banked with previously fired but broken jars. To the left, a large clay bowl contains a bark solution into which the pots are dipped while still hot from the fire. Behind that, another bonfire burns. To the right (back, center) pots have been stacked in preparation for another bonfire firing. The fashion of blackening grinding bowls began in the Banda area sometime during the 20th century. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Adadiem
Subjects:
Grinding bowls; Women's work; Potting; Bonfire
Subjects Facet:
Handicraft; Pottery; Firing (Ceramics)
Identifier:
37
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Location(s):
Adadiem;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

68. Scraping a clay pot, Dorbour, 1994

Description:
Adwoa Fodjoa, a Nafana potter, sits on a wooden stool as she thins the inside walls of a clay water pot (chͻkoo in Nafaanra). The pot has been formed and set aside to dry before the potter thins its walls. The round-based pot rests on a cloth as she works. Other water pots on which she is working sit near her, turned upside down. A metal plate that she uses as a palette (kpankpa in Nafaanra) on which to form pots sits by her foot. The clay jar in front of the pot on which she is working contains the water she uses to moisten the pot as needed. A tray with lumps of clay and two enamel ware pots sit nearby. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Dorbour
Subjects:
Forming; Women's work; Potting; Dorbour; Water pots (chokoo)
Subjects Facet:
Handicraft; Pottery making; Enameled ware
Identifier:
17
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Location(s):
Dorbour;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

69. Finished, fired clay pots, Adadiem, 1994

Description:
Clay pots that have been fired and finished by dipping in a bark solution cool as a group looks on. To the right, a woman is dipping a clay pot just removed from the fire in a bark solution contained within a large metal cooking pot. She uses a long pole to turn the pot. The bark solution carbonizes as it comes in contact with the hot clay surface, creating a darkened sheen, as on the pots to the left. From left, Vida, Enoch Mensah (research assistant, blue shirt) and Obimpeh. Center and right, Yaa Sunyani (blue head scarf) Akua Kpͻͻ and Yaa Kpͻͻ (pink top). In the background (right) a fenced kitchen garden is visible. Adadiem, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Adadiem
Subjects:
Potting; Metal pots; Finishing; Soup pots (sro cho); Headpan
Subjects Facet:
Handicraft; Gardens; Pottery; Firing (Ceramics)
Identifier:
20
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Location(s):
Adadiem;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.082874, -2.552821

70. Pottery firing techniques, Bondakile, Adadiem and Dorbour, 1982, 1994

Description:
This short video made from still photographic images illustrates the firing techniques of Banda-area potters. It shows examples of bonfire firing and post-firing treatment of vessels in a solution of pounded bark. Images include a 1982 sequence following Mo potters in Bondakile and 1994 images of Nafana potters in Adadiem and Dorbour, featuring Afua Donkor and Yaa Nsiah Adiemu from the latter. Original images used to make the video are available in the Banda Through Time Repository. Bondakile, 1982. Adadiem, Dorbour, 1994. Length: 4.22 minutes.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17150 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17352 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-17351
Date:
2019-04-18
Location(s) Facet:
Adadiem
Subjects:
Potting; Bonfire; Water jars; Grinding bowls; Women's work
Subjects Facet:
Handicraft; Pottery making; Pottery; Firing (Ceramics); Firewood
Creator:
Elisa O'Malley
Contributors:
Dr. Ann B. Stahl; Dr. M. Dores Cruz; Dr. Ann B. Stahl
Date searchable:
1982;1984
Date searchable:
2019-04-18
Genre:
Digital video
Format:
Video
Language:
English
Location(s):
Adadiem;
People Facet:
Elisa O'Malley
Commentary:
Video made from still images in Adobe Premier by Elisa O'Malley
Geographic Coordinates:
7.986031, -2.546331

