Escalation and Confrontation (1965-1967)

The two must have reached a reconciliation of sorts because, inexplicably, Holiff stayed on Cash's manager, even though Cash's financial issues meant that Holiff had to take serious cuts to his commissions. A contract from 4 December 1965, for example, shows that he was supposed to receive a third of profits for dates booked with Variety Theater International Inc. in Duluth, Victoria, Vancouver, and Seattle, but that the contract was amended to grant two-thirds of profits to Cash instead. 

In a letter to Cash from April 1966 (right), Holiff reflected upon the five years of their association, remarking that because his expenses had increased and his commissions had been reduced substantially in that time, "I am earning less now than I was four years ago." And although he concedes that he "willingly accepted the erosion of my situation as time went by," but Holiff's decreasing commission would become a major point of contention between him and Cash as the years progressed.

But Holiff was there to help Cash face the turbulent events of 1966, including a hateful onslaught of attention from a white supremacist group following Cash's arraignment in December 1965. When a photograph of Cash and his wife, Vivian, leaving the courthouse (which had appeared in newspapers around the world) was reprinted in the Thunderbolt, the newspaper of the white supremacist National States' Rights Party, Cash had to deal with months of harassment because they thought Vivian was  African American. Likely due to the horrible emotional toll of the fire, the arrest, and the harassment by white supremacists (as well as Cash's ongoing relationship with June Carter), Vivian filed for divorce in August 1966. Holiff and Cash's accountant, Anzac Jacobs, were the ones who handled the settlement.

Meanwhile, things were not going well on the tour circuit either. The morning after a show that Holiff had scheduled at the prestigious O'Keefe Centre (now the Sony Centre for the Performing Arts) in Toronto, Ontario, Cash was discovered near-death in his motor home after an overdose. The other members of the show, Holiff included, debated whether to call the police, take Cash to the hospital, or drive--as planned--to Rochester, where they were booked for a show the following night. The stakes were high: they were concerned for Cash's health, but they also had to weigh the risk of being discovered in possession of his drugs (which he often hid around his trailer) by police in Canada or at the border. They opted to go to Rochester. As Holiff later recalled in a speech to London Rotary Club, the promoters of the concert in Rochester were involved with the mob and posed a threat to everyone's safety if they missed the show.

To everyone's disbelief, Cash made a full recovery in time to perform, just one occasion among many that he managed a miraculous comeback from ruin and possible death. 

Listen to Saul Holiff tell the story of Cash's overdose in a speech to the London Rotary Club, 1978:

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