71. Preparing the firewood for firing clay pottery, Dorbour, 1994

Description:
Afua Donkor, a Nafana potter, selects and places fuel as she prepares to fire clay soup pots (chiin sinyjͻlͻ in Nafaanra) that have been slipped red. Other clay pots sit nearby awaiting firing, some in a headpan. The pots are carefully stacked on top of the wood and additional fuel placed on top. Additional firewood is stacked behind and in front lays the bark that she will use to cover the clay pots before lighting the bonefire. Once lit, the bonfire will burn for between 30 and 60 minutes, after which the fired pottery will be hardened, useable and ready for sale. Two photos. Dorbour, 1994.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Date:
1994
Location(s) Facet:
Dorbour
Subjects:
Soup pots (chiin sinyjolo); Bonfire; Headpan; Potting; Jars; Slipping
Subjects Facet:
Firing (Ceramics); Firewood; Pottery; Handicraft
Identifier:
21; 29
Creator:
Dr. M. Dores Cruz
Contributors:
Dr. Ann B. Stahl
Date searchable:
1994
Date searchable:
1994
Genre:
35 mm slide
Location(s):
Dorbour;
Date Digitized:
2016
People Facet:
Dr. M. Dores Cruz
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
8.090342, -2.517137

72. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she draws the clay upward and outward from the center as she moves clockwise around the stump that holds the movable palette (kpankpa in Nafaanra) on which the jar is being formed. The fingermarks left as she pulls and thins the clay will be smoothed over as she continues to shape the jar. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
1
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

73. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. As she began she drew the moist clay upward and outward from the lump with which she started. Here she shapes the jar's neck and outward flaring rim. Before doing so, she has smoothed away finger marks created as she formed the jar's body. As she works, she moves around the stump that supports the palette on which the jar is being formed. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
3
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

74. A partially formed clay jar, Bondakile, 1982.

Description:
A potter has completed the draw-and-drag (direct pull) molding of a clay jar body and rim. The surface of the jar has been moistened and smoothed. It will be set aside to dry. Once it has dried to a leather-hard state, she will remove the partially finished jar from the palette (kpankpa in Nafaanra) on which she formed it and will add a rounded base using fresh, moist clay. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
9
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

75. Molding a clay jar, Bondakile, 1982

Description:
A standing potter molds the body of a clay jar using a draw-and-drag (direct pull) technique. Beginning with a lump of moist clay, she has drawn the clay upward and outward with her hands. Here she begins to shape the form of the jar's neck and outward-flaring rim. As she works, she moves backwards around the stump that supports the palette (kpankpa in Nafaanra) on which the jar is being formed. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
4
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

76. Molding a clay jar, Bondakile, 1982

Description:
A standing potter puts the finishing touches on the rim of a clay jar that she has molded using a draw-and-drag (direct pull) technique. She has finished the body, neck and rim of the jar and will now set it aside to dry. After it has dried to a leather-hard state, she will remove the jar from the palette (kpankpa in Nafaanra) on which it has been formed and she will add a rounded base. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16856 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
7
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

77. Molding a clay jar, Bondakile, 1982

Description:
A potter uses a draw-and-drag (direct pull) technique as she begins to mold the body and rim of a pottery jar from a lump of moist clay. The clay rests on a palette (kpankpa in Nafaanra) supported by a stump. She moves clockwise around the stump as she uses her hands to pull the clay upward and outward to form the walls of the pot. Bondakile, October, 1982.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Relation:
https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16847 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16853 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16854 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16848 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16850 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16855 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16851 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16849 ; https://exhibits.library.uvic.ca/spotlight/iaff/catalog/17-16852
Date:
1982-10
Location(s) Facet:
Bondakile
Subjects:
Forming; Women's work; Potting; Jars
Subjects Facet:
Handicraft; Pottery making; Pottery
Identifier:
Slide number 38
Creator:
Dr. Ann B. Stahl
Contributors:
Dr. Ann B. Stahl
Date searchable:
1982
Date searchable:
1982-10
Genre:
35 mm slide
Location(s):
Bondakile;
Date Digitized:
2016
People Facet:
Dr. Ann B. Stahl
Commentary:
Slide scanned by Veronique Plante
Geographic Coordinates:
7.986031, -2.546331

78. Clay smoking pipe bowl, Kuulo Kataa, 2000

Description:
Broken bowl of a locally made clay smoking pipe, 2 views (left: bowl interior; right: bowl exterior). Pipes like this were made across West Africa after Europeans learned the practice of smoking tobacco from First Peoples of the Americas and introduced it to Africa in early centuries of the trans-Atlantic trade. This pipe bowl has a flared pedestal base decorated with red paint. The oval bowl is decorated with vertical rows of triangular impressions, above which are two grooved lines and an area with red paint. The bowl's interior is blackened from use toward its base. The bowl's rim and its stem are missing. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 28 June, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 130, Unit 95E 110N, Level 4
Date:
2000-06-28
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:
SF KK 00-233
Creator:
Dr. Ann B. Stahl
Date searchable:
2000
Date searchable:
2000-06-08
Genre:
Digital image
Format:
Image
Source:
Dr. Ann B. Stahl
Location(s):
Kuulo Kataa;
Commentary:
Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:
8.14847222, -2.37472222

79. Clay smoking pipe, Kuulo Kataa, 2000

Description:
A short-stemmed, locally made clay smoking pipe, 2 views (bottom: view from side with pipe bowl to the left; top: view from top). Pipes like this were inspired by those used by America's First Peoples from whom Europeans learned about tobacco. Europeans introduced tobacco smoking to West Africa during the early centuries of trans-Atlantic trade. This pipe's bowl has a flared pedestal base with traces of red paint. The rounded pipe bowl is marked by deep vertical grooves at its base, above which are closely spaced horizontal rows of dentate impressions. The bowl's rim is missing. Its stem joins the bowl at its base (a "single-angled" form). The stem is collared at its end and has a flat lip. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 4 July, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 130, 95E 108N, Level 3
Date:
2000-07-04
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:
SF KK 00-326
Creator:
Dr. Ann B. Stahl
Date searchable:
2000
Date searchable:
2000-07-04
Genre:
Digital image
Format:
Image
Source:
Dr. Ann B. Stahl
Location(s):
Kuulo Kataa;
Commentary:
Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:
8.14847222, -2.37472222

80. Clay smoking pipe bowl, Kuulo Kataa, 2000

Description:
Broken bowl of a locally made clay smoking pipe, 2 views (left: bowl interior; right: bowl exterior). Pipes like this were made across West Africa after Europeans learned the practice of smoking tobacco from First Peoples of the Americas and introduced it to Africa in early centuries of the trans-Atlantic trade. This pipe bowl flares outward toward its rim and inward toward its base. Its inward-flaring bottom is decorated with red paint in a zone marked by a deep horizontal groove. Above this, decorated zones are separated by two vertical grooves. Zones of hatched incised lines alternate with vertical rows of rectangular impressions. The top half of the bowl's interior is blackened from use. The bowl's base and the pipe's stem are missing. The potting clay used to make the pipe is tempered with fine white grit. Photo scale in cm. Site Kuulo Kataa. 6 July, 2000.
Rights:
Creative Commons Attribution-NonCommercial
Publisher:
University of Victoria Libraries
Provenance:
Kuulo Kataa, Mound 123, Unit 89E 86S, Level 8
Date:
2000-07-06
Location(s) Facet:
Kuulo Kataa
Subjects Facet:
Tobacco pipes; Pottery; Artifacts (Antiquities)
Identifier:
SF KK 00-379a
Creator:
Dr. Ann B. Stahl
Date searchable:
2000
Date searchable:
2000-07-06
Genre:
Digital image
Format:
Image
Source:
Dr. Ann B. Stahl
Location(s):
Kuulo Kataa;
Commentary:
Composite photo made using Adobe Photoshop 2020
Geographic Coordinates:
8.14847222, -2.37472222